• QED (Common Quick Edit)

These parameters mostly control the volume and tone of the Voice and you can easily change the overall sound.

 

 

 

 

 

 

 

 

QED’Level)

Vol

Pan RevSend

ChoSend

￿

 

C 1234

127

C

127

127

 

 

 

 

 

 

 

 

• ARP (Common Arpeggio)

By setting these parameters, you can control how the Voice is arpeggiated. Details about how to use the Arpeggiator are given on Page 36.

 

 

 

 

 

 

 

ARP’Type) Type

Tempo

Switch

Hold

￿

 

C 1234 Up&Down1:Sq

120

on

on

 

 

 

 

 

 

 

• CTL (Common Controller)

You can assign various functions to the controllers on the front/rear panel. For example, you can assign parameters to the Pitch Bend Wheel and a Foot Controller so that you can change the tone of the Voice in real time. Details about various different uses are given on Page 38.

 

 

 

 

 

 

 

 

CTL’Set1)

Src

Dest

EL Sw

Depth

￿

 

C 1234

FC(04)

RevTime:EF1 1234

+63

 

 

 

 

 

 

 

 

LFO (Common Low Frequency Oscillator) These are the LFO parameters. The LFO uses a low frequency waveform to vary the pitch/filter/amplitude characteristics, and can be used to create vibrato, wah, tremolo and other effect (Page 70).

 

 

 

 

 

 

 

 

LFO’Wave)

Wave^

Speed

KeyReset

Phase

￿

 

C 1234

trpzd

63

on

270

 

 

 

 

 

 

 

 

• EFF (Common Effect)

These are the Effects parameters for the Voice. There are two Insertion Effects plus two System Effects (Reverb and Chorus).

 

 

 

 

 

 

 

 

 

EFF’InsEF)

InsEF Connect

￿

 

C 1234

 

 

 

 

1=2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4OSC (Oscillator) Screens

In these screens, you can mainly set the parameters controlling the waveforms on which the Voice is based. You can select the Wave used for the Element, the volume and note range of each Element and so on.

• OSC Wave

Select the waveform (Wave) used for each Element.

OSC’Wave)

Number Ctgry

￿

EL1234

001[Pf:Grand 1

]

OSC Out

OSC Pan

Set the volume (output level) and stereo pan position of each Element. The following illustration shows the logic.

OSC’Out)

Level

 

Delay

InsEF￿

EL1234

96

 

0

ins2

OSC’Pan)

Pan

Alter

Random

Scale￿

EL1234

C

L64

63

+63

Mixer

Pan(Stereo)

 

 

 

 

Level

 

 

 

 

Elements

1

2

3

4

• OSC Limit

Set the note range for each Element (the range of notes on the keyboard over which the Element will sound) and also the velocity response (the range of note velocities within which the Element will sound). You can assign different settings for each Element. With these parameters, you can layer Elements and control their output.

For example, you could set one Element to sound in an upper range of the keyboard, and another Element to sound in a lower range. Thus, even within the same Voice, you can have two different sounds for different areas of the keyboard or you can make the two Element ranges overlap so that their sounds are layered over a set range.

Furthermore, you can set each Element to respond to different velocity ranges so that one Element sounds for lower note velocities, whereas another Element sounds for higher note velocities.

Basics Section

47