2 – Basic operational concepts : Options

BUSS Link/BUSS PAN are Linked When checked, this option links the buss panning when a link is made between two busses.

SOLO

The solo modes on the DM-3200 can be set up in a number of different ways using this screen:

selected, the solo status of only that slave module is affected.

SOLO TYPE There are three options that may be selected here: PFL (pre-fader listen), AFL (after- or post-fader listen) and INPLACE SOLO. Briefly; the PFL option provides a way of listening to the signal before it is sent through the panpot and fader. The stereo outputs are unaffected (soloing is only done through the CR and STUDIO monitor outputs). An AFL selection will output the post-fader signal from the selected channels through the monitoring system. By contrast, soloing a channel in the Inplace Solo mode monitors the soloed signal(s) via the stereo and buss outputs while all the other signals are cut from the stereo and buss outputs.

Figure 2.33: SOLO options

MODE SELECT Either Mix Solo or Exclusive Solo can be selected here. The Mix Solo mode allows a number of channels (that is, all whose SOLO keys are lit in solo mode) to have their outputs added together to the solo mix. The Exclusive Solo mode only allows one channel (the one whose SOLO key was pressed last) to be soloed at one time.

SOLO LINK This option allows the fader and mute groups to be used with the solo function. This is explained more fully in the solo part of the section describing monitoring. Briefly, if one of the group options (MUTE GROUP or FADER GROUP) is enabled, selecting a group master module solos or unsolos the whole of the group. If a group slave module is

INPLACE SOLO DEFEAT This option is a defeat option to prevent channels selected in this way from being muted when other channels are soloed. It can be used with a pair of effect returns, for instance, so that these effect returns will always be added in the inplace mix, together with those other channels selected for inplace soloing. Inplace soloing will out- put the soloed channel(s) from the stereo outputs, and cut all other channels. Use the cursor keys (or chan- nel SEL key) to highlight a channel, and the ENTER key to change the status of the INPLACE SOLO DEFEAT setting.

Alternatively, use the SEL keys of the modules for direct selection and de-selection of the channels (use ENTER to make the setting).

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Tascam DM-3200 owner manual Solo
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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