Tascam DM-3200 owner manual Channel modules, General principles

Models: DM-3200

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5 – Channel modules

The channel modules are the “heart” of the DM-3200, corresponding to the channel strips on an analog con- sole. Because they are used so often, and settings have to be made frequently, there are a number of ways of viewing and making the settings for these modules, as explained in this section.

General principles

There are several ways of setting many of the chan- nel parameters.

The first is by means of the MODULE screens accessed with the MODULE keys (see “Jumping to commonly-used screens” on page 17).

There are four module screens:

DYNAMICS allows the setting of the modules’ com- pressor/expanders (channels 1 through 32, stereo, aux and buss modules) and gates (channels 1 through 32).

EQ allows the setting of the 4-band parametric EQ (channels 1 through 32).

AUX/BUSS allows the setting of the aux sends and the buss assignments.

SETUP provides a way of viewing and setting overall channel parameters.

Various parameters and options are globally available from all module screens (see “Global module set- tings” on page 60).

The second way of viewing and changing the parameters is by means of the dedicated screens accessed through the screen mode selection keys (see “Basic operational concepts” on page 16) and the POD controls. These screens allow the viewing and setting of the same parameter for many differ- ent modules from the same screen.

In addition, the encoders may be used to control one parameter (not all parameters may be con- trolled in this way, but commonly-used ones) of all the modules in the current fader layer or to control many parameters of the currently selected module. See “Encoders” on page 20 for details.

The encoder control methods can also be combined automatically with the screen displays. See the options “Encoder Mode Follows Current Screen” on page 34 and “Current Screen Follows Encoder Mode” on page 34 which enable automatic links between the screen and the encoder modes.

NOTE

Many of the screens and parameters described here apply when the DM-3200 is in stereo mode. For differ- ences and additional features implemented when sur- round mode is selected, see “Surround operations” on page 75.

ASSIGN PARAMETERS screen Also note the PARAMETERS screen (available from the ASSIGN key), which allows a number of different settings to be applied to many channels simultaneously.

Figure 5.1: Assign parameters screen

The screen shows the channel modules (labeled 1 through 48), the 16 busses (1 through 16), the eight aux sends 1 through 8) and the stereo buss.

1Use the POD 4 encoder to select phase, gate switching, compression, compressor/expander insert point position (pre or post) or EQ on/ off.

2Use the left/right cursor keys, wheel or SEL keys to navigate around the screen and the ENTER key to turn the following on or off (see later in this section for details of these channel features).

Note that the only feature available for the busses, the aux sends and the stereo buss is the compressor/expander dynamics processor.

—reverse (“pressed”) or normal phase (channel modules only)

GAT—gate dynamics processor (1–32)

CMP—compressor/expander dynamics processor (1–32, aux, buss and stereo)

PRE/PST—pre/post EQ point for compressor (1–32)

EQ—turns the EQ on and off for that channel mod- ule (1–32)

It is also possible to use the POD 4 encoder to select phase, gate switching, compression, software insert position, compressor position, or EQ on/off as a glo- bal setting, and use the POD 1 key (ALL ON) or POD 2 (ALL OFF) to switch these on or off respectively.

TASCAM DM-3200 User’s Manual 59

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Tascam DM-3200 owner manual Channel modules, General principles

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.