2 – Basic operational concepts : Encoders

Encoders

The 16 rotary encoders at the top of each channel have a number of functions, which are selectable using the four keys below the dial. There are three settings for each key, depending on whether the key is pressed alone, or with the SHIFT or CTRL key (at the left of the DM-3200, above module 1).

Key pressed alone

With SHIFT key

With CTRL key

 

Pan position in stereo mode(L-R

Aux 1–2 send level (selected fader

pan in surround) for the selected fader layer

layer)a

Channel 1–16 levels

 

Aux 1–2 send pan position

Channel 17–32 levels

Aux sends (selected channel)

(selected fader layer)b

 

Dynamics settings (selected

Buss levels

Channel 33–48 levels

channel)

 

 

 

 

 

EQ settings (selected channel)

Aux send levels

 

 

Figure 2.10: Encoder functions

a.When Aux 1 and 2 are linked. Aux 1 level when they are unlinked.

b.When Aux 1 and 2 are linked. Aux 2 level when they are unlinked.

As you can see, by using these keys, you can view and set the levels of channels, busses, and aux sends, even when you are not in that particular fader layer.

Also, the channel aux send, dynamics processor and EQ setting modes are useful for convenient viewing and setting of a number of channel parameters at once.

TIP

If you are using aux sends 1 and 2 as a studio cue feed, the SHIFT options provide a quick and easy way to set up the cue mix.

Encoder mappings

The following table provides a reference to the use of the encoders in the different modes:

Pan mode Encoders 1 through 16 pan channel modules 1 through 16 in the active fader layer (i.e. they pan the channel whose fader is below the encoder).

Aux mode Encoders 1 through 8 set the corre- spondingly-numbered aux send levels for the selected module.

GATE/DYN dynamics processor mode

Encoders 1 through 6 control gate parameters: 1= threshold level; 2= gate range; 3 = attack time; 4 = hysteresis level; 5= hold time; 6 = decay (release) time.

Encoders 9 through 13 control compressor/expander parameters: 9 = threshold level; 10 = compression ratio; 11 = attack time; 12 = release time; 13 = output level.

20 TASCAM DM-3200 Owner’s Manual

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Tascam DM-3200 owner manual Basic operational concepts Encoders, Encoder mappings, GATE/DYN dynamics processor mode

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.