5 – Channel modules : Dynamics processors

Dynamics processors

This section covers the use of the DM-3200’s built-in compressor/expanders and gates.

Compressor/expander dynamics processors are avail- able in all modules except channel modules 33 through 48.

Gates are available in channels 1 thorough 32 (input only).

The module screen accessed by the DYNAMICS key shows the settings for the currently selected input channel (as shown by the SEL indicator).

Figure 5.5: Unlinked DYNAMICS screen (channels

1 through 32)

If the selected channel is linked as part of a stereo pair, the settings affect both channels.

LINK This and the two trigger settings following, apply both to compressor/expanders and to gates (where available). The link features means that both processors are linked by a common trigger signal. The two processors must be in adjacent channels of an odd-even pair (e.g. channels 3 and 4 can link their processors, channels 4 and 5 cannot).

The linking of the gates or expanders cannot be turned off when two channels have been linked. The above screen display shows L=R when the channels are linked.

When two channels are not linked, but the processors are linked, the processor source can be selected.

Trigger mode (TRG MOD) is only valid when two gates or expanders are linked. This option (selected using the dial and ENTER key) allows the triggering for both processors to be initiated by the left channel, the right channel, or BOTH (both channels act as trig- gers—in other words, the first channel to be triggered will automatically activate the second channel’s processor).

Trigger selection Allows the selection of a chan- nel (1–32), the selected module (shown as SELF) or a globally-defined trigger source (see “Input routing” on page 47), shown as TRGx as the trigger for the compressor (this can include a mic/line source routed to a trigger).

TIP

Figure 5.6: Linked DYNAMICS screen (channels 1

through 32)

By feeding an input signal through a channel with EQ and selecting this as a trigger source, you can imple- ment sidechain compression, without the use of a single patch cord!

Turning the processors on and off There is a key to the right of the assign bank marked EQ/DYN. This key has three functions, depending on whether it is pressed alone or with other keys:

Alone

Turns EQ on and off for the selected module

 

(see “EQ” on page 66)

 

 

With the

Turns the gate on and off for the selected

SHIFT key

module

 

 

With the

Turns the compressor/expander on and off

CTRL key

for the selected module

 

 

The three indicators beside the key show the current status of the selected channel.

62 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Channel modules Dynamics processors, Shift key, Ctrl key

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.