1 – Introduction : About the DM-3200

About the DM-3200

The DM-3200 provides a fully comprehensive range of I/O facilities. Almost all inputs and internal busses are “soft”, allowing connections to be patched inter- nally (naturally, routing configurations may be stored and recalled).

Inputs For analog input, the DM-3200 provides sixteen balanced inputs, with both high-quality mic amps, and balanced line connections as well as ana- log insert points (both mic and line connections may be made to the same channel at the same time, but only one may be used at a time). There are also four assignable send outputs and inputs for external loop effects.

The digital side comprises three TDIF I/O ports, as well as ADAT “lightpipe” I/O, and two pairs of ste- reo S/PDIF or AES/EBU inputs and outputs.

Two TASCAM-standard card slots provide I/O expansion capabilities, with a variety of digital or analog options being available, including a FireWire

expansion card for direct high-speed bidirectional communication between a DAW and the DM-3200.

Channel modules The DM-3200 provides 48 channel modules. These may be freely assigned internally to the 16 buss modules.

Of these 48 channel modules, 32 are “full-function” modules with 4-band EQ, digital trim and phase, and full dynamics processing with compressor/expanders and gates. The other 16 are more basic in the facili- ties provided, but still provide full buss assignment and aux sends.

The first 32 EQ-enabled channels can have two sources (input and return), which may be freely assigned, and can be switched, depending on whether the project is in the recording or tracking stage. See the section on assignments (“Routing & assignment” on page 46) for details of how channel sources are assigned,

 

 

 

 

 

 

 

 

 

 

 

 

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￿

 

 

 

 

 

 

 

 

 

 

 

 

 

Mic/Line inputs

 

 

 

Assignable internal

 

TDIF x 24

 

 

 

(x 16)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

inserts (x 16) —

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Assignable returns

 

32 full-EQ

 

full-EQ channels

 

ADAT x 8

 

 

 

(x 4)

 

 

only

 

 

 

 

 

 

 

 

 

 

 

 

 

channels

 

 

 

 

 

 

Inputs (hardwarte)

Digital stereo

 

 

Channel destinations

Direct outs

Outputs (hardware)

Assignable sends

 

 

inputs (x 2)

 

 

 

 

Mixer channels

 

(x 32)

x 4

 

 

 

 

 

 

 

 

 

 

 

 

TDIF inputs

 

Aux sends

Option slots

 

 

(x 24)

 

(x 8)

 

 

 

 

 

 

 

 

 

ADAT inputs

 

Busses

Cascade

 

 

(x 8)

 

(x 16)

 

 

 

 

 

 

 

 

 

 

Option slots

 

16 non-EQ

 

 

 

Stereo outs

 

 

 

 

 

channels

 

 

 

(analog & digital)

 

 

 

 

 

 

 

Stereo buss

 

 

 

 

 

 

 

 

 

 

 

 

 

Cascade

 

 

 

 

CR outs

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2-track in

 

 

 

 

 

Studio outs

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Figure 1.1: Basic logical components of the DM-3200a

a. Note that cascade connections are not available on the first release of the DM-3200 software.

10 TASCAM DM-3200 Owner’s Manual

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Tascam Introduction About the DM-3200, Channel destinations, Mixer channels, Option slots Non-EQ Stereo outs

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.