1 – Introduction : Unpacking the DM-3200

Channel destinations There are 16 busses, eight aux busses, 16 assignable inserts (not to be con- fused with the “hard-wired” analog inserts on the input pre-amps) as well as the stereo buss module. Outputs from the channels can be assigned to these.

Furthermore, even when working at a sampling fre- quency of 88.2kHz or 96kHz, the DM-3200 retains the same number of channels and facilities as when operating at “conventional” sampling frequencies.

Outputs The sources for the outputs (built-in and optional slot) are then assigned to the actual physical outputs.

Physical outputs available include the built-in TDIF outputs (3 sets of eight outputs each), and eight chan- nels of ADAT “lightpipe”, as well as two stereo digi- tal and one stereo analog sets of outputs.

Since buss outputs can be assigned to the TDIF and ADAT ports, this allows all the channels of a sur- round mix to be recorded together.

The option slot cards typically provide outputs as well as inputs.

Effects

The DM-3200 incorporates two high-quality digital effects, including a digital reverb programmed by TC Works.

Signals may be routed internally to these effects using busses or aux sends, and the returns fed back to mixer channels for inclusion in the mix. Alterna- tively, the assignable inserts may be used to insert and effect into the signal path of a channel module.

External effects can be looped through the assignable analog sends and returns (the returns can then be assigned to channels), or kept in the digital domain by using the stereo digital I/O facilities.

In addition, channels 1 through 32 can use built-in dynamic processors to provide compression or expansion either pre- or post-fader.

Gates can be inserted at the inputs, with a wide range of triggering options.

There are also analog inserts associated with each mic/line input, which allow additional processors to be inserted, before the DA converters. These insert points can also be used to bypass the DM-3200’s internal mic amps and patch in external mic amps.

Unpacking the DM-3200

The DM-3200’s box contains the items listed below. When opening the package please be certain all the items listed are included. If any items are missing, please consult your TASCAM dealer.

The DM-3200

AC power cable

A 32MB CF card, pre-formatted, and installed in the card slot of the DM-3200.

A USB cable

A CD-ROM containing the utility software and documentation for the DM-3200 (Windows and Mac compatible).

The Quick Reference Guide

Warranty card.

WARNING

The DM-3200 is a large and bulky piece of equipment. We strongly suggest that you get someone to help you lift it out of the carton and locate it in the position where it will be used.

Lifting properly—When lifting, be sure of your footing and grip. Bend your legs to get close to the DM-3200, keeping your back straight, and then lift by straighten- ing your legs. Hold the unit close to your body. Avoid twisting or turning your body while lifting or carrying the DM-3200.

• This manual

TASCAM DM-3200 Owner’s Manual 11

Page 11
Image 11
Tascam owner manual Introduction Unpacking the DM-3200

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.