Korg KORG Pa50 Cmp-Par.4Eq, Cmp-ChorFlg, Compressor Parametric 4-Band EQ, Output Mode, i Routing

214Effects

Mono – Mono Chain

066: Cmp-Par.4Eq

(Compressor – Parametric 4-Band EQ)

This effect combines a mono-type compressor and a four- band parametric equalizer. You can change the order of the effect connection.

	Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
	Left			Wet / Dry
		Routing
	Compressor		Parametric 4Band EQ
	+	Comp
		Output Level	Trim
	Right			Wet / Dry
	Envelope - Control
a	[C] Sensitivity			1...100
	Sets the sensitivity			☞ Fx:002
	[C] Attack			1...100
b	Table , “Sets the attack level,” on page 176			☞ Fx:002
	Output Level			0...100
	Sets the compressor output level			☞ Fx:002
c	[E] Trim			0...100
	Sets the parametric EQ input level
	[E] Band1 Cutoff [Hz]			20...1.00kHz
	Sets the center frequency of Band 1

d	Q	0.5...10.0
	Sets the bandwidth of Band 1		☞ Fx:006
	Gain [dB]		–18...+18dB
	Sets the gain of Band 1
	[E] Band2 Cutoff [Hz]		50...5.00kHz
	Sets the center frequency of Band 2
e	Q	0.5...10.0
	Sets the bandwidth of Band 2		☞ Fx:006
	Gain [dB]		–18...+18dB
	Sets the gain of Band 2
	[E] Band3 Cutoff [Hz]		300...10.00kHz
	Sets the center frequency for Band 3
f	Q	0.5...10.0
	Sets the bandwidth of Band 3		☞ Fx:006
	Gain [dB]		–18...+18dB
	Sets the gain of Band 3
	[E] Band4 Cutoff [Hz]		500...20.00kHz
	Sets the center frequency for Band 4
g	Q	0.5...10.0
	Sets the bandwidth of Band 4		☞ Fx:006
	Gain [dB]		–18...+18dB
	Sets the gain of Band 4
h	Routing	CMP → PEQ, PEQ → CMP
	Switches the order of the compressor and parametric EQ connection
	Wet/Dry	Dry, 1:99...99:1, Wet
	Table , “Sets the balance between the effect and dry sounds,” on page 175
i	Src		Off...Tempo
	Table , “Selects the modulation source of the effect balance,” on page 175
	Amt		–100...+100
	Table , “Sets the modulation amount of the effect bal-
	ance,” on page 175

067: Cmp-ChorFlg

(Compressor – Chorus/Flanger)

This effect combines a mono-type compressor and a chorus/ flanger. You can change the order of the effect connection.

Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo Out
Left				Wet / Dry
		Routing
Compressor
		Chorus/Flanger
EQ Trim LEQ	HEQ
+	Comp	Chorus/Flanger		Normal
	Output Level		+	Output Mode
		Feedback	– Wet Invert
		Cho/Flng Wet / Dry
Right				Wet / Dry
Envelope - Control		LFO: Tri / Sine

a	[C] Sensitivity			1...100
	Sets the sensitivity			☞ Fx:002
	[C] Attack			1...100
b	Table , “Sets the attack level,” on page 176			☞ Fx:002
	Output Level			0...100
	Sets the compressor output level			☞ Fx:002
c	[C] EQ Trim			0...100
	Table , “Sets the EQ input level,” on page 176
	[C] Pre LEQ Gain [dB]			–15...+15dB
d	Table , “Sets the gain of Low EQ,” on page 176
	Pre HEQ Gain [dB]			–15...+15dB
	Table , “Sets the gain of High EQ,” on page 176
e	[F] Delay Time [msec]			0.0...50.0msec
	Sets the delay time
	[F] LFO Frequency [Hz]			0.02...20.00Hz
f	Sets the LFO speed
	LFO Waveform			Triangle, Sine
	Selects LFO Waveform
	[F] Depth			0...100
g	Sets the depth of LFO modulation
	Feedback			–100...+100
	Sets the feedback amount			☞ Fx:020
	[F] Cho/Flng Wet/Dry	–Wet...–2:98, Dry, 2:98...Wet
h	Sets the effect balance of the chorus/flanger		☞ Fx:010, 020
	Output Mode		Normal, Wet Invert
	Selects the output mode for the chorus/flanger			☞
	Routing	CMP →	FLNG, FLNG → CMP
i	Switches the order of the compressor and chorus/flanger connection
				☞
	Wet/Dry		Dry, 1:99...99:1, Wet
	Table , “Sets the balance between the effect and dry sounds,” on page 175
j	Src			Off...Tempo
	Table , “Selects the modulation source of the effect balance,” on page 175
	Amt			–100...+100
	Table , “Sets the modulation amount of the effect bal-
	ance,” on page 175

h: Output Mode, i: Routing

When Wet Invert is selected, the right channel phase of the chorus/flanger effect sound is inverted. This creates pseudo-stereo effects and adds spread.

However, if a mono-input type effect is connected after this effect, the left and right sounds may cancel each other, eliminating the chorus/flanger effects.

When “Routing” is set to FLNG→ CMP, “Output Mode” will be set to Normal.