09:Dynamic Processor (Stereo Dynamic Processor)

A comp/limiter, enhancer, 3-band equalizer, and noise suppressor are connected in series.

Comp/Limiter is able to use as a compressor, which controls inconsistencies in sound levels by suppressing high sound levels while lifting weaker signals, or as a limiter that prevents the signal from reaching exceedingly high levels.

Enhancer regulates the high-end overtones, clarifying the sound and the sound contour.

3-Band Equalizer works in three frequency ranges: Low, Mid, and High. You can set the frequencies and boost or cut the level.

Noise Suppressor leaves the original sound unmodified, but mutes only the noise during the silent intervals.

fig.MFX-09

L

 

 

Comp/

 

 

Enhancer

 

3-Band

 

 

Noise

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

 

 

Limiter

 

 

 

EQ

 

 

Suppressor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Parameter

 

Value

Description

 

 

 

 

 

 

 

 

 

 

 

 

Comp Sw

 

OFF, ON

Turns the comp/limiter on/off.

Comp Thresh-

 

-60–0 dB

Sets the volume level at which

old #1

 

 

 

 

 

the compression begins.

Comp Attack

 

0–127

Sets the time after the sound vol-

 

 

 

 

 

 

 

 

ume is crossed the compressor

 

 

 

 

 

 

 

 

threshold until compression be-

 

 

 

 

 

 

 

 

gins.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Comp Release

 

0–127

Specifies the time from when the

 

 

 

 

 

 

 

 

volume drops below the com-

 

 

 

 

 

 

 

 

pressor threshold until com-

 

 

 

 

 

 

 

 

pression is no longer applied.

 

 

 

 

 

 

 

 

 

 

 

 

Comp Ratio

1.5:1, 2:1, 4:1,

 

Sets the “source sound:output

 

 

 

 

100:1

 

sound” compression ratio.

 

 

 

 

 

 

 

 

 

 

 

 

Comp Gain

 

-60– +12 dB

Output gain

Enhan Sw

 

OFF, ON

Turns the enhancer on/off.

Enhan Sens

 

0–127

Sensitivity of the enhancer

 

 

 

 

 

 

 

 

 

 

 

 

Enhan Frequen-

 

0–127

Sets the lower limit of the fre-

cy

 

 

 

 

 

quencies to which the enhance-

 

 

 

 

 

 

 

 

ment effect is added.

 

 

 

 

 

 

 

 

 

 

 

 

Enhan Mix Lev-

 

0–127

Level of the overtones generated

el

 

 

 

 

 

by the enhancer

 

 

 

 

 

 

 

 

 

 

 

 

Enhan Level

 

0–127

Volume of the enhancer sound

 

 

 

 

 

 

 

 

 

 

 

 

EQ Low Freq

 

50–4000 Hz

Frequency of the low range

EQ Low Gain

 

-15– +15 dB

Gain of the low range

EQ Mid Freq

 

50–20000 Hz

Frequency of the middle range

 

 

 

 

 

 

 

 

 

 

 

 

EQ Mid Q

0.5, 0.7, 1.0, 2.0,

Gain of the middle range

 

 

 

 

4.0, 8.0

 

Set a higher value for Q to nar-

 

 

 

 

 

 

 

 

row the range to be affected.

 

 

 

 

 

 

 

 

 

 

 

 

EQ Mid Gain

 

-15– +15 dB

Gain of the middle range

 

 

 

 

 

 

 

 

 

 

 

 

EQ Hi Freq

 

2000–20000 Hz

Frequency of the high range

EQ Hi Gain

 

-15– +15 dB

Gain of the high range

NS Sw

 

 

OFF, ON

Turns the noise suppressor on/

 

 

 

 

 

 

 

 

off.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

NS Threshold

 

0–127

Adjusts the level at which the

#2

 

 

 

 

 

 

noise suppressor will begin to

 

 

 

 

 

 

 

 

take effect.

 

 

 

 

 

 

 

 

 

 

 

* When the signal drops below

 

 

 

 

 

 

 

 

the specified level, it will be

 

 

 

 

 

 

 

 

muted.

 

 

 

Effects List

Parameter

Value

Description

 

 

 

NS Release

0–127

Sets the transition time from

 

 

when the noise suppression

 

 

starts to the point where the vol-

 

 

ume reaches 0.

 

 

 

10: Tape Echo Simulator

This virtual tape echo gives you real tape delay sound. This simulates the tape echo part of Roland’s RE-201 Space Echo.

fig.MFX-10

L

Tape Echo

R

Parameter

Value

Description

 

 

 

 

 

Mode

S, M, L, S+M,

Sets the combination of play-

 

 

S+L, M+L,

back heads to be used.

 

 

S+M+L

The RE-201 had three playback

 

 

 

heads to make different delay

 

 

 

times (Short, Medium, and Long

 

 

 

delay) at once. For example, to

 

 

 

use the short and middle heads,

 

 

 

select S+M.

 

 

 

 

 

Repeat Rate #1

0–127

Sets the tape speed.

 

 

 

This corresponds to the delay

 

 

 

time in a contemporary delay ef-

 

 

 

fect.

 

 

 

 

 

Intensity #2

0–127

Sets the repeat times of the de-

 

 

 

layed sound.

 

 

 

This is analogous to a contempo-

 

 

 

rary delay’s feedback setting.

 

Bass

-100– +100

These are the echo sound’s bass

 

Treble

 

and treble adjustments.

 

 

 

When set to 0, they make no

 

 

 

change to the sound.

 

 

 

 

 

Head S Pan

L63–63R

These are the pan (left-right) set-

 

 

 

tings for each of the heads for

 

Head M Pan

 

 

 

 

Short, Medium, and Long delay

 

Head L Pan

 

 

 

 

time.

 

 

 

* This parameter does not

 

 

 

appear on the original RE-201.

 

Tape Distortion

0–5

Adds the distortion characteris-

 

 

 

tic of tape.

 

 

 

The distortion gets more intense

 

 

 

as the value is increased.

 

 

 

 

 

W/F Rate

0–127

Frequency of the wow and flut-

 

 

 

ter modulation

 

 

 

The wavering of multiple pitch-

 

 

 

es that appears from tape wear

 

 

 

and irregularities in rotation is

Appendices

 

 

called wow and flutter.

 

 

 

W/F Depth

0–127

Modulation depth of the wow

 

 

 

and flutter

 

Echo Level

0–127

Volume of the echo sound.

 

121

Page 121
Image 121
Roland V-Synth owner manual Dynamic Processor Stereo Dynamic Processor, Tape Echo Simulator, 121, +M+L