Korg sampler manual Effect settings for Audio Input, 143, Set the parameters for Input1

Effect settings for AUDIO INPUT

In Program, Combination, Sequencer, Song Play, and Disk modes, external audio sources can be input from the AUDIO INPUT 1, 2, S/P DIF IN, and mLAN (if the EXB- mLAN option is installed) jacks, or from an audio CD inserted in the CDRW-1 option (if installed), and pro- cessed by the TRITON STUDIO’s effects. In these modes, the insert effects, master effects, and master EQ can be used. Settings for the external audio input from each AUDIO INPUT 1, 2, S/P DIF IN, and mLAN (if the EXB- mLAN option is installed) jack can be made in “Input (COMBI, PROG, SEQ, S.PLAY, DISK).” Normally, you will make these settings in the Global mode P0: Basic Setup, Input/Sampling page, but you can also make them in Combination, Program, Sequencer, or Disk modes.

In these modes, you can apply the TRITON STUDIO’s effects to the external audio signals from each jack and sample the result, or use the TRITON STUDIO as a 6-in (AUDIO INPUT 1, 2, S/P DIF IN L, R, mLAN 1, 2) 6-out effect processor. You can also use it as a vocoder effect (093: Vocoder) in which internal sounds are controlled by an external mic input.

Routing

In Program, Combination, Sequencer, Song Play, and Disk modes (i.e., in other than Sampling mode), the routing of the external audio input signals from the various jacks is specified by “BUS (IFX/Indiv.) Select.”

1Use “Input (COMBI, PROG, SEQ, S.PLAY, DISK)” to select the source that you want to input.

This setting can be made in any of the following pages. If you want to save the edited settings into internal memory, you must write them. Use the Global mode page menu command “Write Global Settings.”

Program, Combination	P0: Play, Sampling page
Sequencer	P0: Play, Sampling page
Global	P0: Basic Setup, Input/Sampling
	page
Disk	Play Audio CD page

Input-related settings are shared between all of the above modes. For each input source that you select in “Input (COMBI, PROG, SEQ, S.PLAY, DISK),” a rout- ing can be specified independently. If desired, you may input simultaneously from all input sources.

If you want to make these settings in Global mode, move to Global mode from the mode (other than Sampling mode) in which you will be inputting the external audio signals. If you move from Sampling mode to Global mode, the Input (SAMPLING) settings of Sampling mode will be maintained, and it will not be possible to view the settings of this page.

These settings are ignored in Sampling mode. Audio

input settings for Sampling mode are made in a simi- lar way, in Sampling P0: Recording, Input/Setup page Input (SAMPLING).

When you apply effects to external input signals from the AUDIO IN 1, 2, S/P DIF IN, and mLAN inputs, oscillation may be heard depending on the type of effect and the parameter settings of the effect. If this occurs, adjust the input level, output level, and effect parameters. Particular care should be taken when using high-gain effects.

2Set the parameters for Input1 and 2.

Input1 and 2 correspond to the following inputs.

Analog	AUDIO INPUT	1	Input1
		2	Input2
S/P DIF	S/P DIF	Lch	Input1
		Rch	Input2
mLAN	mLAN	1	Input1/Input2
		2	Input1/Input2

“Level”: Sets the level of the input signal that you selected in “Input (COMBI, PROG, SEQ, S.PLAY, DISK).” Normally you will set this to 127. If the sound is distorted even though you lower this setting signifi- cantly, it is possible that the sound is distorting before the AD converter. Adjust the [LEVEL] knob or the out- put level of the external audio source.

“Pan”: Sets the pan of the input signal that you selected in “Input.” When inputting a stereo audio source, you will normally set Input1 to L000, and Input2 to R127 (or Input1 to R127 and Input2 to L000). When inputting a mono audio source, you will nor- mally set this to C064.

“BUS (IFX/Indiv.) Select”: In the same way as when making settings for the oscillator(s) of a program, Spec- ifies the bus to which each external audio input will be sent. (☞p.140)

“Send1 (to MFX1),” “Send2 (to MFX2)”: In the same way as when making settings for the oscillator(s) of a program, sets the master effect send levels for each external audio input. This can be set only if “BUS (IFX/ Indiv.) Select” is set to L/R or Off. (☞p.141)

If “BUS (IFX/Indiv.) Select” is set to IFX1–5, the master effect send levels are set by the “Send1” and “Send2” parameters following the insert effect (in each Insert FX page).

If “BUS (IFX/Indiv.) Select” has a setting other than Off, and you raise the “Level” value, the external audio source will be input to the TRITON STUDIO. At this time if audio cables are connected to the rear panel AUDIO INPUT 1 and 2 jacks, noise may be input to the TRITON STUDIO via the AD converter even if no audio input is actually present, and depending on the settings, may be output from AUDIO OUTPUT L/R, 1, 2, 3, or 4. If you will not be using an external audio source, but are using only the internal sounds of a program, combination, or song, set “BUS (IFX/Indiv.) Select” to Off, or set “Level” to 0.

Similarly, if you will not be using the S/P DIF IN con- nector or mLAN connector, set these inputs to “BUS (IFX/Indiv.) Select” Off, or set their “Level” to 0.

If no audio cables are connected to the rear panel AUDIO INPUT 1 and 2 jacks, the data that is input to the TRITON STUDIO from the AD converter will be set to zero, and no noise will be output.

Basic functions
Saving data
Loading data
Program	settings
Combination	settings
Producing	songs
Sampling	settings
Creating a	CD
SMF	playback
System	settings
Drum kit	settings
Arpeggiator	settings
Effects	settings
Other	functions

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