Korg KORG Pa50 Cmp-AmpSim, Cmp-OD/HiG, Compressor Amp Simulation, Compressor Overdrive/Hi.Gain

064: Cmp-AmpSim

(Compressor – Amp Simulation)

This effect combines a mono-type compressor and an amp simulation. You can change the order of the effect connec- tion.

	Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
	Left			Wet / Dry
		Routing
	Compressor		Amp Simulation
	EQ Trim LEQ	HEQ
	+	Comp	Amp Simulation Filter
		Output Level
	Right			Wet / Dry
	Envelope - Control
a	[C] Sensitivity			1...100
	Sets the sensitivity			☞ Fx:002
	[C] Attack			1...100
b	Table , “Sets the attack level,” on page 176			☞ Fx:002

	Output Level		0...100
	Sets the compressor output level			☞ Fx:002
c	[C] EQ Trim		0...100
	Table , “Sets the EQ input level,” on page 176
	[C] Pre LEQ Gain [dB]			–15...+15dB
d	Table , “Sets the gain of Low EQ,” on page 176
	Pre HEQ Gain [dB]			–15...+15dB
	Table , “Sets the gain of High EQ,” on page 176
e	[A] Amplifier Type			SS, EL84, 6L6
	Selects the type of guitar amplifier
f	Routing	CMP →	AMP, AMP → CMP
	Switches the order of the compressor and amp simulation connection
	Wet/Dry		Dry, 1:99...99:1, Wet
	Table , “Sets the balance between the effect and dry sounds,” on page 175
g	Src			Off...Tempo
	Table , “Selects the modulation source of the effect balance,” on page 175
	Amt			–100...+100
	Table , “Sets the modulation amount of the effect bal-
	ance,” on page 175

Effects 213

Mono – Mono Chain

065: Cmp-OD/HiG

(Compressor – Overdrive/Hi.Gain)

This effect combines a mono-type compressor and an over- drive/high-gain distortion. You can change the order of the effect connection.

	Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
	Left			Wet / Dry
		Routing
	Compressor		Overdrive / Hi-Gain
			3 Band PEQ
	+	Comp	Driver
		Output Level	Output Level
			Mode: Overdrive / Hi-Gain
			Drive
	Right			Wet / Dry
	Envelope - Control
a	[C] Sensitivity			1...100
	Sets the sensitivity			☞ Fx:002
	[C] Attack			1...100
b	Table , “Sets the attack level,” on page 176			☞ Fx:002

	Output Level	0...100
	Sets the compressor output level				☞ Fx:002
	[O] Drive Mode	Overdrive, Hi-Gain
c	Switches between overdrive and high-gain distortion
	Drive		1...100
	Sets the degree of distortion				☞ Fx:006
	[O] Output Level	0...50
	Sets the overdrive output level	☞ Fx:006,
d	Src		Off...Tempo
	Selects the modulation source for the overdrive output level
	Amt		–50...+50
	Sets the modulation amount of the overdrive output level
	[O] Low Cutoff [Hz]		20...1.00kHz
e	Sets the center frequency for Low EQ (shelving type)
	Gain [dB]			–18...+18dB
	Table , “Sets the gain of Low EQ,” on page 176
	[O] Mid1 Cutoff [Hz]	300...10.00kHz
	Sets the center frequency for Mid/High EQ 1 (peaking type)
f	Q		0.5...10.0
	Sets the band width of Mid/High EQ 1				☞ Fx:006
	Gain [dB]			–18...+18dB
	Sets the gain of Mid/High EQ 1
	[O] Mid2 Cutoff [Hz]	500...20.00kHz
	Sets the center frequency for Mid/High EQ 2 (peaking type)
g	Q		0.5...10.0
	Sets the band width of Mid/High EQ 2				☞ Fx:006
	Gain [dB]			–18...+18dB
	Sets the gain of Mid/High EQ 2
h	Routing	CMP → OD, OD → CMP
	Switches the order of the compressor and overdrive connection
	Wet/Dry	Dry, 1:99...99:1, Wet
	Table , “Sets the balance between the effect and dry sounds,” on page 175
i	Src		Off...Tempo
	Table , “Selects the modulation source of the effect balance,” on page 175
	Amt			–100...+100
	Table , “Sets the modulation amount of the effect bal-
	ance,” on page 175