2 – Basic operational concepts : Encoders

EQ settings The EQ key assigns the 16 encoders to control the 4-band EQ for the module selected with the SEL keys. Each of the four bands may have its gain, frequency, Q and type controlled by the encoders as shown by the labels under the encoders.

The first encoder in each band is used to control the gain, the indicators are used as below. “Half-steps” are indicated by dimmed indicators. Note also the slight boost and cut settings, which give an indica- tion, even when the venter is hidden by the control knob.

No cut or boost

Slight boost (note

A little more boost

Full cut

 

lower indicator is

(three indicators

 

 

now off)

now lit and

 

 

 

one half-lit)

 

Figure 2.12: Encoders in EQ gain mode

The second encoders of each band in EQ mode show the frequency of the band in the following way:

Lowest frequency

Middle of the

A little higher

A little higher

 

range

than middle

again

Figure 2.13: Encoders in EQ frequency selection mode

The third encoders of each EQ band are used to con- trol the Q (bandwidth), as shown here:

High Q value

A little wider

Minimum Q

(minimum band-

 

(widest band)

width)

 

 

Figure 2.14: Encoders in frequency Q adjustment mode

22 TASCAM DM-3200 Owner’s Manual

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Tascam DM-3200 No cut or boost Slight boost note Little more boost, Three indicators Now off Now lit One half-lit

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.