TOR OSC/COM

4 – Routing & assignment : Monitoring

Talkback, etc.

The internal talkback microphone is located above the meters. The sensitivity of the microphone is adjusted using the T/B control next to the micro- phone.

The TO SLATE and TO STUDIO keys are both “smart keys”. When active, they route the talkback microphone to the busses and/or aux sends as selected below, and to the studio respectively, and dim the control room outputs.

The MONO key (also a “smart key”) provides mono control room monitoring, combining the left and right signals into one mono signal.

Talkback source However, note that the internal talkback microphone does not have to be used as the talkback source. Any one of the mic/line sources can be selected as a communication source (for example, a boundary field microphone situated in a large con- trol room can allow comments from a production group to be routed to the artistes in the studio).

Select the talkback source (T/B SOURCE) in the MONI- screen:

Figure 4.11: Monitor oscillator and

communication screen

Use the cursor to navigate to this field, the dial to make the selection between INT T/B MIC (internal microphone) and MIC/LINE 1 through 16. Press ENTER to confirm the setting.

Slate definition The COMMUNICATION fields allow you to choose the busses and aux sends which will act as the “slate” when the TO SLATE key is enabled for sending talkback. Any combination of busses, aux sends and the stereo buss can be selected (cursor keys and ENTER key) as slate destination. Linking of busses and aux sends has no effect on this screen.

Oscillator and noise generator

In order to help with signal tracing, the setting of SPLs, etc., the DM-3200 provides an internal tone/ noise generator.

The POD 1 switch turns the generator on and off.

Use POD 2 to set the type of generator: either a sine- wave oscillator (SINE), a white noise generator (WHITE), or a pink noise generator (PINK).

POD 3 sets the frequency if the sine wave oscillator has been selected. There are four choices: 100Hz, 440Hz (standard tuning A), 1kHz and 10kHz.

POD 4 sets the level from –36dBFSto 0dBFS in 0.5dB steps. Remember that –16dBFS is the nominal level, so you can use this setting when setting up SPLs, etc. for your monitoring system.

Oscillator destination Use the OSCILLATOR fields (cursor keys and ENTER key) to route the generator fields to any combination of busses, aux sends or the stereo buss. This is an extremely useful “patch-free” method of signal tracing.

56 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Talkback, etc, Oscillator and noise generator
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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