4. Recording Original Phrases
42 RS7000
Real-time recording is fine for many recording tasks, but if you want precise control over note placement, or are attempting to record aphrase that would be difficult to play on the keyboard in real time, the Step record mode is ideal.For full details on step recording see page 80. Here’s a quick rundown of the procedure to give an idea of how it works.Step Record Procedure (Note Data)

1. Start from step 5 of the real-time record procedure described above, but select the “STEP” record mode instead of

“REPLACE”.

2. Use [Knob3] to select the type of data you want to record: notes, pitch bend, or control change. Since you want to record notes,

make sure “NOTE” is selected.

3. Press [PLAY] and the Step Rec display will appear.

4. The Step Rec display shows one measure of 32nd notes. Each diamond-shaped marker corresponds to a 32nd note. The triangu-

lar pointer above the 32nd note markers indicates the current note position. Use [Knob 1] to move the pointer to the position atwhich you want to enter a note, [Knob 2] to set the note length, [Knob 3] to set the note velocity, and [Knob 4] to set the gatetime.

5. Enter the note by pressing the appropriate key on the keyboard. In the step record mode notes are actually entered when the

keys are released. So when entering chords be sure to press all notes you want to enter before releasing the keys.Press [F1] to enter a rest, or [F2] to enter a tie. The [F3] (DELETE) and [F4] (BACK DELETE) buttons can be used to deleteentered notes.If you press the [PLAY] button the [PLAY] indicator will flash and you will be able to hear how your step-recorded phrase isshaping up. Press [STOP] to stop playback and continue entering notes in the step mode.

6. Stop recording and return to the PATTERN Play (or PATTERN Patch) mode by pressing the [STOP] button.

Step Recording

REC PLAYSTOP

-
+
MASTER VOLUME
SAMPLINGMASTER EFFECT
REAL TIME
REC VOLUME
STANDBY
START/STOP
MULTI COMPRING MOD
V-DIST
LO-FI
SLICE
CTRL DELAY
D-FILTER
ISOLATION
BEAT STRETCH
GATE TIMECLOCK SHIFT
MIDI DELAYSWING
VELOCITY
SPEED
WAVE
F1 F2 F3
NUM
F4
PITCH BENDPORTAMENTO TIME
PORTAMENTO
TYPE
DEPTH
SELECT
EFFECT
ON/OFF LOOP
REMIXSAMPLE
EDIT IN
OUT A
OUT B
DRY VARIDELAY/CHO REVERBTRACK VOLUME
ATTACK DECAY SUSTAIN
CUTOFFRESONANCE ENV.DEPTH
TYPELPF24
LPF18
LPF12
HPF
BPF
BEF
RELEASE
S&H
PGM
USER
AMP
FILTER
PITCH
FINGERED
FULL TIME
OFF
TRACK 1 2 3 4 5 6 7 8 9 1011 12 13 14 15 16
SYSTEM
MIDI SETUP
MIDI FILTER
SAVE
EXPORT
RENAME
DELETE
FORMAT
GRID GROOVE
LFO
PORTAMENTO
PITCH
EG
FILTER
ARPEGGIO
A/D SETUP
KNOB ASSIGN
MIDI OUT CH
LOAD
IMPORT
SCSI SETUP
SCSI COMM
HARMONIZE
NOTE
EFFECT TYPE
VARIATION
DELAY
REVERB
VOICE SELECT
VOL/PAN/OUT
EQ
EFFECT SEND
LEVEL
JOB LIST
MIDI DELAY
FEEDBACK
MASTER EQ
MASTER
EFFECT
EDIT CHANGE
VIEW FILTER
TIME
SHIFT
CAPS
SOLO
K ! L #M $ N % O & P ' Q ( R ) S - T @U ^ V _ W { X } Y ~ Z
MUTE
REC
KEY-
BOARD
TRACK
SELECT
ARPEGGIO
ON
PLAY
TRANSPOSE
ALL TR-TR+
789+/-
4560
1 2 3 ENTER
PAD ASSIGN
PAD 1 PAD 2
SPACE DEL
1~89~16
TRANSPOSE(-) TRANSPOSE(+)
STORE
MUTE
SCENE12345
BPM
MODE
SUB MODE
STOP
SECTION ABC DE FGH IJ
SEQUENCE PLAY FX
LFO
PITCH
EFFECT SEND / VOLUME
EG
FILTER
OCT
DOWNOCT
UP
TAP
GROOVEPLAY FXMIDI DELAY MIXER
VOICE EDITEFFECTSETUP MASTER
SAVELOAD JOB EDIT
GROOVEPLAY FX MIDI DELAYMIXER
VOICE EDITEFFECT SETUPMASTER
SAVELOAD JOB EDIT
PATTERN
SONGUTILITY UTILITY
PATT
CHAIN
MEMORY EXIT
3.3VCARD
MIDI
Integrated Sampling Sequencer
MUSIC PRODUCTION STUDIO