Adjust the output level using the “Gain Adjust” parame- ter, since compression causes the entire level to be reduced.

Limiter - Threshold / Ratio

Effects 177

Filter/Dynamic

004: MBandLimit

(Multiband Limiter)

This effect applies the Limiter to the low range, mid range, and high range of the input signal. You can control dynamics

Output Level

 

Ratio=1.0 : 1

 

Ratio=2.0 : 1

Threshold

Ratio=4.0 : 1

 

Ration=Inf : 1

Louder

 

 

Louder

 

Input Level

for each range to adjust the sound pressure of the low range, mid range, and high range in a different way from the EQ.

Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out

Left

Wet / Dry

Band-Pass Filters

 

Low

Limiter

 

 

Envelope - Control

Level

Dry

Ratio=1.0 : 1

 

 

Ratio=2.0 : 1

 

 

Ratio=4.0 : 1

 

 

Threshold

 

 

Ratio=Inf : 1

 

 

Time

d: Attack, d: Release

These parameters set the attack time and release time. A higher attack time will cause the compression to be applied more slowly.

Limiter - Attack / Release

Threshold

Dry

Ratio=Inf : 1

WetAttack=1

Release=1

Ratio=Inf : 1

WetAttack=100

Release=100

Release

Attack

f:Side PEQ Insert, g: Side PEQ Cutoff [Hz], g: Q, g: Gain [dB]

These parameters are used to set the EQ applied to the trigger signal.

The Limiter determines whether the compression is applied or not, based on the post-EQ trigger signal. Set- ting the equalizer allows you to set the Limiter to respond to any frequency band.

f:Trigger Monitor

Setting this parameter On will cause the trigger signal to be output, instead of the effect sound. Use this parameter to check the trigger signal with EQ applied.

Usually, set this to Off.

+

Mid

Low Offset

Limiter

 

 

 

 

 

 

Envelope - Control

Gain Adjust

 

High

Mid Offset

Limiter

 

 

 

 

 

 

 

Envelope - Control

 

Right

 

High Offset

 

 

 

 

 

Wet / Dry

 

 

 

 

a

Ratio

1.0:1...50.0:1, Inf:1

Sets the signal compression ratio

 

Fx:003

 

 

 

 

 

 

 

 

 

 

 

 

b

Threshold [dB]

 

–40...0dB

Sets the level above which the compressor is applied

Fx:003

 

 

 

 

 

 

 

 

 

 

 

c

Attack

 

1...100

Sets the attack time

 

 

 

Fx:003

 

 

 

 

 

 

 

 

 

 

 

 

 

 

d

Release

 

1...100

Sets the release time

 

 

 

Fx:003

 

 

 

 

 

 

 

 

 

 

 

 

 

 

e

Low Offset [dB]

 

 

 

–40...0dB

Gain of the low-range trigger signal

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

f

Mid Offset [dB]

 

 

 

–40...0dB

Gain of the mid-range trigger signal

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

g

High Offset [dB]

 

 

 

–40...0dB

Gain of the high-range trigger signal

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gain Adjust [dB]

–Inf, –38...+24dB

 

Sets the output gain

Fx:003,

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

h

Src

 

 

 

Off...Tempo

Selects the modulation source for the output gain

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Amt

 

 

 

–63...+63

 

Sets the modulation amount of the output gain

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Wet/Dry

Dry, 1:99...99:1, Wet

 

Table , “Sets the balance between the effect and dry sounds,” on page 175

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

i

Src

 

Off...Tempo

Table , “Selects the modulation source of the effect balance,” on page 175

 

 

 

 

 

 

 

 

 

 

 

 

Amt

 

 

 

–100...+100

 

Table , “Sets the modulation amount of the effect bal-

 

 

 

 

 

ance,” on page 175

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

e:Low Offset [dB], f: Mid Offset [dB], g: High Offset [dB] These parameters set the gain of the trigger signal.

For example, if you do not want to apply compression to the high range, reduce the “High Offset” value down below the “Threshold” level. In this way, the high range limiter will not respond, and compression will not be applied.

Page 179
Image 179
Korg KORG Pa50 MBandLimit, Multiband Limiter, Attack, d Release, Side PEQ Insert, g Side PEQ Cutoff Hz, g Q, g Gain dB