Korg music workstation, sampler manual Listen to the sample and edit it

3Press the SAMPLING [START/STOP] key to stop recording.

Sampling will end automatically when the specified “Sample Time” is reached.

6. Listen to the sample and edit it

1Press the Perf. Edit tab to select the P0: Play, Perfor- mance Edit page, and select the program into which the newly-recorded sample was converted.

INT-E: 101 was selected in the example shown here, so press the [INT-E] key, then numeric keys [1], [0], and the [1] key.

2Play the C3 note on the keyboard to hear the sound that was resampled.

REALTIME CONTROLS knobs 1–4, the Performance Editor, and the various parameters in P1: Edit-Basic– P9: Edit-Master Effect can be used to edit the program for the sound you resampled, for example by adjust- ing the filter, EG, or effects. (☞p.34, 67)

If you want to adjust the loop point or other settings of the sample, edit these parameters in Sampling mode. (☞p.43)

Sample an arpeggiated drum phrase together with an exter- nally-input guitar

Here’s how you can resample an arpeggiated perfor- mance together with an external audio input source.

In this example, we will explain how a guitar connected to the AUDIO INPUT jack can be played along to a drum pattern played by the TRITON STUDIO, and how both can be sampled together.

Sampling can be performed in a similar way in Com- bination and Sequencer modes as well as in Program mode.

The procedure given here assumes that you are start- ing from the default state immediately after power- on.

1.Select the program that you want to sam- ple

1Press the [PROG] key to enter Program mode, and select the INT-B020: Processed Kit program.

2Turn on the arpeggiator (ARPEGGIATOR [ON/OFF] key LED is lit), and play the keyboard to make sure that a drum phrase is sounded.

Press the Arpeggio tab, and make sure that “Latch” is checked.

Also adjust the arpeggiator tempo “ ” as desired.

3Press the ARPEGGIATOR [ON/OFF] key to turn off the arpeggiator.

2.Connect your guitar and make input set- tings

1Connect your guitar to the rear panel AUDIO INPUT 1 jack.

Set the AUDIO INPUT [MIC/LINE] switch to the LINE position, and set the [LEVEL] knob to approximately the center position.

Guitar

If you are using a guitar with passive pickups (i.e., without an internal pre-amp), the mismatch of impedance levels will make it difficult to sample at an appropriate level. You should route the signal from the guitar through a pre-amp or effect unit.

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