4 – Routing & assignment : Channel-to-buss assignment

Surround assignments In surround mode with the pan switch on, the meaning is different—channel modules are assigned to one or both of the surround panners for fine adjustment.

Figure 4.8: Surround channel assignment screen

In addition to using the cursor and ENTER keys for assigning the channels modules to the surround bus- ses, the ASSIGN keys can also be used.

With the pan switch on, use any of the ASSIGN keys 1 through 8 to turn surround 1 on and off (all indica- tors light together) and ASSIGN keys 9 through 16 to turn surround 2 on and off.

See “Surround operations” on page 75 for further details of this and other surround operations, includ- ing the individual assignment of channels to surround matrix output channels with the pan switch off.

Non-channel assignments Assignments from

the busses may be made to the stereo buss as well as to the aux 1–2 send busses (which can therefore be used as studio monitors).

Assignments from the aux sends can be made to the stereo buss only.

Assignments from the stereo buss are to the aux 1–2 send busses (again for monitoring).

Bulk assignment The POD 1 and POD 2 switches correspond to “assign all” and “de-assign all” on-screen buttons.

For channel assignments, use the POD 4 encoder to select a target buss (or the stereo buss or direct out- put) for channels and then press ALL CH ON (POD 1) or ALL CH OFF (POD 2) to assign or de-assign all chan- nels to or from the selected target.

Buss assignments may be made to the stereo buss and/or the aux 1–2 buss pair. The labels of the on- screen buttons change here to ALL BUSS ON (POD 1) and ALL BUSS OFF (POD 2).

For aux sends and the stereo buss, the button labels are ALL ON (POD 1) and ALL OFF (POD 2).

Buss panning The balance between odd- and even-numbered busses is set in the MODULE AUX/BUSS screens (see “Aux and buss setup” on page 68). See also “BUSS PAN Follows ST PAN” on page 34 for- details of how buss and stereo panning are linked.

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Tascam DM-3200 owner manual Non-channel assignments Assignments from, Surround channel assignment screen
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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