5 – Channel modules : Aux and buss setup

Source selection POD keys 3 and 4 select the aux send source screens. Select between pre-fader (PRE) or post-fader (POST). For aux 1 and 2 only, the RETURN input can also be selected as the send source (for studio cue monitoring).

Linked channels are controlled together by the odd- numbered (left) POD of the pair.

The BATCH SETUP section at the bottom right of the screen allows the setting of the same source for groups of eight channels, or for all (ALL) channels together. A popup appears to confirm this setting (ENTER to confirm, cursor keys to cancel).

Aux send pan/balance screens (linked)

When two aux sends are linked (for stereo cue or to feed the stereo inputs of an effects processor, for example), these screens change slightly.

Figure 5.15: Aux pan/balance screen (linked)

In addition to the screen controlling the linked send levels to the linked aux sends and the screen control- ling the sources to the linked aux sends, there is a third screen, which provides the ability to view and adjust the pan (and balance for linked channels) set- tings to the linked aux sends (accessed with the POD 2 key).

This works in the same way as the previous screens, with the addition of a batch pan setting facility.

There is also a way of copying the current channel pan settings to the aux send pair pan settings (and the other way round). This can be used for setting up monitor cue mixes based on the stereo mix, or simply for echoing the current position in the mix when feeding stereo effect processors.

Use the POD 2 encoder to select whether to copy the pan/balance settings from the channels to the aux sends (CH→AUX) or from the aux sends to the chan- nels (AUX→CH). Use the on-screen SET button to actu- ally perform the parameter copy. A popup appears to confirm this setting (ENTER to confirm, cursor keys to cancel).

Using the encoders You can use the first eight encoders in AUX mode (see “Encoders” on page 20) to set the aux send levels for the selected channel module.

Note that if the preference for the encoders to follow the current screen is set (see “Encoder Mode Follows Current Screen” on page 34) the encoders will auto- matically change to the aux send and pan/balance mode when the aux screens are selected.

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Tascam DM-3200 owner manual Aux send pan/balance screens linked, Aux pan/balance screen linked
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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