4 – Routing & assignment : Routing

Assignment of modules to the 16 busses as well as to the stereo busses is carried out by dedicated keys (to the left of the display).

Assignment of physical hardware inputs to mod- ules, and of internal components to physical hard-

ware outputs, together with the internal patching between mixer sections, as well as the setting up of the “soft” inserts, is done in the ASSIGN screens (see “Routing” on page 47).

Routing

Use the ROUTING screens to set up the routing of input sources to modules, etc. as well as to set outputs. There are three of these screens: one for INPUT, one for OUTPUT and one for the soft INSERTS.

To enter these screens, press the ROUTING key until the appropriate screen is shown on the display.

NOTE

Assignment of channels to busses is done by means of the buss keys to the left of the display, or by means of the ASSIGN screens (use the ASSIGN key here).

Input routing

The INPUT screen allows you to select input sources from a list composed of (mainly) the physical inputs of the DM-3200, and route them to input destinations (channels and dynamics triggers).

2

1

3

Figure 4.2: Routing inputs

EFF RTN

The internal effect returns (see “Insert

 

patching” on page 50).

 

 

2TRIN

The 2-track master recorder inputs (see “2

 

TR IN” on page 39).

 

 

OSC

Internal oscillator

 

 

SLOT1/SLOT2

The inputs provided by any cards fitted to the

 

slots (see “Slot card configuration” on

 

page 42 for details).

 

 

LOOPBACK

Explained below (“Loopback options” on

options

page 48).

 

 

2Select the destination layer of these input sources by using the POD 3 encoder (2 in Fig- ure 4.2, Routing inputs). Choose between:

CH 1-16 Channel modules 1 through 16

CH 17-32 Channel modules 17 through 32

CH 33-48 Channel modules 33 through 48

DYN TRIGGER The eight dynamics processor triggers also described in “Trigger settings” on page 65

1Select the source group with the POD 4 encoder.

The input sources are as follows, as listed at the lower right of the screen (1 in Figure 4.2, Routing inputs):

M/L

Mic/line input channels (see “Mic/line

 

connections” on page 39).

 

 

TDIF1/TDIF2/

The three built-in TDIF 8-channel input ports

TDIF3

(see “TDIF I/O” on page 40).

 

 

ADAT

The eight optical “lightpipe” inputs

 

(see“ADAT “lightpipe” OUT & IN” on

 

page 40).

 

 

DIN

The two stereo digital inputs (see “Digital

 

inputs and outputs” on page 40).

 

 

ASN RTN

The four analog assignable returns (see

 

“Analog inputs” on page 33).

 

 

If either of the first two options is selected, each destination module is shown in the list with an INP (input) and RTN (return) available for routing selection. Channels 33 through 48 only present the input (though this has only return capabilities).

3Use the cursor keys to select the source field (either the input or return in the case of chan- nels 1 through 32), and use the dial to select the input source (from the available sources within the selected source block).

4You must then press ENTER to confirm the routing selection.

TASCAM DM-3200 User’s Manual 47

Page 47
Image 47
Tascam DM-3200 owner manual Routing & assignment Routing, Input routing

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.