4 – Routing & assignment

This section deals with the routing of signals between the different sections of the mixing console, with the assignment of channels to busses, etc. and with metering and the monitoring of the signals in the control room and studio.

The DM-3200 is equipped with two types of mixer channel modules, with the first 32 fully equipped with EQ and full dynamics processing, and modules 33 through 48 being more similar to the basic return channels on a traditional recording mixer. See the table below for an explanation of the facilities pro- vided.

Note also that there are two modes for the first 32 channels—inputand return modes—similar to the channel modes found on many recording mixers, allowing replay and mixing of recorded tracks with- out physical repatching. As with many such record- ing mixers, the “return” has fewer features than an input source, and these are shown in the table below.

 

 

 

 

Modules

 

 

 

Channels 1–32

Channels 1–32

Channels

Aux modules

Buss modules

Stereo buss

 

 

(input)

(return)

33–48

(1–8)

(1–16)

module

 

 

 

 

 

 

 

Gate

Yes

 

 

 

 

 

 

 

Compressor/

Yes

Yes

Yes

Yes

expander

 

 

 

 

 

 

 

 

 

 

 

 

 

Phase switch

Yes

 

 

 

 

 

 

 

Digital trim

Yes

 

 

 

 

 

 

 

“Soft” inserts

Yes

Yes

Yes

Yes

 

 

 

 

 

 

 

4-band EQ

Yes

 

 

 

 

 

 

 

Channel delay

Yes

Yes

Yes

Yes

 

 

 

 

 

 

 

Pan / surround

Yes

Yes

pana

 

 

 

 

 

 

Aux sends

Yes

Yesb

Yes

Yesb

Yesb

 

 

 

 

 

 

 

Mute

Yes

Yes

Yes

Yes

Yes

 

 

 

 

 

 

 

Solo

Yes

Yes

Yes

 

 

 

 

 

 

 

Direct

Yes

 

 

 

 

 

 

 

Buss outputs

Yes

Yes

Yes

 

 

 

 

 

 

 

Stereo outputs

Yes

Yes

Yes

Yes

 

 

 

 

 

 

 

Figure 4.1: Module facilities on the DM-3200

 

 

a.Depending on current surround setting

b.Aux 1–2 only

The level of all modules is controllable via faders, and adjacent odd-even pairs of all modules can be linked (except for the stereo buss, of course).

The operation of all these modules is almost identical and so they are described together here, with appro-

priate notes when a feature only appears on certain channel modules.

As well as the physical insert points described in “Channel inserts” on page 39, the DM-3200 also includes “soft” inserts, which allow the intercon- nection of internal components for more complex

46 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Routing & assignment, Yes Yesb

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.