2 – Basic operational concepts : Encoders

The fourth encoders of each band are used to set the type (peak, notch, shelf, etc. of the band. An EQ band

may have various options relating to the type of filter, and the encoders reflect this:

Low shelf

High shelf

Peak

Notch

HPF

LPF

Figure 2.15: Encoders used to make frequency band filter type selections

Module levels and AUX sends The level is displayed up to the nominal level, and the nominal level is marked by the lower indicator lighting with all indicators up to the nominal position half-lit.

Levels above the nominal are shown by additional segments above the nominal segment lighting, and those below the nominal position changing to half-lit status, as shown in the illustration here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Full cut

Below nominal

Nominal (0dB)

Above nominal

 

(0dB)

 

 

 

level

 

 

 

 

 

 

 

 

Figure 2.16: Encoders used to make module level and aux send adjustments

If the encoders are “flipped”, the position of the channel faders is represented in the same way as for aux sends.

Dynamics settings These are typically “rotary” settings, with the higher levels lighting more seg- ments.

One exception to this is the output level from the compressor/limiter, which lights the center indicator (and bottom center indicator) at a 0dB setting (no cut or boost). Cuts and boots light indicators to the left and right of the center, respectively.

The FLIP key The FLIP key exchanges the func- tions of the faders and the encoders, allowing the touch-sensitive faders to be used for automating tasks that might otherwise be performed by the encoders. When this key is pressed, the faders automatically move to reflect the new values assigned to them.

TIP

When setting up a cue mix on aux sends 1 and 2, for example, you can use the faders for this, while still keeping an eye on the main level settings (on the encoders).

Encoder behavior

Typically, the encoders, as well as the PODs, change values several steps at a time. To change the resolu- tion of these controls, so that they change only one step at a time, press and hold the SHIFT key (at the extreme left of the unit) while turning the encoder.

However, there is an option allowing this behavior to be changed so that the unshifted behavior makes fine adjustments while the shifted behavior makes coarse adjustments.

Use the cursor keys to move down in the OPTION screen to the ENCODER OPERATION item, which allows you to select either 1Step (fine) or Coarse (multi-step) as alternatives for the unshifted mode.

Figure 2.17: ENCODER OPERATION menu item

With the ALT indicator lit, press key 2 (OPTION).

Press ENTER to select one of these options.

TASCAM DM-3200 Owner’s Manual 23

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Tascam DM-3200 Encoder behavior, Low shelf High shelf Peak Notch, Full cut Below nominal Nominal 0dB Above nominal

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.