Appendices

Effect/Parameter List

HF Damp

Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.

Low Gain

Adjust the gain of the low frequency range.

Positive (+) settings will emphasize (boost) the low frequency range.

High Gain

Adjust the gain of the high frequency range.

Positive (+) settings will emphasize (boost) the high frequency range.

Balance (Effect Balance) #

Adjust the volume balance between the direct sound and the delay sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the delay sound will be output.

Level (Output Level)

Adjust the output level.

20: QUAD TAP DLY (Quadruple Tap Delay)

The Quadruple Tap Delay has four delays.

The stereo location of each delay sound is as follows.

fig.MFX-20b

2

3

1

4

LR

Delay 1 (Delay Time 1)

Adjust the time delay from the direct sound until when delay 1 sound is heard.

Delay 2 (Delay Time 2)

Adjust the time delay from the direct sound until when delay 2 sound is heard.

Delay 3 (Delay Time 3)

Adjust the time delay from the direct sound until when delay 3 sound is heard.

Delay 4 (Delay Time 4)

Adjust the time delay from the direct sound until when delay 4 sound is heard.

Delay 1–4 parameters can be set as a note-value of a tempo. In this case, specify the value of the desired note.

Level 1

Adjust the volume of delay 1 sound.

Level 2

Adjust the volume of delay 2 sound.

Level 3

Adjust the volume of delay 3 sound.

Level 4

Adjust the volume of delay 4 sound.

Feedback (Feedback Level) #

Adjust the proportion (%) of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

HF Damp

Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.

Balance (Effect Balance) #

Adjust the volume balance between the direct sound and the delay sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the delay sound will be output.

Level (Output Level)

Adjust the output level.

21: TIME CTRL DLY (Time Control Delay)

You can use MIDI messages assigned to the Control knob to make changes in the delay time and pitch in real time. Lengthening the delay will lower the pitch, and shortening it will raise the pitch.

Delay (Delay time) #

Adjust the time delay from the direct sound until when each delay sound is heard.

Accel (Acceleration)

This parameter adjusts the time over which the Delay Time will change from the current setting to a newly specified setting. The rate of change for the Delay Time directly affects the rate of pitch change.

Feedback (Feedback Level) #

Adjust the proportion (%) of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

HF Damp

Adjust the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.

Pan (Output Pan)

Adjust the stereo location of the delay sound. L64 is far left, 0 is center, and 63R is far right.

Low Gain

Adjust the gain of the low frequency range.

Positive (+) settings will emphasize (boost) the low frequency range.

High Gain

Adjust the gain of the high frequency range.

Positive (+) settings will emphasize (boost) the high frequency range.

Balance (Effect Balance)

Adjust the volume balance between the direct sound and the delay sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the delay sound will be output.

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Roland RD-700 owner manual 110, Quad TAP DLY Quadruple Tap Delay, Time Ctrl DLY Time Control Delay