2 – Basic operational concepts : Naming library entries

The on-screen DELETE button deletes the currently- highlighted library entry.

The target project is fixed as the currently-loaded project and cannot be fixed—to copy data to a project other than the one currently loaded, you must first load the desired target project to make it active.

However, from this screen it is possible to change the currently-loaded library type (this changes the library type on both sides, of course).

Source parameters The source parameters are similar to the target parameters described above.

You can select the library type (which changes both the source and target types), as well as the banks within the source library.

Also note that you can select another project from internal memory or card from which to extract library entries and copy them over to the target library bank.

Use the POD 4 encoder to scroll through the bank.

The actual copying is done by selecting either BANK (the complete contents of the selected source bank) or FILE (the highlighted entry in the source), moving the cursor to the on-screen COPY button and pressing

ENTER.

Appropriate popup messages warn you about over- writing, failed copy operations, etc.

Also note the “fuel gauge” showing the used/free space of the CF card and the “jump button” allowing easy access to the CF card utility screen.

NOTE

Copying a whole bank overwrites the whole contents of the target bank. For example, if the target bank con- tains 99 entries, but the source bank from which the copy is made contains only one, after the copy the tar- get bank will contain one entry only.

Naming library entries

When naming library entries, projects etc., the fol- lowing method is used to enter new names, or edit existing ones. Names and memos of up to 16 charac- ters can be stored:

Figure 2.29: Setting and editing titles and memos

•Use the cursor keys to move left and right within a title.

•Use the wheel to navigate around the charac- ter palette, and press ENTER to enter the high- lighted character at the title’s cursor position.

•The character palette also contains an INSERT and a DELETE symbol. When the wheel is used to highlight these, and ENTER is pressed, a blank space is inserted, or the current charac- ter is deleted, respectively, at the title cursor position.

•Library naming screens also contain dNAME and NAMEe fields (and sometimes also contain dMEMO and MEMOe fields) which are used to transfer the stored name to the edited name or the edited name to the stored name respec- tively. Highlight the appropriate field and press ENTER to perform the copy.

•When the characters of the title have been entered, press the on-screen STORE (POD 2) to enter the name and store the library entry (or project). POD 3 (CANCEL) cancels the naming process.

Options

The OPTIONS screens allow you to set preferences to suit your working style. There are three option screens, all accessed through the OPTION key.

The SETUP and PREFERENCES screens set general parameters relating to the operation of the DM-3200, while the SOLO screen, as its name suggests, is con- cerned with solo operations.

SETUP screen

Press the OPTION key until the SETUP screen appears. Use the cursor to navigate around the checkbox and

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Tascam DM-3200 owner manual Basic operational concepts Naming library entries, Options, Setup screen
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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