Yamaha RS7000 Basic Sampling Procedure

5. Add Samples

44 RS7000

Basic Sampling Procedure

1Select a Track for the Sample

In the PATTERN mode use [KNOB 2] to select section-A, and select the track to be used for sampling by pressing a white/gray key on

the keyboard while holding the [TRACK SELECT] button. For our example select track 6.

2Select a Sample Voice Number

Press [MIXER] to go to the MIXER page and select the sample voice number to which you want to record the new sample: use [Knob

1] to select either the SmpLocal (Local Sample Voice) or SmpCmn (Common Sample Voice) bank, and [Knob 3] to select a voice num-

ber to which your sample will be recorded from 001 through 128. When done press [EXIT] to go back to the PATTERN display.

For more information on Local Sample Voices and Common Sample Voices refer to page 61.

3Set the INPUT GAIN

If you haven’t already done so, press the [SETUP] button twice from the PATTERN mode to go to the A/D Setup page, and use [Knob

1] to set the INPUT GAIN as required. When done press [EXIT] twice to go back to the PATTERN display.

Refer to “The Source” (Page 43) for appropriate settings for various source types.

4Go to the Sampling Setup Page

From the PATTERN mode press the [STANDBY/START/STOP] button to go to the Sampling Setup page45.

5Set the Sampling Setup Parameters

Use [Knob 1] ~ [Knob 4] to set the sampling TYPE, FREQUENCY, SOURCE, and MONO/STEREO, as follows:

TYPE Select “KIT+NOTE”, since we want to record a simple, one-shot sample synchronized with

sequencer playback.

FREQUENCY You can choose any sampling frequency you like, but if you don’t have any immediate preference

the “44.1 K” setting will give you the best sound quality.

SOURCE Select “A/D INPUT” if you’re recording via the RS7000’s built-in analog inputs.

If you have the AIEB2 I/O Expansion Board installed then you might want to select “DIGITAL” or

“OPTICAL”, as required.

MONO/STEREO This will depend on the source you are recording. If you have a mono microphone plugged into the

INPUT L jack, select “MONO L”. If your microphone is plugged into the INPUT R jack select “MONO

R”. Select “STEREO” if you want to create a stereo sample from a stereo source connected to the L

and R inputs, or “MONO L+R” to create a mono sample from a stereo source connected to the L

and R inputs.

789+/-

4560

1 2 3 ENTER

SUB MODE

GROOVE PLAY FX MIDI DELAY MIXER

VOICE EDIT EFFECT SETUP MASTER

SAVE LOAD JOB EDIT

MASTER VOLUME

SAMPLINGMASTER EFFECT

REAL TIME

REC VOLUME

STANDBY

START/STOP

MULTI COMPRING MOD

V-DIST

LO-FI

SLICE

CTRL DELAY

D-FILTER

ISOLATION

BEAT STRETCH

GATE TIMECLOCK SHIFT

MIDI DELAYSWING

VELOCITY

SPEED

WAVE

F1 F2 F3

NUM

PITCH BENDPORTAMENTO TIME

PORTAMENTO

TYPE

DEPTH

SELECT

EFFECT

ON/OFF LOOP

REMIXSAMPLE

EDIT IN

OUT A

OUT B

DRY VARIDELAY/CHO REVERBTRACK VOLUME

ATTACK DECAY SUSTAIN

CUTOFFRESONANCE ENV.DEPTH

TYPELPF24

LPF18

LPF12

HPF

BPF

BEF

RELEASE

S&H

PGM

USER

AMP

FILTER

PITCH

FINGERED

FULL TIME

OFF

TRACK 1 2 3 4 5 6 7 8 9 1011 12 13 14 15 16

SYSTEM

MIDI SETUP

MIDI FILTER

SAVE

EXPORT

RENAME

DELETE

FORMAT

GRID GROOVE

LFO

PORTAMENTO

PITCH

FILTER

ARPEGGIO

A/D SETUP

KNOB ASSIGN

MIDI OUT CH

LOAD

IMPORT

SCSI SETUP

SCSI COMM

HARMONIZE

NOTE

EFFECT TYPE

VARIATION

DELAY

REVERB

VOICE SELECT

VOL/PAN/OUT

EFFECT SEND

LEVEL

JOB LIST

MIDI DELAY

FEEDBACK

MASTER EQ

MASTER

EFFECT

EDIT CHANGE

VIEW FILTER

TIME

SHIFT

CAPS

SOLO

K ! L #M $ N %O & P 'Q ( R )S - T @U ^ V _W { X }Y ~ Z

MUTE

REC

KEY-

BOARD

TRACK

SELECT

ARPEGGIO

PLAY

TRANSPOSE

ALL TR- TR+

789+/-

4560

1 2 3 ENTER

PAD ASSIGN

PAD 1 PAD 2

SPACE DEL

1~89~16

TRANSPOSE(-) TRANSPOSE(+)

STORE

MUTE

SCENE12345

BPM

MODE

SUB MODE

STOP

SECTION ABC DEFGH IJ

SEQUENCE PLAY FX

LFO

PITCH

EFFECT SEND / VOLUME

FILTER

OCT

DOWNOCT

TAP

GROOVEPLAY FXMIDI DELAY MIXER

VOICE EDITEFFECTSETUP MASTER

SAVELOAD JOB EDIT

GROOVEPLAY FX MIDI DELAYMIXER

VOICE EDITEFFECT SETUPMASTER

SAVELOAD JOB EDIT

PATTERN

SONGUTILITY UTILITY

PATT

CHAIN

MEMORY EXIT

3.3VCARD

MIDI

Integrated Sampling Sequencer

MUSIC PRODUCTION STUDIO

STANDBY

START/STOP

MASTER VOLUME

SAMPLINGMASTER EFFECT

REAL TIME

REC VOLUME

STANDBY

START/STOP

MULTI COMPRING MOD

V-DIST

LO-FI

SLICE

CTRL DELAY

D-FILTER

ISOLATION

BEAT STRETCH

GATE TIMECLOCK SHIFT

MIDI DELAY SWING

VELOCITY

SPEED

WAVE

F1 F2 F3

NUM

PITCH BENDPORTAMENTO TIME

PORTAMENTO

TYPE

DEPTH

SELECT

EFFECT

ON/OFF LOOP

REMIXSAMPLE

EDIT IN

OUT A

OUT B

DRY VARIDELAY/CHO REVERBTRACK VOLUME

ATTACK DECAY SUSTAIN

CUTOFFRESONANCE ENV.DEPTH

TYPELPF24

LPF18

LPF12

HPF

BPF

BEF

RELEASE

S&H

PGM

USER

AMP

FILTER

PITCH

FINGERED

FULL TIME

OFF

TRACK 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16

SYSTEM

MIDI SETUP

MIDI FILTER

SAVE

EXPORT

RENAME

DELETE

FORMAT

GRID GROOVE

LFO

PORTAMENTO

PITCH

FILTER

ARPEGGIO

A/D SETUP

KNOB ASSIGN

MIDI OUT CH

LOAD

IMPORT

SCSI SETUP

SCSI COMM

HARMONIZE

NOTE

EFFECT TYPE

VARIATION

DELAY

REVERB

VOICE SELECT

VOL/PAN/OUT

EFFECT SEND

LEVEL

JOB LIST

MIDI DELAY

FEEDBACK

MASTER EQ

MASTER

EFFECT

EDIT CHANGE

VIEW FILTER

TIME

SHIFT

CAPS

SOLO

K ! L #M $ N % O & P ' Q (R ) S - T @U ^ V _ W {X } Y ~ Z

MUTE

REC

KEY-

BOARD

TRACK

SELECT

ARPEGGIO

PLAY

TRANSPOSE

ALL TR- TR+

789+/-

4560

1 2 3 ENTER

PAD ASSIGN

PAD 1 PAD 2

SPACE DEL

1~8 9~16

TRANSPOSE(-) TRANSPOSE(+)

STORE

MUTE

SCENE12345

BPM

MODE

SUB MODE

STOP

SECTION ABC DE FGH IJ

SEQUENCE PLAY FX

LFO

PITCH

EFFECT SEND / VOLUME

FILTER

OCT

DOWNOCT

TAP

GROOVEPLAY FXMIDI DELAY MIXER

VOICE EDITEFFECT SETUPMASTER

SAVELOAD JOB EDIT

GROOVEPLAY FX MIDI DELAYMIXER

VOICE EDITEFFECT SETUPMASTER

SAVE LOAD JOB EDIT

PATTERN

SONGUTILITY UTILITY

PATT

CHAIN

MEMORY EXIT

3.3VCARD

MIDI

Integrated Sampling Sequencer

MUSIC PRODUCTION STUDIO