3 – Connections

 

Analog connections

39

Mic/line connections

39

Channel inserts

39

2 TR IN

39

ASSIGNABLE RETURNS

39

Analog outputs

40

STEREO OUT

40

ASSIGNABLE SENDS

40

Monitoring (CR OUTPUTS)

40

Monitoring (STUDIO OUTPUTS)

40

Digital connections

40

Digital audio I/O

40

TDIF I/O

40

ADAT “lightpipe” OUT & IN

40

CASCADE

40

Digital inputs and outputs

40

Digital I/O setup

41

Digital inputs

41

Mute Defeat

41

Stereo output

41

Slot card configuration

42

IF-AN/DM

42

IF-AE/DM

42

IF-TD/DM

42

IF AD/DM

42

Other connections

42

MIDI connections (IN, OUT and THRU)

42

RS-422 serial control terminal

42

TIME CODE

42

WORD SYNC (IN and OUT/THRU)

42

TO METER

43

FOOT SW

43

USB

43

Power input

43

Clock setting

44

Fs MODE

44

Checking the clock

44

Varispeed clocking

44

Clock change action

44

Changing the clock

45

Clock phase

45

OUT SPEED

45

4 – Routing & assignment

 

Routing

47

Input routing

47

Batch routing

48

Flipping the channels

48

Loopback options

48

Digital input selection

48

Output routing

49

Slot card outputs

49

Insert patching

50

Send/return linking

50

Channel-to-buss assignment

51

Assignment using the front panel

51

Using the assignment screens

51

Pan switch

52

Surround assignments

53

Non-channel assignments

53

Bulk assignment

53

Buss panning

53

Contents

Monitoring

54

Selecting the CR source

54

Studio cue source

55

Talkback, etc

56

Talkback source

56

Slate definition

56

Oscillator and noise generator

56

Oscillator destination

56

Meters

57

Meter ballistics

57

On-screen meter selection

57

Metering points

57

Soloing

58

5 – Channel modules

 

General principles

59

ASSIGN PARAMETERS screen

59

Global module settings

60

Input and return display

60

EQ display and button

60

GATE display and button

60

COMP/EXP display and COMP button

60

Compressor/expander point button

60

Meters and pick-off point button

60

Fader

60

MUTE button

60

PAN (BALANCE) control

60

PAN follow button

60

INSERT button

60

Phase button

60

AUX1-2 button

61

STEREO button

61

Group assignment displays

61

Fader control

61

Master screen

61

Dynamics processors

62

LINK

62

Trigger mode (TRG MOD)

62

Trigger selection

62

Turning the processors on and off

62

Gates (input channels 1–32)

63

GATE

63

Threshold (THRESH)

63

Range (RANGE)

63

Gate attack time

63

Hysteresis (HYST)

63

Gate hold time (HOLD)

63

Gate decay time (DECAY)

63

Compressor/expanders

63

COMP/EXPAND

63

Insert point (INS PNT)

63

Threshold

63

Compression/expansion ratio

63

Attack time

63

Release time

63

Auto make-up

64

Output gain

64

Library jump buttons

64

Preset dynamics library entries

64

Compressor/expander library entries

64

Gate library entries

65

Trigger settings

65

TASCAM DM-3200 Owner’s Manual 5

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Tascam DM-3200 owner manual Connections, Routing & assignment, Channel modules

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.