3 – Connections : Clock setting

Changing the clock If the desired clock source has a frequency selection option, select the frequency.

The stereo digital inputs (D-IN1and D-IN2) can have their sampling frequency manually set here (but if the frequency converter is turned on, they cannot act as clock sources). To enable the manual setup for both

digital inputs, which overwrites the embedded C bit (channel status bit) information, check the checkbox, and select the sampling frequency. Note also that if the optional AES/EBU slot card is fitted, the settings made here are applied to this card as well.

The following options relate to the different clock sources available:

 

Normal

High-speed

 

 

 

Internal

48K/44.1K

96K/88.2K

 

 

 

Word (WORD SYNC) connection

48K/44.1K

96K/88.2K

 

 

 

Cascade

No options

 

 

 

 

Digital in 1/2

Manual setup, 48K/44.1K

Manual setup, 96K/88.2K

 

 

 

TDIF 1/2/3

No options

 

 

 

 

ADAT

48K/44.1K

96K/88.2K (note that this is dual-line input

 

at high speed)

 

 

 

 

 

AES card

1/2, 3/4, 5/6, 7/8

1/2, 3/4, 5/6, 7/8

 

 

 

TDIF card

No options

 

 

 

 

ADAT card

48K/44.1K

 

 

 

AD/DA card

No options—this card is not capable of acting as a clock source

 

 

 

FireWire card

TDM format (clock is transmitted on SLRCK)

 

When you have selected the appropriate option for the clock source, move the cursor to the checkbox and press ENTER.

A checkmark (✔) appears in the box if a valid clock signal is present, a cross (✘) if it is not present, and a question mark (?) if the clock signal is out of range. An appropriate popup message is shown in the event of an error in the selected clock signal.

If the clock signal is a valid one, and one which can be used, an appropriate popup message (depending on the action selected when the clock is changed (“Clock change action” on page 44) is shown).

Press ENTER to change the clock, or a cursor key to cancel the action.

Clock phase The phase of the clock signal received at the WORD SYNC IN or transmitted or passed through the WORD SYNC OUT/THRU termi- nal (see also “WORD SYNC (IN and OUT/THRU)” on page 42) can be inverted using the on-screen phase controls.

OUT SPEED Note that in high-speed mode, the clock transmitted from the WORD SYNC OUT can be either the high-speed (88.2/96) clock or the corre- sponding normal speed (44.1/48) clock.

TASCAM DM-3200 User’s Manual 45

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Tascam DM-3200 Normal High-speed Internal, Cascade, Digital in 1/2, Tdif 1/2/3, AES card, Tdif card, Adat card, AD/DA card
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DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
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