3 – Connections : Digital connections

Analog outputs

The dedicated analog outputs are relatively few since it is expected that most signals will remain in the dig- ital domain after they have entered the DM-3200.

STEREO OUT Balanced XLR connections (1 ground, 2 hot, 3 cold), which output the stereo buss signals, which can be used to feed the analog inputs of a 2-track recorder, or a specialist chain of analog devices used for mastering.

NOTE

There are no dedicated stereo digital outputs. The ste- reo buss may be routed internally to a variety of digital outputs in different formats. See “Output routing” on page 49 for details.

ASSIGNABLE SENDS These are balanced 1/4" TRS jacks at –2 dBu (wired as described above). As the name suggests, they provide analog send outputs which can be assigned from a variety of sources (see “Routing” on page 47).

Monitoring (CR OUTPUTS) A pair of balanced 1/4" jacks provides the feed to the stereo control room monitoring system (amp/speaker or powered monitors) at +4dBu levels. The level is adjusted using the hardware CR control.

Monitoring (STUDIO OUTPUTS) These unbalanced RCA jacks provide a –10 dBV feed to the studio monitoring system. The level is controlled by software.

Digital connections

Digital audio I/O

TDIF I/O There are three 25-pin TDIF-1 connectors each carrying eight channels of input and eight of output. These can be used to connect DTRS record- ers, etc. as well as other devices whose digital I/O conforms to the TDIF-1 standard.

WARNING

Make connections to these terminals only using approved TDIF cables. Use of any other cables will result in signal degradation, and may even damage equip- ment.

ADAT “lightpipe” OUT & IN These TOSLINK optical connectors carry eight output channels and eight input channels of audio respectively.

Connect them to appropriately-equipped equipment using standard optical digital audio cables.

CASCADE This is a special connector, used only to connect another DM-3200 unit to extend the capabil- ities of the DM-3200. This facility is not available in the first release of the software.

WARNING

Only use the special TASCAM cascade cable here. Use of any other type of cable may result in damage to the equipment.

Digital inputs and outputs There are two sets of stereo digital inputs and two sets of stereo digital outputs.

Each set comprises an unbalanced RCA connector (typically for use with S/PDIF equipment), and an XLR connector (typically for use with AES/EBU equipment).

Though connections can be made to both the RCA and XLR connectors together, only one can be used for input at any one time (output from these jacks is made in parallel). Selection is made in software.

We strongly recommend that to maintain signal qual- ity, you only use cables designed for digital equip- ment.

40 TASCAM DM-3200 User’s Manual

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Tascam DM-3200 owner manual Connections Digital connections, Analog outputs, Digital audio I/O

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.