Korg music workstation, sampler manual Step recording, Event Edit and Create Control Data

9When the song ends, stop the external sequencer.

TRITON STUDIO’s sequencer will receive the MIDI Stop message transmitted by the external sequencer, and will automatically stop recording. You can also press the SEQUENCER [START/STOP] key on TRI- TON STUDIO itself to stop recording.

0Playback.

In the Global P1: MIDI page, set “MIDI Clock” to Internal.

Set “Tempo Mode” to Auto.

When you press the SEQUENCER [START/STOP] key, playback will begin.

If the correct sounds do not play immediately after playback is started, you may be able to solve the problem by using the page menu command “Event Edit” (Sequencer P5: Track Edit) to edit the Program Change data.

Step recording

This is a method of recording where you specify the note timing, note length, and velocity etc. in the LCD screen, and use the keyboard to input the pitches. (☞p.52)

Only note-on/off data can be recorded with this method.

Event Edit and Create Control Data

Note data is the only type of data that can be recorded in step recording. However there are ways to record other types of data, aside from the realtime mode. You can use the Event Edit and Create Control Data functions.

Event Edit is intended as a way to edit previously- recorded data, but you can also use it to modify program numbers or insert control changes.

Create Control Data is a function that lets you create and insert controller data that changes smoothly between two specified values over the specified length of time. This is used to input bend, after touch, and control change data etc.

Realtime-recording to a pattern

Here’s how you can use realtime recording to create a pat- tern. User patterns can be accessed by the RPPR function in the same way as preset patterns, and can be copied to or placed in a song. Playback data from a track can also be copied to a pattern.

Before you begin recording a pattern, turn off the memory protect setting in Global mode (☞p.57).

When realtime-recording a pattern, a pattern of the speci- fied number of measures will playback repeatedly, allow- ing you to continue adding musical data to it.

1Create a new song, and as described in “Preparations for recording,” set the track to the program that will be used by the pattern. (☞p.82)

2Access the Sequencer P6: Pattern/RPPR, Pattern Edit page.

3Use “Track Select” to select the track that you will use to record the pattern.

The pattern will sound with the program and other set- tings of the selected track.

4Set “Pattern (Pattern Bank)” to User, and set “Pattern Select” to U00.

User patterns U00–U99 can be created for each song.

5Select the page menu command “Pattern Parameter”. A dialog box will appear.

6Set the number of measures in the pattern to a “Length” of 04 (four measures), and set “Meter” to a time signature of 4/4. Press the OK button.

7As necessary, set “Resolution” to apply realtime quantization.

8Begin realtime recording.

You can record in the same way as you did when recording tracks with Loop All Tracks. (☞p.85)

Press the SEQUENCER [REC/WRITE] key, and then press the SEQUENCER [START/STOP] key.

After the pre-count, pattern recording will begin. Play the keyboard and operate the joystick and other con- trollers to record your performance.

When you reach the end of the pattern, the sequncer will return to the beginning of the pattern and continue recording. If you continue recording, the newly recorded data will be added to the previously-recorded data.

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