6 – Effects : Effect libraries

Effect type

Preset

Title

LCD indication

Comments

No.

 

 

 

 

 

 

31

Trebly

Trebly

Driving sound with a lot of treble

 

 

 

 

 

 

32

Solo

Solo

"Humbucker” solo sound

 

 

 

 

 

 

33

Crunch

Crunch

“Crunch”

 

 

 

 

 

 

34

Fat Drive

Fat Drive

A thick, fat sound

 

 

 

 

Compressor

 

 

 

 

 

 

 

 

 

35

Comp

Comp

Basic compressor sound

 

 

 

 

 

 

36

Fast Attack

Fast Attack

A compressor with a fast attack

 

 

 

 

 

 

37

Slow Attack

Slow Attack

A compressor with a slow attack

 

 

 

 

 

 

38

Short Release

Short Release

Quick-release compressor

 

 

 

 

 

 

39

Long Release

Long Release

Slow release compressor

 

 

 

 

 

 

40

Vocal Comp 1

Vocal Comp 1

Use this compressor with vocals

 

 

 

 

 

 

41

Vocal Comp 2

Vocal Comp 2

Maybe a little more natural-sounding than Vocal 1

 

 

 

 

 

 

42

Inst

Inst

This setting is good with a rhythm box or drum machine

 

 

 

 

 

Exciter

 

 

 

 

 

 

 

 

 

 

43

Exciter

Exciter

Helps the definition of musical sounds

 

 

 

 

 

 

44

Edge

Edge

The treble is attenuated in this setting

 

 

 

 

 

 

45

Vocal EX

Vocal EX

Suitable for use with vocals

 

 

 

 

 

 

46

Rhythm G

Rhythm G

Use this setting with rhythm guitars

 

 

 

 

 

 

47

Bass EX

Bass EX

Use with bass guitars and instruments

 

 

 

 

 

De-esser

 

 

 

 

 

 

 

 

 

 

48

De-esser

De-esser

Use this to reduce sibilance

 

 

 

 

 

Phaser

 

 

 

 

 

 

 

 

 

 

49

Phaser

Phaser

Basic phase sound

 

 

 

 

 

 

50

G Phaser 1

G Phaser 1

Use this phase with guitars

 

 

 

 

 

 

51

G Phaser 2

G Phaser 2

Use this with backing guitars

 

 

 

 

 

 

52

G Phaser 3

G Phaser 3

Use the resonance in this sound with guitars

 

 

 

 

 

 

53

Bass Phaser 1

Bass Phaser 1

Use with fast passages from bass guitar

 

 

 

 

 

 

54

Bass Phaser 2

Bass Phaser 2

Slower bass phaser

 

 

 

 

 

55

Rhythm Phaser 1

Rhythm Phaser 1 A phase for cutting rhythm

 

 

 

 

 

56

Rhythm Phaser 2

Rhythm Phaser 2 Fast rhythm phaser

 

 

 

 

 

 

57

Vocal Phaser 1

Vocal Phaser 1

A rather “loose” phase sound

 

 

 

 

 

 

58

Vocal Phaser 2

Vocal Phaser 2

“Inspirational” vocal phasing

 

 

 

 

 

 

59

Drum Phaser

Drum Phaser

Use this with drums to create space

 

 

 

 

 

 

60

Fusion Phaser

Fusion Phaser

Sounds good with fusion styles

 

 

 

 

 

 

61

Vibrato Phaser

Vibrato Phaser

Phase used as vibrato

 

 

 

 

 

 

62

Wah Phaser

Wah Phaser

Phaser used like a wah-wah pedal

 

 

 

 

 

 

 

Table 6.8: TASCAM effects

88 TASCAM DM-3200 User’s Manual

Page 88
Image 88
Tascam DM-3200 owner manual Preset Title LCD indication Comments, Compressor, Exciter, De-esser, Phaser

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.