5 – Channel modules : EQ

EQ

The four-band EQ provided on the first 32 channel modules of the DM-3200 allows precise sound shap- ing, combined with flexibility, and repeatability, thanks to the library store and recall facilities.

To view the EQ settings for a module, press the MODULE key until the EQ page is shown.

Figure 5.10: Module EQ screen

TIP

The instructions here refer to POD use, but you can put the encoders into EQ mode, and use the encoders to adjust individual EQ parameters for the selected chan- nel (see “Encoders” on page 20 for full details). It is also possible to link the screen display to the encoders, or the other way round, so that changing one automati- cally changes the other. See “PREFERENCES” on

page 34.

Use the cursor keys to move the “box” around the screen, and the four POD encoders to change the val- ues of the gain (where appropriate), frequency, Q (where appropriate) and the type of filter for the selected band.

Turn the EQ on and off using the unshifted EQ/DYN key (see “Turning the processors on and off” on

page 62), or by using the on-screen EQ button (circled in Figure 5.10, Module EQ screen)

Turn the individual band highlighted by the box on and off using the ENTER key.

As you make changes to the EQ setting, the graph at the top of the screen changes as does the one by at the top of the “global section”.

All bands have the same frequency range: from 31Hz to 19kHz (in 112 steps).

The amount of gain is ±18dB for all bands.

Q (where appropriate) can be set to any of the follow- ing 24 values: 8.65, 4.32, 2.87, 2.14, 1.71, 1.41, 1.20, 1.04, 0.92, 0.82, 0.74, 0.67, 0.61, 0.56, 0.51, 0.47, 0.44, 0.40, 0.38, 0.35, 0.33, 0.30, 0.28, or 0.27.

The types of EQ filter available are:

Low band: Low Shelf, Peak, HPF (high-pass filter)

Low-mid band: Peak or Notch

High-mid band: Peak or Notch

High band: High Shelf, Peak, LPF (low-pass filter)

Note that the following parameters are used by the different EQ filters:

Peak filter: Gain, Frequency, Q

Shelving filters (high and low): Gain and Frequency

HPF and LPF: Frequency

Notch filters: Frequency and Q

Unused parameters are grayed out on screen or if encoders are elected to set the EQ, the encoders for the unused parameters are disabled, and no indicators are lit.

Encoders and EQ The encoders can be used to make EQ settings (unmodified ENCODER key 4) as described in “Encoders” on page 20.

66 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Channel modules EQ, Module EQ screen

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.