5 – Channel modules : Global module settings

AUX1-2 button (on buss and stereo modules only), allowing the buss or stereo mix to be routed through to the aux 1-2 pair (typically for studio fold- back purposes).

STEREO button (on buss and aux modules only) allowing you to route the buss or aux send to the ste- reo buss.

Group assignment displays Display, but do not allow change on this screen, any fader or mute group assignments.

NOTE

The buss assignments of channel modules are not shown on the display, as the appropriate buss assign indicators light to show the buss assignments when a channel module is selected.

Fader control

From the METER/FADER screens, select either the CH

Press the on-screen SET button when done. A popup

FADER or MASTER M/F tabs:

message asks you to confirm the setting (ENTER) or

 

cancel the operation (cursor key).

 

Master screen The MASTER METER/FADER screen

 

works in a similar way. The top of the screen shows

 

the buss, aux send and stereo meters (metering points

 

selected by moving the cursor to METERING POINT, and

 

using the wheel and ENTER to set the point).

Figure 5.3: Channel fader screen

In the channel fader screen shown here, the current fader and pan positions of all 48 channel modules are shown.

Moving the cursor around this screen highlights pan controls or faders in blocks of four (you can also use the channel SEL keys to jump around the screen).

Use the four POD encoders to adjust the on-screen controls.

Mute status and links are also visible on this screen.

Note that in surround mode, the surround L-R pan- ning is displayed and set here using POD 1 when the on-screen pan controls are highlighted.

To set a master level in blocks of eight channels, move the cursor to the bottom right of the screen (SETUP) and then use POD 3 encoder to adjust the fader level. POD 4 selects the group to be set (in groups of eight channels), or all channels (ALL).

Figure 5.4: Master fader screen

Buss and aux levels are selectable in groups of 4, and the levels can be adjusted as with the channels using the POD encoders.

The SETUP section of the screen allows setting of the first or second eight buss levels, the aux levels, or all aux and all buss levels, in the same way as for the channel modules using POD 3 to set the level, and POD 4 to select the target, with the ENTER key used to confirm the setting.

TASCAM DM-3200 User’s Manual 61

Page 60 Page 62
Page 61
Image 61
Tascam DM-3200 owner manual Fader control, Fader or Master M/F tabs
Page 60 Page 62

DM-3200 specifications

The Tascam DM-3200 is a versatile digital mixing console renowned for its professional audio capabilities and comprehensive feature set. Launched as a part of Tascam’s acclaimed DM series, this console has become a favorite among recording engineers and musicians for its flexibility and high-quality sound processing.

One of the standout features of the DM-3200 is its ability to handle both analog and digital audio signals seamlessly. With 32 input channels, it provides ample connectivity options that are vital for modern studios. It supports both analog line-level signals and digital inputs via ADAT, AES/EBU, and S/PDIF, which allows for extensive routing and integration with various devices and systems.

The DM-3200 features an 8-bus architecture, which enables users to create complex mixes with ease. Each channel is equipped with a 4-band parametric EQ, offering precise control over the tonal balance of each audio source. The onboard effects processing includes virtual effects such as reverb, delay, and modulation, which enhances the overall sound quality and provides creative options for mixing and mastering.

Another notable aspect of the DM-3200 is its intuitive user interface. The console features an LCD display alongside faders, knobs, and buttons designed for quick and efficient operation. The layout facilitates smooth navigation through menus, making it user-friendly for both novice and experienced engineers.

In terms of recording and playback, the DM-3200 supports 24-bit/96 kHz audio resolution, ensuring high-fidelity sound for both tracking and mixing. This capability makes it suitable for post-production, live sound, and studio work, providing high-quality audio requisite in various applications.

Tascam has integrated advanced automation features into the DM-3200, allowing users to automate fader positions, effects parameters, and more. This feature is particularly beneficial during mixing sessions where precision and repeatability are essential.

Additionally, the DM-3200 is capable of digital multitrack recording and can interface seamlessly with DAWs via FireWire, enhancing its versatility in a hybrid studio environment. Whether you are recording a band, mixing a podcast, or producing a film score, the Tascam DM-3200 stands out as a powerful tool in professional audio production.
Top Page Image Contents