5 – Channel modules : Global module settings

Global module settings

These settings are common to the four different mod- ule screens, and do not change when the module screen is changed.

Figure 5.2: Common “global” module settings

Navigate to the appropriate on-screen control, and use the ENTER key to turn switches on and off, and POD 4’s encoder to adjust the fader level and pan/ balance control when these are highlighted.

NOTE

As explained in Figure 4.1, Module facilities on the DM- 3200, not every module is equipped with all these fea- tures. Only those features available on a selected mod- ule are actually shown on the display.

Input and return display Cannot be changed here, but shows the current input and return assign- ments.

EQ display and button The EQ display pro- vides a graphical display of the EQ settings. It cannot be changed. However, the EQ button allows the EQ of the channel to be switched in and out, allowing easy A-B comparisons.

GATE display and button The GATE display provides a graphical display of the gate settings, and cannot be changed. The GATE button allows the gate to be switched on and off for A-B comparisons.

COMP/EXP display and COMP button The COMP/EXP display provides a graphical display of the current compressor/expander settings, and cannot be changed. The COMP button allows the compressor/ expander to be turned on and off for comparison.

Compressor/expander point button Use this button to change the point at which the compres- sor/limiter is inserted in the channel between a pre- EQ (PRE EQ) or post-EQ (POST EQ) position (channels 1 through 32 only—busses, aux and the stereo buss are fixed at pre fader).

Meters and pick-off point button Show the current module levels. The button allows the pick-off point to be set as follows:

Channels 1–32

Channels 33–48

Buss, aux, stereo

INPUT

INPUT

 

 

 

PRE GATE

 

 

 

POST GATE

PRE COMP

 

 

 

PRE INSERT

PRE FADER

 

 

 

POST FADER

POST FADER

POST FADER

 

 

 

Fader Allows precise setting and echoes the physi- cal fader setting. When this is highlighted, it can be controlled using the POD 4 encoder.

Also see “Fader control” on page 61 for details of how to view and make fader settings globally.

TIP

You can use the one-step mode for ultra-fine control here. See “Encoder behavior” on page 23.

MUTE button Allows the module to be muted and un-muted (echoes the status of the hardware MUTE key).

PAN (BALANCE) control Use POD 4 to change the value of this control (pan changes to balance when channels are linked).

PAN follow button Use this control like the buss option described in “BUSS PAN Follows ST PAN” on page 34.

INSERT button (with linked or stereo modules, two such buttons are available), allowing you to turn the soft insert(s) on and off (see “Insert patching” on page 50) for details.

Phase button (with linked or stereo modules, two such buttons are available), allowing you to reverse the phase of the input on the selected channel(s).

60 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Channel modules Global module settings, Channels

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.