Korg sampler, music workstation manual Structure of Sequencer mode, Songs, Patterns, Cue List

The structure of Sequencer mode

The following describes the structure of Sequencer mode. (☞diagram below)

Songs

A song consists of tracks 1–16, a master track, song parameters such as the song name, effect, arpeggiator and RPPR parameters, and 100 user patterns.

A maximum of 200 such songs can be created on TRITON STUDIO.

Tracks 1–16 and the master track each consist of setup parameters located at the start location, and musical data within the track.

Setup parameters

Tracks 1–16

Bank/Program No.*, PLAY/MUTE/REC, Pan*, Vol- ume*, Track Play Loop, Loop Start Measure, Loop End Measure, Play Intro, Status, MIDI Channel, Bank Select (When Status=EX2), Force OSC Mode, OSC Select, Por- tamento*, Transpose**, Detune**, Bend Range**, Delay, Use Program's Scale, MIDI Filter, Key Zone, Velocity Zone, Track Name, Arpeggiator Assign, IFX/Indiv.Out BUS Select, Send1(MFX1)*, Send2(MFX2)*

Master track

Time signature*, Tempo*

Musical data

Tracks 1–16

Note On/Off, Program Change (including Bank Select), Pitch Bend, After Touch (Poly After), Control Change, Pattern No.

*When you change the setting during realtime- recording, this will be recorded as musical data. This allows the starting settings to be modified dur- ing the playback.

**Musical data (MIDI RPN data) can be used to change the starting settings during playback.

For details on control changes and RPN, refer to PG p.260, 263.

Patterns

There are two types of patterns: preset patterns and user patterns.

•Preset patterns: Patterns suitable for drum tracks are preset in internal memory, and can be selected for any song.

•User patterns: Each song can have up to 100 patterns. When using a pattern in a different song, use the Utility menu commands “Copy Pattern” or “Copy From Song” etc. to copy the pattern. The pattern length can be specified in units of a measure.

Each pattern consists of musical data for one track. It is not possible to create patterns that contain multiple tracks. These patterns can be used as track musical data by being placed in a track (page menu command “Put to Track”) or copied to a track (page menu command “Copy to Track”). Alternatively, you can use a pattern with the RPPR func- tion of a song.

Cue List

A cue list allows you to playback multiple songs in suc- cession. The TRITON STUDIO allows you to create 20 cue lists. Each cue list allows you to connect a maximum of 99 songs in any order, and to specify the number of times that each song will repeat.

The page menu command “Convert to Song” lets you convert the two or more songs in a cue list into a single song. This allows you to use a cue list to create the back- ing, then convert the cue list into a song and add solo phrases on unused tracks.

Basic functions
Saving data
Loading data
Program	settings
Combination	settings
Producing	songs
Sampling	settings
Creating a	CD
SMF	playback
System	settings

Track 1	Parameter settings	Musical data
Track 2	Parameter settings	Musical data
Track 3	Parameter settings	Musical data
Track 4	Parameter settings	Musical data
Track 5	Parameter settings	Musical data
Track 6	Parameter settings	Musical data
Track 7	Parameter settings	Musical data
Track 8	Parameter settings	Musical data
Track 16	Parameter settings	Musical data
Master Track	Tempo, Time signature data

Routing : P8-1

Track

Insert Effect

Master Effect

Individual Outputs

Insert Effect 1 ... 5 : P8

Pattern U00 ... U99	Controller Setup : P4- 4
RPPR Setup
: P6
	Arpeggiator : P7

Master Effect 1, 2 : P9

MasterEQ : P9	AUDIO OUTPUT
	L/MONO, R

AUDIO OUTPUT

INDIVIDUAL 1,2,3,4

Drum kit	settings
Arpeggiator	settings
Effects	settings
Other	functions

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