Korg sampler, music workstation manual Filter settings, P3 Edit-Filter, Pitch EG, Filter1

“Intensity (AMS Intensity)” specifies the depth of vibrato that will be applied by the LFO when an AMS (Alternate Modulation Source) is used. For example if “AMS (LFO1 AMS)” is set to After Touch and you set an appropriate value for “Intensity (AMS Intensity),” vibrato will be applied when you apply pressure to the keyboard or when MIDI aftertouch messages are received.

Pitch EG page

Here you can adjust the settings for the pitch EG. When you wish to create sound effects etc., set the pitch EG to make major changes in pitch over time.

To realistically simulate the slight change in pitch that occurs when a string is plucked or at the attack of a brass or vocal sound, you can use the EG to create a subtle change in pitch at the attack (☞PG p.12).

EG and LFO

By using an EG (envelope generator) to apply time-vary- ing change or by using an LFO (Low Frequency Oscilla- tor) to apply cyclic change to pitch, filter, or amp, you can create changes in the pitch, tone, or volume.

EG (Envelope Generator)

TRITON STUDIO provides a Pitch EG, Filter EG, and Amplifier EG, which produce time-varying changes in pitch, tone, and volume respectively.

note-on Attack Level note-off

Break Level

Level
Sustain Level		Release Level
		Time
Decay Time	Slope Time	Release Time
Attack Time

Start Level

LFO (Low Frequency Oscillator)

For each oscillator, TRITON STUDIO provides two LFO’s that can be used to apply cyclical change in pitch, tone, and volume.

Examples of this are vibrato (cyclical change in pitch), wah (cyclical change in tone), and tremolo or auto-pan (cyclical change in volume).

Filter settings P3: Edit-Filter

The filter allows you to diminish or emphasize specified frequency areas of the multisample selected for the oscil- lator.

The tone of the sound will depend significantly on the filter settings.

TRITON STUDIO provides Filter 1 for OSC1 and Filter 2 for OSC2. For each of these filters, you can select from two types (Low Pass Resonance or Low Pass & High Pass).

Filter 2 can be used if “Oscillator Mode” is set to Double.

Level		Level	Filter characteristics
				This area of
				overtones will
				be diminished
		Filter		Overtones after
	Overtones included
	in the original multisample			passing through
				the filter
	Frequency (pitch)			Frequency (pitch)

Filter1 page

Filter Type, Filter A, Filter B

Selects the type of filter, and specify the “Frequency” (cut- off frequency) and “Resonance” (resonance level).

•Low Pass Resonance (24 dB/oct low pass filter with resonance): Make settings for filter A.

•Low Pass & High Pass (12 dB/oct low pass filter and 12 dB/oct high pass filter in series connection): Make low pass filter settings in filter A, and high pass filter settings in filter B.

Low pass filter

This is the most common type of filter, which allows the low frequency range to pass and cuts the high frequency range. When the overtones of the high range are cut, a bright sound will become darker (more mellow).

24 dB/oct and 12 dB/oct refer to the steepness of the cut. 24 dB/oct means that the gain will decrease 24 dB in one octave (i.e., as the frequency doubles). A 12 dB/oct filter would decrease the gain 12 dB in one octave. The 24 dB/ oct filter produces a steeper cut.

Low Pass

Level

12dB/oct

24dB/oct

Frequency

Basic functions
Saving data
Loading data
Program	settings
Combination	settings
Producing	songs
Sampling	settings
Creating a	CD
SMF	playback
System	settings
Drum kit	settings
Arpeggiator	settings
Effects	settings
Other	functions

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