4 – Routing & assignment : Routing

Output routing

The output routing screen allows you to tie the logi- cal outputs from the different parts of the DM-3200 to the physical output ports.

Figure 4.3: Routing outputs

There are two such screens, one dedicated to the built-in outputs of the DM-3200, and the other dedi- cated to the outputs provided by any optional cards fitted in the slots.

Use POD 3 to select the physical terminals to which the output sources will be routed.

Select from:

•TDIF1, TDIF2, TDIF3 The three TDIF format connectors

•ADAT The optical ADAT output

•DIGITAL OUT The stereo digital outputs

•ASN SEND The four analog assignable sends

•EFF SEND1, EFF SEND2 These are not physical outputs, but virtual patches to the inputs of the internal effects.

Use the POD 4 control to select the output source. Select from:

•ALL (all of the output sources mentioned below)

•BUSS/DIRECT The 16 busses, and any direct channel outputs

•AUX The eight aux sends

•STEREO The stereo buss

There is a second selection called INPUT BYBASS, which allows you to select the same input sources as for input routing (see “Input routing” on page 47). These inputs are routed directly to the selected out- puts, just like a patchbay.

TIP

These “bypass sends” can be useful for physical format conversion, etc. For example, if you have material on a medium that can only be output in ADAT optical, for example, and you need it transmitted to your DAW which has only TDIF format inputs, with no extra pro- cessing, this feature allows you to do just that.

Slot card outputs The second page of this screen allows the selection of the output sources (including the input bypass sources) and their assignment to the outputs of the optional slot cards fitted to the DM- 3200.

The exact configuration of the outputs of the slot cards and their use depend on the actual slot card fit- ted, as well as the surround mode currently selected. For example, the FireWire expansion card (software versions after 1.0) provides up to 24 destination channels to a DAW.

Consult the documentation relating to the appropriate card(s) fitted to your system for details.

TASCAM DM-3200 User’s Manual 49

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Tascam DM-3200 owner manual Output routing, Routing outputs
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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