5 – Channel modules : Snapshots

Snapshots

Mixer settings can be stored in a library and recalled, either manually from the control surface, or remotely through MIDI Program Change messages.

Snapshots contain the following data:

EQ parameters

Dynamics parameters

Fader and mute settings

Groupings and group settings

Aux send settings (level, status, pan-balance)

Pan and balance settings, image, mono switch

Surround parameters and pan mode

Link settings

Digital trim

Phase switch

Digital delay time and point

Buss, stereo and direct assignments or surround assignments

Effect parameters

routing settings

These are all stored together with a transition time, which allows faders to move gradually from one position to the new position.

In addition, there are also some “safety switches” which prevent certain parameters being re-set when the snapshot is recalled (for example, it might be tedious to have all signals re-routed when a new snapshot is recalled).

Each snapshot can, of course, be named for easy rec- ognition later.

Snapshot library management

The snapshot library screen is accessed through the LIBRARY key:

Figure 5.36: Snapshot library

If the snapshot library is not shown, use the POD 1 encoder and key to select the snapshot library, as shown in Figure 2.27, Library selection pull-up menu.

As the wheel or POD 4 encoder is used to scroll though the list of stored snapshots in the current bank or preset list, the representation of the current fader layer in that snapshot is shown on the right of the screen (the current settings are provided for reference on the left of the screen).

The RECALL SAFE list on the lower left of the screen allows various parameters to remain unchanged on recall when a snapshot is recalled. These are:

I/O routing and buss assignment settings

Mute and fader group assignments

Current effect settings

The OTHER parameters (i.e. those not listed above, allowing you to change only grouping, for exam- ple, while keeping fader settings, EQ settings and routing).

Use the POD 3 switch or the cursor at the RECALL on-screen button to recall the currently selected library entry. A popup message appears briefly.

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Tascam DM-3200 owner manual Channel modules Snapshots, Snapshot library management

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.