Yamaha RS7000 Editing Your Sample

5. Add Samples

RS7000 45

TUTORIAL

Tutorial

6Go to the Sampling Standby Page

Press [F4] (OK) to go to the sampling standby page.

7Set the Trigger Mode/Level

Use [Knob 3] (TRIGGER MODE) to set the trigger mode to “LEVEL”, and [Knob 4] (TRIGGER LEVEL) to set the trigger level to

“64”. Play your source or speak into the microphone at this point to make sure that the level bar graph extends past the triangular trigger

level marker below the level meter, but doesn't “peak out” due to excessively high input levels (you’re not actually sampling yet). If the

level is too low or high, use the REC VOLUME control to adjust as necessary. If the REC VOLUME control doesn’t allow sufﬁcient

adjustment, recheck your INPUT GAIN setting (step 3, above) or change the Trigger Level setting as required.

Refer to page 232 for information on the other available trigger modes.

8Press [STANDBY/START/STOP] to begin sampling

Pressing [STANDBY/START/STOP] engages the trigger wait mode, and sampling will begin automatically as soon as the input signal

exceeds the speciﬁed trigger level. Since the KIT+NOTE sampling type is selected sequence playback will begin automatically when

the [STANDBY/START/STOP] button is pressed. Sampling will always be synchronized with sequencer playback — in other words,

your sample will be placed in the pattern at exactly the point you begin recording.

9Stop Sampling

Press the [STANDBY/START/STOP] button to stop sampling when your sample is recorded. Sampling will also stop automatically

when the end of the pattern is reached. The sampling mode will be exited when sampling ends.

0Play and Check the Results

Press [PATTERN] to select the PATTERN Play or PATTERN Patch page, then press the [PLAY] button to play back the pattern and

check the results.

If all went well your vocal hit will play back with the pattern in precisely the location it was recorded (this is because the

KIT+NOTE sample type was selected. You might also want to loop, slice, or modify the way your sample plays back in

other ways. Refer to “Chapter 5: The Sampling Mode” beginning on page 227 for complete information on all of the sam-

ple editing functions provided by the RS7000.

REC VOLUME

MASTER VOLUME

SAMPLINGMASTER EFFECT

REAL TIME

REC VOLUME

STANDBY

START/STOP

MULTI COMPRING MOD

V-DIST

LO-FI

SLICE

CTRL DELAY

D-FILTER

ISOLATION

BEAT STRETCH

GATE TIMECLOCK SHIFT

MIDI DELAY SWING

VELOCITY

SPEED

WAVE

F1 F2 F3

NUM

PITCH BENDPORTAMENTO TIME

PORTAMENTO

TYPE

DEPTH

SELECT

EFFECT

ON/OFF LOOP

REMIXSAMPLE

EDIT IN

OUT A

OUT B

DRY VARIDELAY/CHO REVERBTRACK VOLUME

ATTACK DECAY SUSTAIN

CUTOFFRESONANCE ENV.DEPTH

TYPELPF24

LPF18

LPF12

HPF

BPF

BEF

RELEASE

S&H

PGM

USER

AMP

FILTER

PITCH

FINGERED

FULL TIME

OFF

TRACK 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16

SYSTEM

MIDI SETUP

MIDI FILTER

SAVE

EXPORT

RENAME

DELETE

FORMAT

GRID GROOVE

LFO

PORTAMENTO

PITCH

FILTER

ARPEGGIO

A/D SETUP

KNOB ASSIGN

MIDI OUT CH

LOAD

IMPORT

SCSI SETUP

SCSI COMM

HARMONIZE

NOTE

EFFECT TYPE

VARIATION

DELAY

REVERB

VOICE SELECT

VOL/PAN/OUT

EFFECT SEND

LEVEL

JOB LIST

MIDI DELAY

FEEDBACK

MASTER EQ

MASTER

EFFECT

EDIT CHANGE

VIEW FILTER

TIME

SHIFT

CAPS

SOLO

K ! L # M $N % O & P ' Q ( R ) S - T @ U ^V _ W { X } Y ~ Z

MUTE

REC

KEY-

BOARD

TRACK

SELECT

ARPEGGIO

PLAY

TRANSPOSE

ALL TR- TR+

789+/-

4560

1 2 3 ENTER

PAD ASSIGN

PAD 1 PAD 2

SPACE DEL

1~8 9~16

TRANSPOSE(-) TRANSPOSE(+)

STORE

MUTE

SCENE12345

BPM

MODE

SUB MODE

STOP

SECTION ABC DE FGH IJ

SEQUENCE PLAY FX

LFO

PITCH

EFFECT SEND / VOLUME

FILTER

OCT

DOWNOCT

TAP

GROOVEPLAY FXMIDI DELAY MIXER

VOICE EDITEFFECT SETUPMASTER

SAVELOAD JOB EDIT

GROOVEPLAY FX MIDI DELAYMIXER

VOICE EDITEFFECT SETUPMASTER

SAVE LOAD JOB EDIT

PATTERN

SONGUTILITY UTILITY

PATT

CHAIN

MEMORY EXIT

3.3VCARD

MIDI

Integrated Sampling Sequencer

MUSIC PRODUCTION STUDIO

Editing Your Sample