6 – Effects : Setting up the effects

POD 1

POD 2

POD3

POD 4

 

 

 

 

Exciter (EXCITER)

 

 

 

 

 

 

 

—

—

Sense (SENSE)

Frequency (FREQUENCY)

 

 

0 – 42

1.0kHz – 10.0 kHz

 

 

 

 

Flanger (FLANGER)

 

 

 

 

 

 

 

Rate (RATE)

Depth (DEPTH)

Resonance (RESONANCE)

Delay (DELAY)

0.0Hz – 10Hz

0% – 100%

0.00 – 1.00

0ms – 500ms

 

 

 

Guitar compressor (GUITAR COMPRESSOR)a

 

 

—

—

Ratio (RATIO)

Attack (ATTACK)

 

 

0 – 42

0.1ms – 5.0ms

 

 

 

 

Phaser (PHASER)

 

 

 

 

 

 

 

Steps (STEPS)

LFO rate (LFO RATE)

LFO depth (LFO DEPTH)

Resonance (RESONANCE)

1–16

0.0Hz – 10Hz

0% – 100%

0% – 100%

 

 

 

 

Pitch shifter (PITCH SHIFTER)

 

 

 

 

 

 

 

Semitone shift (SEMITONE)

Fine pitch (FINE)

Pre-delay (PRE DELAY)

Feedback (FEEDBACK)

–12 – +12

–50 cents – +50 cents

50ms – 500ms

0% – 90%

 

 

 

Soft compressor (COMPRESSOR) - uses 2 rows of PODs

 

 

 

 

 

 

Threshold level (THRESHOLD)

Ratio (RATIO)

Attack time (ATTACK)

Release time (RELEASE)

–40dB – –1dB

1:1.00 – 1:inf

0.05s – 5.00s

50ms – 500ms

 

 

 

 

—

—

—

Knee shape (KNEE)

 

 

 

1.0 – 0.5

 

 

 

 

Table 6.5: TASCAM effect parameters

a. Mono in, mono out

All effects are stereo in, stereo out, except for the

Distortion and Guitar Compressor TASCAM effects.

TC Works effect parameters

The TC Reverb effect is a complex reverb effect with many settings.

The top row is the same as for the TASCAM effect settings, and the other PODs are used as follows:

 

POD 1

POD 2

POD 3

POD 4

 

 

 

 

 

 

BALANCE

 

HIGH CUT FILTER

 

Row 2

 

 

 

 

Initial reflections balance

Tail balance (TAIL)

High cut filter frequency

High cut filter attenuation

 

 

(I/R) <50 – >0< – 50>

<50 – >0< – 50>

(HICUT) 20Hz – 16kHz

(ATT) –40.0dB – 0dB

 

 

 

 

 

 

SPACE EDITOR

 

 

 

 

 

 

 

 

Row 3

Space editor shape (SHAPE)

Space editor size (SIZE)

Space editor wall diffusion

Space editor stereo width

HALL, H.SHOE (horseshoe),

4% – 400%

(W-DIFF) –50% – 0% –

(WIDTH) 0% – 100%

 

 

PRISM, FAN, CLUB, SMALL

 

+50%

 

 

 

 

 

 

 

DECAY

 

 

 

Row 4

 

 

 

 

Low time (LOW)

Mid time (MID)

High time (HIGH)

Scaling range (RANGE)

 

 

0.25 s – 64.00s

0.25s – 64.00s

0.25s – 64.00s

1s/4s/16s/64s

Decay crossover frequencies (X-over)

Row 5

Low crossover point

—

High crossover point

—

(X-LOW)

 

(X-HIGH)

 

 

 

 

 

20 Hz – 16kHz

 

20Hz – 16kHz

 

 

 

 

 

 

Table 6.6: TC Reverb effect parameters

TASCAM DM-3200 User’s Manual 83

Page 82 Page 84
Page 83
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Tascam DM-3200 owner manual TC Works effect parameters
Page 82 Page 84

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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