S/R LINK

4 – Routing & assignment : Routing

Insert patching

NOTE

It is important to note the difference between the hard- ware inserts and the software inserts described here on the DM-3200. The hardware inserts are completely in the analog domain and apply only to the mic/line inputs.

The software inserts are available to many more internal modules. Although these insert loops may exit from the DM-3200 in either the analog or digital domain, they may also remain completely within the unit, using internal “patch” connections.

These “soft” inserts allow 16 different input and out- put pairs to be defined as inserts at definable points in the DM-3200 signal path.

Figure 4.4: Routing inserts

1Use the POD 4 encoder to select the send/ return target group, and select a return point (the left column of the screen).

•ASN S/R The four pairs of external analog send and return jacks

•EFF S/R The internal effects unit sends and returns

•M/L The microphone/line inputs (note that these can only be used as returns, not as sends)

•TDIF1, TDIF2, TDIF3 The three built-in TDIF I/O ports

•ADAT The “lightpipe” ADAT ports

•DIN/OUT The two stereo digital inputs and out- puts

•SLOT1, SLOT2 The optional cards fitted in the slots (note that a card such as the surround monitor card only has outputs and can there- fore only act as a send group)

2Select a send point in the SEND column from the group selected with POD 4 (this does not have to be the same as the return group—you could even have an analog send to an external effect with a digital return, for example).

3Select the return point in the RETURN column from the group selected in the S/R TARGET area.

NOTE

Note that you cannot use a return module which has already been assigned as an input point.

When you have selected the send, return and module, you can then use the on-screen switches to select whether the insert point will be pre-fader (PRE) or post-fader (POST)—channel modules only, as the other modules do not allow the selection of the insert point, and this option is therefore not available when non-channel modules are selected.

The insert point can also be turned ON and OFF here (allowing you to make easy A/B comparisons).

Send/return linking In some cases, the sends and returns form a clearly-defined pair (for example, the assignable sends and returns). To make insert

setup operations easier, check the checkbox at the bottom left of the screen.

When this is checked, selecting a send point in the will automatically select the corresponding return point (or vice versa).

50 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Insert patching, Routing inserts
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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