3 – Connections : Clock setting

Clock setting

When the connections have been made to the DM- 3200, you must select a clock source. The master clock source is also used to determine the sampling frequency for the whole project.

Remember that the DM-3200 can act as a clock source or clock master, but there must be only one master clock source in your studio setup.

Press the PROJECT key until the CLOCK screen appears:

After confirming that you want to do this, a popup appears, informing you of the status of all potential clock sources.

Figure 3.6: PROJECT CLOCK screen (high-speed)

Fs MODE The first item to be selected is the use of the high-speed or normal clock. When the lower 88.2K/96K (high-speed) option is selected, many of the 44.1K and 48K legends on the screen change to 88.2K and 96K respectively. In addition, in high-speed mode, the digital inputs are also available, and the number of available clock sources on the optional AES/EBU interface card (if fitted) is reduced:

In both this and the normal speed clock screen, the current clock status is displayed at the top of the screen (as shown above).

Checking the clock You can make a check of the system by moving the cursor down to the bottom of the screen and pressing the CHECK [START] button.

Figure 3.7: Checking the clock sources

Varispeed clocking Note that the DM-3200 is able to accept audio data and clock signals from “varispeed” devices, provided the playback speed and hence the sampling frequency is within 6% of the nominal frequency.

Of course, when the out-of-normal clock is to be re- transmitted to other devices, it depends on the imple- mentation of the other devicse as to whether the clock can successfully be accepted by them.

Clock change action When the clock is changed, you have an option to reboot and keep (KEEP) the existing mixer configuration (MIXER CON- FIGURATION), or to initialize the settings (INITIALIZE) the DM-3200.

When you make the change to the clock, an appropri- ate popup message appears, telling you what is about to happen (either the mixer will reboot, or the data will be initialized). Press ENTER to carry on with the operation or a cursor key to cancel it.

WARNING

Whichever option you select here, remember that changing the clock source and/or frequency may pro- duce “thumps” and noise which may cause damage to your hearing and the monitoring system, etc. Turn down the levels of all such equipment before making the change to the clock settings.

44 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Connections Clock setting

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.