TDIF-1

3 – Connections : Other connections

Slot card configuration

As mentioned, you can expand the capabilities of the DM-3200 with the optional slot cards available.

These cards are as follows:

IF-AN/DMproviding eight channels each of A/D and D/A conversion. Referred to on screen as AD/DA Card. Can be installed in slot 1 or slot 2.

An on-screen DETAIL button allows the viewing of information related to each of the four stereo input and output channels (a popup appears on screen).

MUTE DEFEAT can be enabled or disabled for each of the four channels (see above for details of this).

IF-TD/DMproviding eight channels of digital I/O in TDIF-1 format. Referred to on screen as

Card. Can be installed in slot 1 or slot 2.

The current status of the input and output channels is also shown on the screen.

Figure 3.4: IF-AN/DM (at left) and IF-AE/DM (at

right)

The parameters available allow the viewing (but not the setting) of the word length (for input and output) and the eight output tracks associated with the card.

IF-AE/DMproviding eight channels of input and output in AES/EBU format. Referred to on screen as AES3 Card. Can be installed in slot 1 or slot 2.

The inputs and outputs can be set independently for normal operation or double-speed operation.

Figure 3.5: IF-TD/DM (at left) and IF-AD/DM (at

right)

IF AD/DM providing eight channels of digital I/O in ADAT “lightpipe”. Referred to on screen as ADAT Card. Can be installed in slot 1 or slot 2.

Other connections

MIDI connections (IN, OUT and THRU) Use these standard MIDI connectors to connect the DM- 3200 to other equipment. The THRU terminal also functions as a MIDI Timecode output terminal.

This MIDI functionality can be used to provide either open or closed MMC loop control of remote devices, as well as allowing the DM-3200 to control other devices through its faders and encoders. See “MIDI” on page 91 for details.

NOTE

The USB connector provides MIDI to and from a host computer for DAW control, etc. There is no need to make a separate MIDI connection to and from such a computer.

RS-422 serial control terminal This 9-pin D- sub connector is used to provide control of suitably- equipped devices, using P2 protocol, etc. See “Remote operation” on page 93 for details.

TIME CODE This 1/4" unbalanced jack accepts lin- ear SMPTE/EBU timecode for synchronization with other devices. Note that the DM-3200 does not gen- erate linear timecode, and can neither accept nor gen- erate vertical timecode.

WORD SYNC (IN and OUT/THRU) In any digital audio setup, it is important that there is one, and only one, word sync source.

42 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Connections Other connections, Slot card configuration
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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