Konica Minolta T3 manual Accessories / Zubehörgerät / Accessorios / Accesorios, Konica Filters

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• KONICA Filters

As the KONICA Autoreflex-T3 is of the TTL type, there is no need to worry about a filter factor according to the type of filter used on your camera. It is advisable to use a filter to boost photographic effects.

• KONICA-Filter

Da die KONICA Autoreflex-T3 bei Belichtungsregelung das Licht durch das Objektiv misst, brauchen Sie nicht, den Verlängerungsfaktor des benutzten Filters zu berücksichtigen. Wir empfeh- len Ihnen, für bessere Aufnahmen ein geeignetes Filter zu verwenden.

• Filtres KONICA

Le KONICA Autoreflex-T3 étant muni du système TTL, il n'est pas nécessaire de prendre en considération le coeffi- cient de transmission du filtre pour déterminer l'exposition. L'utilisation de filtres pour réaliser des effets spé- ciaux est toujours recommandée.

•KONICA Filter

Eftersom KONICA Autoreflex-T3 tillhör TTL-typen, behöver ni inte ta hänsyn till någon förlängningsfaktor ni använder filter på kameran. Vi re- kommenderar er att använda filter när ni vill få fram vissa fotografiska effek- ter.

COLOR	NAME		EFFECTS
Colorless*	UV (L39)	Absorbs ultra-violet. Prevents excess bluishness with color film. No
		change in the overall color rendition. Also used for atmospheric haze.
Light Yellow	Y l ( Y 4 4 )	Absorbs blue, violet and ultra-violet. Gives natural rendition in outdoor
Yellow	Y2(Y48)	black and w h i t e	shooting. Makes white clouds stand out against a blue
Dark Yellow	Y 3 ( Y 5 2 )	sky. For use with B/W films only.
		Absorbs blue very strongly, also some green. Makes blue skies dark and
Orange	01 (056)	dramatic in black and white. For extra contrast in			architectural work.
		For use with B/W films only.
Red	R l ( R 6 0 )	Absorbs blue and green. Blue skies rendered almost black. Use for
		pseudo night shots. Use only for black and white film, or for infrared
		film.
Yellowish		In black and white	photography, renderes greens better than yellow
	PO 0	filter. Also prevents	washed-out flesh tones when head is against sky
Green
		which is to be darkened. For use with B/W films only.
Light Gray	ND 2	No effect on rendition in either black and white or color work. Used to
		reduce light intensity, where highest shutter		speed	or	smallest		f/stop
Gray	N D 4
		used, will still not	prevent overexposure. In	very	bright		light permits
Dark Gray	N D 8
		large opening for selective focus effect.
Light Pink*	SKYLIGHT	For color and B/W film. Absorbs ultra-violet and prevents excess
		bluishness in color shots of distance scenes. Can also be used with B/W
		film.
Light Amber	A 2	Reduces color temperature. Adds warmth to shadows in snow, beach
		scenes. Prevents bluishness on cloudy days, in open shade.
Light Blue	B 2	Raises color temperature. Suppresses excess redishness in scenes made
		by reddish early morning or late afternoon sunshine.
Blue	B 8	For use with clear	(white) flash bulbs and	daylight		type	color	film.
		Prevents excessively reddish rendition.
Dark Blue	B 12	For use with 3200K studio flood lamps and		daylight		type	color	film.
		Prevents reddish rendition.

* Filters most commonly used in color photography are marked with an asterisk * above.

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