8Turn the [PAGE] knob and open the LYR Mode (Layer Mode) page. Set “on” for “Arp” (Arpeggio switch). Select “1” for “RcvCh” (MIDI Receive Channel).
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| LYR’Mode) | Mode | Arp | Layer | RcvCh |
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| Part01 | poly | on | off | 1 |
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9Turn the [PAGE] knob and open the ARP Type (Arpeggio Type) page. Set “on” for “Switch.”
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| ARP’Type) | Type | Tempo | Switch | Hold | |
| Part01 | UpOct1:Sq | 120 | on | off |
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In steps 6 to 9, you now complete settings for the lower range for Arpeggiator performance. It will play in a Voice assigned to Part 1 based on MIDI Receive channel 1.
Refer to page 67 for detailed settings of Arpeggiator.
You can copy (reuse) the arpeggio settings that belong to the Voice assigned to Part 1 (page 123).
)As in the same manner as in steps 6 to 8, make settings for the upper range. So you can use the Knob A and select “Part02”, select a Voice for solo performance in the MIX Vce page, set “2” for “RcvCh” in the LYR Mode page. Now you are ready for solo performance within the upper range. You can play in a Voice assigned to Part 2 based on MIDI Receive channel 2.
If you set “on” to “Layer” in the LYR Mode page, the RcvCh setting will be ignored.
For unwanted Parts in Split play, set their MIDI Receive channels (RcvCh) to other than those used for the lower and upper Parts. In the example above, the “RcvCh” values for Part 3 to 16 must be set to any other than 1 and 2.
In Performance Edit Mode, you can make detailed settings for every Part. In case that a Part does not sound, make sure the volume setting for that Part. For more information, refer to page 115.
!Before exiting Performance Edit Mode, store above settings in a Performance. For storing a Performance, refer to page 124.
In Performance Play Mode, recall the Performance you have just stored. Simply pressing the [MASTER KEYBOARD] key activates or deactivates the Split configuration you made above.
4 Zones
The illustration below shows an example of a 4- Zone configuration. A zone refers to a specific key range on the keyboard. You can logically divide a keyboard into up to four key ranges with separate
MIDI channels and other associated settings so that you can control multiple Parts at the same time. A Split setting can divides the entire keyboard into two absolute sections (key ranges). In a
In the following example, Zone 1 is set up for performance by the Arpeggiator, Zone 2 for bass sound, Zone 3 manual solo performance, and Zone 4 for playing an external MIDI tone generator. Also in this settings, Zones 3 and 4 overlap in the same range, and entire performance in four all zones is output from the MIDI OUT connector so that you can record that performance on an external MIDI sequencer. You can make this configuration in the following steps.
ZONE4
ZONE1 | ZONE2 | ZONE3 |
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| MIDI tone generator | |||
Performance |
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with Arpeggiator |
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MIDI OUT
MIDI IN
Ch4
Performance with an external MIDI tone generator
MIDI THRU
Recording entire performance in Zones 1 to 4
An external MIDI sequencer
Before you set up a
1Press the [PERFORM] key, followed by the [EDIT] key (each LED will light) to enter Performance Edit Mode. Then, press the [MASTER KEYBOARD] key to activate Master Keyboard Mode (the LED will light).
2Select “Common” using the Knob [A], then open the GEN M. Kbd (General Master Keyboard) screen using the [PAGE] knob.
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| GEN’M.Kbd) Mode | Lower | Upper | Point | ||
| Common | split | ch01 | ch02 | C 3 |
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Turning the [PAGE] knob while holding down the [SHIFT] key enables you to scroll though parameters in the Menu screens (page 106).
Basics Section
53