3 – Connections : Digital connections
Digital I/O setup
After the connections have been made, the inputs and outputs can be set up for use.
Press the DIGITAL key (ROUTING with the ALT indi- cator lit) so that the SETUP screen appears:
Figure 3.3: DIGITAL SETUP screen
This screen allows the viewing and changing of the parameters relating to the two digital audio inputs and outputs as well as the three
There are a number of
Digital inputs The word length (16BIT or 24BIT) and the input selected using the routing screens (XLR or RCA) are automatically determined and displayed.
Also, in the case of a
88.2kHz or 96kHz), the display shows HISPEED, oth- erwise it shows NORMAL.
The
88.2or 96kHz (±6%) and converting it to the project frequency. Use the
NOTE
The signal from any input used with a sampling fre- quency converter cannot be used as a sync clock source (see “Clock setting” on page 44).
The 24bit Fix checkbox allows the input of
Mute Defeat The Mute Defeat checkbox should normally be left unchecked. In the event of bad digi- tal audio data being received (out of range, or cor- rupt, etc.), the
Note that an appropriate popup appears if invalid audio data is received, informing you of the type of error and the input at which the bad data is received.
The output channels are determined automatically (either as stereo or 2 x mono) according to the output routing (see “Output routing” on page 49, but the for- mat is set between AES/EBU and S/PDIF using the dial and ENTER key.
The TDIF inputs automatically detect sampling fre- quency, etc. but you may want to set the word length (16, 20 or 24 bits) using the dial and ENTER. Note that the three TDIF terminals can take different word lengths.
Stereo output Finally, the format of the output from the stereo buss when it is routed to a digital out- put can be decided here. The word length can be set at 24 bits, or reduced to 16 bits.
If the word length of the digital stereo buss is reduced to 16 bits, there are three options available: Truncate, Dither, and Noise Shape.
A full discussion of the principles involved here is outside the scope of this manual. Many of the books from Focal Press provide excellent background infor- mation on digital audio, timecode issues, etc.
TASCAM