Contents

 

EQ

66

Encoders and EQ

66

EQ library

67

Aux and buss setup

68

Aux send screens (unlinked)

68

Copying settings between aux sends and channel

levels

68

Batch setting

68

Source selection

69

Aux send pan/balance screens (linked)

69

Using the encoders

69

Module setup

70

INPUT/RETURN selection

70

GATE switching

70

AUX 1-2 SOURCE

70

Dynamics insert point

70

Dynamics on/off

70

Assignable insert position

70

Phase control

70

Module delay

70

Digital trim

71

Dithering (stereo buss module only)

71

Pan and balance settings

71

Phase/trim/delay

71

Phase

71

Digital trim

71

Delay

72

Stereo linking

72

Balance

73

Linked dynamics

73

Mute groups

73

Clearing groups

74

Grouping groups

74

Linking fader groups to mute groups

74

Fader groups

74

Surround operations

75

Changing surround mode

75

Buss assignments

75

Assigning channels to surround busses

75

Surround panning

76

Module screen

76

Pattern panning

77

Using the cursor keys

77

Jump keys

77

Pan mode off

78

LFE level

78

Snapshots

79

Snapshot library management

79

Storing snapshots

80

Information about a snapshot

80

6 – Effects

 

Routing the effects

81

Setting up the effects

81

TASCAM effect parameters

82

TC Works effect parameters

83

Effect libraries

84

Preset TC Reverb effects

84

Preset TASCAM effects

87

7 – MIDI

 

MIDI port switching and filtering

91

Program Change messages and the

 

DM-3200

92

Setting the MIDI channels

92

Batch setup

92

MIDI Implementation Charts

92

8 – Remote operation

 

Selecting devices for transport control

93

Deleting devices from the list

94

Auto-detection of devices

94

Selecting the control type for the devices

94

STATE

94

DEVICE

94

ID

94

CHASE

95

TRA

95

REC

95

All safe

95

Transport mapping memories

95

To use a transport mapping

96

Viewing the transport mappings

96

Editing a mapping

96

Machine control setup

97

Edit Frames

97

Cueing mode

97

Play Mode

97

AUTO

97

DEFERRED

97

IMMEDIATE

97

Play Command Type

97

Record Command Type

98

Locate Preroll

98

Location memories

99

Selecting the location point display

99

Storing a location memory “on the fly”

99

Manually entering and editing a location memory .99

Location to a location memory

99

Viewing a list of location memories

100

Manual location

100

Repeat play

100

Auto punch operations

101

ALL INPUT and AUTO MON

101

9 – Specifications

 

Analog audio I/O

102

Digital audio I/O

103

Miscellaneous I/O connections

103

Equalization

104

System performance

104

Physical characteristics

104

Dimensional drawing

105

Messages and troubleshooting

105

Block diagram

116

Level diagram

117

6 TASCAM DM-3200 Owner’s Manual

Page 6
Image 6
Tascam DM-3200 owner manual Effects, Midi, Remote operation, Specifications

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.