4Make settings for “Tone No.” and “Fixed Note No.”

Select “Tone No.,” and set “Fixed Note No.” to the note number that will be sounded by that tone. For each horizontal line (Tone) in the screen, you will spec- ify the drumsample (note number) of the drum kit. Each Tone will be displayed as a small circle.

For this example, set “Tone No.” and “Fixed Note No.” as follows.

Tone No.

Fixed Note No.

00

C2 (kick)

 

 

01

F2 (snare)

02F#3 (closed hi-hat)

03A#3 (open hi-hat)

The drumsamples that correspond to each note num- ber will differ depending on the drum kit. It is conve- nient to audition the drum sounds from the keyboard, and then input “Fixed Note No.” by holding down the [ENTER] key and playing the desired key.

5Input the kick (Tone00).

Set “Step No.” to 01, and press the [0] key. Then set “Step No.” to 05, and press the [0] key.

6Input the snare (Tone01).

Set “Step No.” to 03, and press the [1] key. Then set “Step No.” to 07, and press the [1] key.

7Input the closed hi-hat (Tone02).

Set “Step No.” to 01, 02, 03, 05, 06, and 07, and press the [2] key for each.

8Input the open hi-hat (Tone03).

Set “Step No.” to 04, and press the [3] key. Then set “Step No.” to 08, and press the [3] key.

If “Fixed Note Mode” is set to Trigger All Tones, play- ing a single note on the keyboard will cause the rhythm pattern to play.

If “Fixed Note Mode” is set to Trigger As Played, play- ing a single note on the keyboard will cause only the kick (Tone00) to play.

Playing two notes on the keyboard will cause only the kick (Tone00) and snare (Tone01) to play. In this way, the number of keys that you play will be played by the same number of tones.

9Set the parameters for each step.

Use “Velocity” etc. to add accents to the rhythm pat- tern.

The “Gate” and “Velocity” settings you make here will be valid if the “Gate” and “Velocity” parameters (Program P7: Edit-Arpeggiator, Arpeg. Setup page) of the program selected in Program mode are set to Step. If these parameters have a setting other than Step, the “Gate” and “Velocity” that were specified for each individual step will be ignored, and the notes of the arpeggio will be sounded according to the set- tings of the Program P7: Edit-Arpeggiator, Arpeg. Setup page. Check the settings of the program.

Set the “Gate” and “Velocity” by using the ARPEG- GIATOR [GATE] and [VELOCITY] knobs to the cen- ter position (12 o’clock).

Dual arpeggiator editing

Here we will use a combination as an example in our explanation.

The same procedure applies when editing an arpeggio pattern in Sequencer and Song Play modes.

If you have entered this mode from the Combination mode, the arpeggio pattern selected by the combination will be affected by your editing.

1In Combination mode, select a combination that uses the arpeggio pattern you wish to edit.

For this example, select a combination to which both arpeggiators A and B are assigned.

2Press the ARPEGGIATOR [ON/OFF] key to turn on the arpeggiator (the LED will light).

Even if the arpeggiator had been turned off when you moved here, you can use the ARPEGGIATOR [ON/ OFF] key to turn it on. However, if “Arpeggiator RunA or B are not checked, and if “Arpeggiator Assign,” is set to off, then the arpeggiator will not operate.

3Select the Global P6: User Arpeggio, Pattern Setup page.

4If you moved here from Combination mode, use the “Arpeggio Select” A and B to select the arpeggiator that you wish to edit.

If this is A, your editing will apply to the parameters and user arpeggio pattern of arpeggiator A.

If this is B, your editing will apply to the parameters and user arpeggio pattern of arpeggiator B.

5Switch between arpeggiators A and B, and edit their respective user arpeggio patterns.

If you wish to stop one of the arpeggiators, return to Combination mode, and in Combination P0: Play, select the Arpeggio Play A or the Arpeggio Play B page and uncheck the “Arpeggiator Run” check box.

6To modify the name of a user arpeggio pattern, use the Utility “Rename Arpeggio Pattern” (p.56).

7If you wish to save the edited user arpeggio pattern in internal memory, you must write the user arpeggio pattern.

In this case, both user arpeggio patterns will be written simultaneously. If you turn off the power without writ- ing, the edited contents will be lost (p.58).

8If you wish to save the state of the combination at the same time, return to Combination mode and write the combination (p.56).

When editing a user arpeggio pattern, pay attention to the global MIDI channel, the channel of each track, and the arpeggiator assignments, and make sure that the arpeggiator you are hearing is the pattern that you wish to edit.

If you moved here from Sampling mode, the arpeg- giator will not turn on. Nor will it be possible to edit arpeggio patterns.

 

Basic functions

 

 

 

 

 

 

 

Saving data

 

 

Loading data

 

 

Program

settings

 

Combination

settings

 

Producing

songs

 

 

 

 

 

 

 

Sampling

settings

 

Creating a

CD

 

SMF

playback

 

System

settings

 

Drum kit

settings

 

 

 

 

 

 

 

Arpeggiator

settings

 

 

 

 

 

 

 

Effects

settings

 

Other

functions

 

 

 

137

Page 145
Image 145
Korg sampler Dual arpeggiator editing, 137, Make settings for Tone No. and Fixed Note No, Set the parameters for each step