165, Patch Envelope | Roland V-Synth manual

		0000 dddd
		0000 eeee
		0000 ffff
		0000 gggg
		0000 hhhh		OSC 2 Start Offset
					0000000h - FFFFFFFh
	00 68	0aaa aaaa		OSC 2 Time	(1	—	127)
					—63	—	+63
	00 69	00aa aaaa		OSC 2 Time Keyfollow	(44 — 84)
					—200 — +200
	00 6A	0aaa aaaa		OSC 2 Time LFO Depth	(1	—	127)
					—63	—	+63
	00 6B	0aaa aaaa		OSC 2 Time Envelope Depth	(1	—	127)
					—63	—	+63
	00 6C	0000 00aa		OSC 2 Time Offset		(0	— 2)
					BWD, ZERO,		FWD
	00 6D	0aaa aaaa		OSC 2 Formant	(1	—	127)
					—63	—	+63
	00 6E	00aa aaaa		OSC 2 Formant Keyfollow	(44 — 84)
					—200 — +200
	00 6F	0aaa aaaa		OSC 2 Formant LFO Depth	(1	—	127)
					—63	—	+63
	00 70	0aaa aaaa		OSC 2 Formant Envelope Depth	(1	—	127)
					—63	—	+63
	00 71	0000 000a		OSC 2 Tempo Sync Sw		(0	— 1)
					OFF, ON
	00 72	0000 000a		OSC 2 Robot Voice Sw		(0	— 1)
					OFF, ON
	00 73	0000 00aa		OSC 2 Playback Mode		(0	— 3)
				RETRIGGER, LEGATO, STEP,		EVENT
	00 74	0000 000a		OSC 2 Loop Sw		(0	— 1)
					OFF, ON
	00 75	0000 000a		OSC 2 Vari Sw		(0	— 1)
					OFF, ON
	00 76	0aaa aaaa		OSC 2 Energy	(0	—	127)
					OFF, 1	-	127
	00 77	0000 000a		OSC 2 Time Trip Sw		(0	— 1)
					OFF, ON
	00 78	0000 000a		OSC 2 Time Trip Beat Keep		(0	— 1)
					OFF, ON

—————————————+————————————————————————————————————————————————————————————————

00 00 00 79 Total Size +——————————————————————————————————————————————————————————————————————————————+

❍Patch Envelope

+——————————————————————————————————————————————————————————————————————————————+

	Offset
	Address		Description

—————————————+————————————————————————————————————————————————————————————————

#	00 00		0000	aaaa
			0000	bbbb	Env 1 Attack Time	(0 —	144)
						0 — 127, MUSICAL—NOTES
#	00 02		0000	aaaa
			0000	bbbb	Env 1 Decay Time	(0 —	144)
						0 — 127, MUSICAL—NOTES
	00 04		0aaa aaaa		Env 1 Sustine	(0 —	127)
#	00 05		0000	aaaa
			0000	bbbb	Env 1 Release Time	(0 —	144)
						0 — 127, MUSICAL—NOTES
	00 07		0000	0aaa	Env 1 Velocity Curve	(0	— 7)
						FIXED, 1	— 7
	00 08		0aaa aaaa		Env 1 Velocity Sens	(1 —	127)
						—63 —	+63
	00 09		0aaa aaaa		Env 1 Attack Velocity Sens	(1 —	127)
						—63 —	+63
	00 0A		0aaa aaaa		Env 1 Decay Velocity Sens	(1 —	127)
						—63 —	+63
	00 0B		0aaa aaaa		Env 1 Release Velocity Sens	(1 —	127)
						—63 —	+63
	00 0C		00aa aaaa		Env 1 Time Keyfollow	(44 — 84)
						—200 — +200

—————————————+———————————+————————————————————————————————————————————————————

#	00 0D		0000	aaaa
			0000	bbbb	Env 2 Attack Time	(0 —	144)
						0 — 127, MUSICAL—NOTES
#	00 0F		0000	aaaa
			0000	bbbb	Env 2 Decay Time	(0 —	144)
						0 — 127, MUSICAL—NOTES
	00 11		0aaa aaaa		Env 2 Sustine	(0 —	127)
#	00 12		0000	aaaa
			0000	bbbb	Env 2 Release Time	(0 —	144)
						0 — 127, MUSICAL—NOTES
	00 14		0000	0aaa	Env 2 Velocity Curve	(0	— 7)
						FIXED, 1	— 7
	00 15		0aaa aaaa		Env 2 Velocity Sens	(1 —	127)
						—63 —	+63
	00 16		0aaa aaaa		Env 2 Attack Velocity Sens	(1 —	127)
						—63 —	+63
	00 17		0aaa aaaa		Env 2 Decay Velocity Sens	(1 —	127)
						—63 —	+63
	00 18		0aaa aaaa		Env 2 Release Velocity Sens	(1 —	127)
						—63 —	+63
	00 19		00aa aaaa		Env 2 Time Keyfollow	(44 — 84)
						—200 — +200

—————————————+———————————+————————————————————————————————————————————————————

#	00	1A		0000	aaaa
				0000	bbbb	Env 3 Attack Time	(0 —	144)
							0 — 127, MUSICAL—NOTES
#	00	1C		0000	aaaa
				0000	bbbb	Env 3 Decay Time	(0 —	144)
							0 — 127, MUSICAL—NOTES
	00	1E		0aaa aaaa		Env 3 Sustine	(0 —	127)
#	00	1F		0000	aaaa
				0000	bbbb	Env 3 Release Time	(0 —	144)
							0 — 127, MUSICAL—NOTES
	00	21		0000	0aaa	Env 3 Velocity Curve	(0	— 7)
							FIXED, 1	— 7
	00	22		0aaa aaaa		Env 3 Velocity Sens	(1 —	127)
							—63 —	+63
	00	23		0aaa aaaa		Env 3 Attack Velocity Sens	(1 —	127)
							—63 —	+63
	00	24		0aaa aaaa		Env 3 Decay Velocity Sens	(1 —	127)
							—63 —	+63
	00	25		0aaa aaaa		Env 3 Release Velocity Sens	(1 —	127)
							—63 —	+63
	00	26		00aa aaaa		Env 3 Time Keyfollow	(44 — 84)
							—200 — +200

—————————————+———————————+————————————————————————————————————————————————————

#	00	27		0000	aaaa
				0000	bbbb	Env 4 Attack Time		(0 —	144)
								0 — 127, MUSICAL—NOTES
#	00	29		0000	aaaa
				0000	bbbb	Env 4 Decay Time		(0 —	144)
								0 — 127, MUSICAL—NOTES
	00	2B		0aaa aaaa		Env 4 Sustine		(0 —	127)
#	00	2C		0000	aaaa
				0000	bbbb	Env 4 Release Time		(0 —	144)
								0 — 127, MUSICAL—NOTES
	00	2E		0000	0aaa	Env 4 Velocity Curve		(0	— 7)
								FIXED, 1	— 7
	00	2F		0aaa aaaa		Env 4	Velocity Sens	(1 —	127)
								—63 —	+63
	00	30		0aaa aaaa		Env 4	Attack Velocity Sens	(1 —	127)
								—63 —	+63
	00	31		0aaa aaaa		Env 4	Decay Velocity Sens	(1 —	127)
								—63 —	+63
	00	32		0aaa aaaa		Env 4	Release Velocity Sens	(1 —	127)

MIDI Implementation

					—63	—	+63
	00 33	00aa aaaa		Env 4 Time Keyfollow	(44 — 84)
					—200 — +200
—————————————+———————————+————————————————————————————————————————————————————
#	00 34	0000 aaaa
		0000 bbbb		Env 5 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	00 36	0000 aaaa
		0000 bbbb		Env 5 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 38	0aaa aaaa		Env 5 Sustine	(0	—	127)
#	00 39	0000 aaaa
		0000 bbbb		Env 5 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 3B	0000 0aaa		Env 5 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	00 3C	0aaa aaaa		Env 5 Velocity Sens	(1	—	127)
					—63	—	+63
	00 3D	0aaa aaaa		Env 5 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	00 3E	0aaa aaaa		Env 5 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	00 3F	0aaa aaaa		Env 5 Release Velocity Sens	(1	—	127)
					—63	—	+63
	00 40	00aa aaaa		Env 5 Time Keyfollow	(44 — 84)
					—200 — +200
—————————————+———————————+————————————————————————————————————————————————————
#	00 41	0000 aaaa
		0000 bbbb		Env 6 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	00 43	0000 aaaa
		0000 bbbb		Env 6 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 45	0aaa aaaa		Env 6 Sustine	(0	—	127)
#	00 46	0000 aaaa
		0000 bbbb		Env 6 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 48	0000 0aaa		Env 6 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	00 49	0aaa aaaa		Env 6 Velocity Sens	(1	—	127)
					—63	—	+63
	00 4A	0aaa aaaa		Env 6 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	00 4B	0aaa aaaa		Env 6 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	00 4C	0aaa aaaa		Env 6 Release Velocity Sens	(1	—	127)
					—63	—	+63
	00 4D	00aa aaaa		Env 6 Time Keyfollow	(44 — 84)
					—200 — +200
—————————————+———————————+————————————————————————————————————————————————————
#	00 4E	0000 aaaa
		0000 bbbb		Env 7 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	00 50	0000 aaaa
		0000 bbbb		Env 7 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 52	0aaa aaaa		Env 7 Sustine	(0	—	127)
#	00 53	0000 aaaa
		0000 bbbb		Env 7 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 55	0000 0aaa		Env 7 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	00 56	0aaa aaaa		Env 7 Velocity Sens	(1	—	127)
					—63	—	+63
	00 57	0aaa aaaa		Env 7 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	00 58	0aaa aaaa		Env 7 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	00 59	0aaa aaaa		Env 7 Release Velocity Sens	(1	—	127)
					—63	—	+63
	00 5A	00aa aaaa		Env 7 Time Keyfollow	(44 — 84)
					—200 — +200
—————————————+———————————+————————————————————————————————————————————————————
#	00 5B	0000 aaaa
		0000 bbbb		Env 8 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	00 5D	0000 aaaa
		0000 bbbb		Env 8 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 5F	0aaa aaaa		Env 8 Sustine	(0	—	127)
#	00 60	0000 aaaa
		0000 bbbb		Env 8 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 62	0000 0aaa		Env 8 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	00 63	0aaa aaaa		Env 8 Velocity Sens	(1	—	127)
					—63	—	+63
	00 64	0aaa aaaa		Env 8 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	00 65	0aaa aaaa		Env 8 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	00 66	0aaa aaaa		Env 8 Release Velocity Sens	(1	—	127)
					—63	—	+63
	00 67	00aa aaaa		Env 8 Time Keyfollow	(44 — 84)
					—200 — +200
—————————————+———————————+————————————————————————————————————————————————————
#	00 68	0000 aaaa
		0000 bbbb		Env 9 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	00 6A	0000 aaaa
		0000 bbbb		Env 9 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 6C	0aaa aaaa		Env 9 Sustine	(0	—	127)
#	00 6D	0000 aaaa
		0000 bbbb		Env 9 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 6F	0000 0aaa		Env 9 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	00 70	0aaa aaaa		Env 9 Velocity Sens	(1	—	127)
					—63	—	+63
	00 71	0aaa aaaa		Env 9 Attack Velocity Sens	(1	—	127)
					—63	—	+63		Appendices
	00 72	0aaa aaaa		Env 9 Decay Velocity Sens	(1	—	127)
					—63	—	+63
					—63	—	+63
	00 73	0aaa aaaa		Env 9 Release Velocity Sens	(1	—	127)
					—63	—	+63
	00 74	00aa aaaa		Env 9 Time Keyfollow	(44 — 84)
					—200 — +200
—————————————+———————————+————————————————————————————————————————————————————
#	00 75	0000 aaaa
		0000 bbbb		Env 10 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	00 77	0000 aaaa
		0000 bbbb		Env 10 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 79	0aaa aaaa		Env 10 Sustine	(0	—	127)
#	00 7A	0000 aaaa
		0000 bbbb		Env 10 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	00 7C	0000 0aaa		Env 10 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	00 7D	0aaa aaaa		Env 10 Velocity Sens	(1	—	127)
					—63	—	+63
	00 7E	0aaa aaaa		Env 10 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	00 7F	0aaa aaaa		Env 10 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	01 00	0aaa aaaa		Env 10 Release Velocity Sens	(1	—	127)

165

Image 165

Roland V-Synth owner manual 165, Patch Envelope

Contents

Page For the U.K Important Safety InstructionsPage Placement Power Supply Additional Precautions MaintenanceBefore Using Cards Handling CD-ROMs How To Use This Manual Contents Contents Creating and Editing Samples Sample Mode Appendices 101 Connecting to Your Computer via USB USB Mode Main Features Ideal combination of sound generatorsAn interface that gives life to the sound Use with other devices for even greater possibilities Main FeaturesOpen system architecture Full complement of external interfaces Front Panel Panel Descriptions Panel Descriptions 16 TVA 14 OSC1, OSC2Pitch Bend/Modulation Lever LFO DP1, LFO DP2, LFO DP3 Rear Panel How the V-Synth Is Organized Overview of the V-SynthBasic Structure Polyphony Memory Structure Memory Basic Operation of the V-Synth Changing Operating Modes Mode Basic Touch Screen Operation Editing a Value Moving the Cursor About the Patch Play Screen Playing in Patch ModeSelecting a Patch Displaying Patch Play Screen Transposing the Keyboard in Semitone Steps Transpose Press Transpose to light indicatorSelecting Favorite Patches Patch Palette Selecting Patches from the List Transposing the Keyboard in Octave Units Octave Shift Playing Single Notes MonoCreating Smooth Pitch Changes Portamento When Using a Hold Pedal Using an External Midi Keyboard to Play ArpeggiosPlaying Arpeggios Arpeggiator Holding an Arpeggio Making Arpeggiator Settings Creating an Original Arpeggio Pattern Pattern EditAbout the Pattern Edit Window Creating a Pattern by Playing in Real Time Real Rec When you are finished with step input, touch Stop Playing in Patch Mode Erasing a Pattern ClearCreating a Pattern by Inputting One Step at a Time Step Rec Touch Step Rec Applying Various Effects to the Sound What is the Time Trip function? Usable range of the D Beam controller ModeIf Assignable is on Function to turn on the D Beam controller Applying an Effect by Turning a Knob Assignable Controller Synchronizing Music Video While You Play Synth V-LINK Press V-LINK so the indicator lights Enter V-LINK ModeExample Connections Link function Transmitted Midi message How to Make the Patch Settings Creating a PatchFour Tips for Editing Patches Initializing Patch Settings Patch Init Copying Patch Settings Patch CopyPatch Saving Patches Patch Write Naming a Patch Patch NamePulldown menu, touch Patch Name Pulldown menu, touch Patch Write Registering a Favorite Patch Patch Palette Auditioning the Save-Destination Patch CompareTouch Execute to execute the Save operation Palette p Deleting Patches Patch Delete Settings Common to the Entire Patch CommonFunctions of Patch Parameters General Beam/Bender Matrix Ctrl TT Pad Destination 1, 2 Matrix Control Destination 1 Sens Matrix Control SensCSM1/2-PRM1 p CSM1/2-PRM2 p CSM1/2-LFO-PRM1 p CSM1/2-LFO-PRM2 p Creating a Patch Arpeggio Tune OSC Type Modifying Waveforms OSC1/ OSC2 Pitch Creating a Patch Pulse Width Analog Fat AnalogTime PCM Formant PCM Applying Various Effects to Each Note You Play COSM1/COSM2 Mixing/Modulating Two Sounds ModMod Type Cosm Type Adjusting the Volume and Pan TVA Making Envelope Settings How to Apply the LFO Making LFO Settings Routing Setting Effects for a Patch Effect REV Reverb On/Off Switch CHO Chorus On/Off SwitchMFX To CHO MFX Chorus Send Level MFX To REV MFX Reverb Send Level Zone Settings Zone Splitting the Keyboard to Play Different Sounds SplitPulldown menu, touch Zone Creating a Drum Patch Drum To save the patch you created, perform the Write operation p Lower part of the screen, touch Drum Settings Before You Sample What Is a Template? Creating and Editing Samples Sample ModeFactory Settings of Each Template Sampling Sampling Procedure Setup Comp Limiter NoiseSupTouch Sample Select the location sample number that you wish to sample When you are finished sampling, touch StopTouch Sampling Touch Tmpl 1-TMPL 8 to select a sampling template Pulldown menu, touch Sample Name Copying a Sample Sample CopyPulldown menu, touch Sample Copy Touch Execute to execute the copy operation Press Exit Pulldown menu, touch Sample Move Moving a Sample Sample MoveTouch Execute to execute the move operation Press Exit Pulldown menu, touch Sample Exchange Resampling Setup SettingsSampling General Sampling Type Sampling Pre-Effect Pre-Effect Settings Metronome Metronome Settings Checking Sample Information Original PitchOriginal Fine Tune Importing a Sample Common Procedure for EditingEditing a Sample Displaying the Sample Edit Screen Adjust Start, End, and Current SettingsFunctions Common to All Editing Screens Touch Edit Basic Operation Editing the Specified Region of the SampleZero Cross Search Zoom LR-Mix Zero InsertCut Trim Trimming Loop Region Settings ReverseRegion Original Tempo Setting Converting the Sample to V- Synth Data EncodeDisplaying the Encode Screen Selecting the Encoding Type To Execute the Encode OperationTouch Encode Deleting and Adding Events Automatically Detecting EventsDeleting an Event Adding an Event Saving a Sample Access the Sample Top screen p Touch Save How to Make the System Function Settings Settings Common to All Modes System ModeSaving the System Settings Write Initializing the System Settings Init Settings Common to the Entire System Common Functions of System ParametersMaster Rx PC Receive Program Change Switch Band EQ 4-Band Equalizer SwitchRx Bank Receive Bank Select Switch MID 2 Gain USB Setup Tx PC Transmit Program Change Switch Part1-16 Rx Sw Part 1-16 Receive SwitchTx Bank Transmit Bank Select Switch Switch TT Pad/Knob Beam Pedal Link Settings V-LINK Lever After Local Sw V-LINK Aftertouch Local Switch Bend Assign V-LINK Pitch Bend AssignAfter Assign V-LINK Aftertouch Assign Disk-Related Functions Disk Mode About Disk UtilityBasic Disk Utility Operations Loading a Project from Disk into the V-Synth Load Project Access the Disk Utility Menu screen p Touch Load ProjectSorting the Files Displayed in the File List Upper right of the disk utility screen, touch Saving Project on Disk Save Project Delete Unneeded Files Clean ProjectImporting Individual Patch or Wave Files Import Files Initializing a Disk Format Access the Disk Utility Menu screen p Touch Format Functions Related to Files and Folders Tools Copying Files/Folders CopyMoving Files/Folders Move File list, select the file or folder that you want to move Deleting Files/Folders Delete When you have finished inputting, touch OK to execute Renaming a Files/Folders RenameOperation.Mode DiskFunctions Related-Disk Transferring Files to or from Your Computer Storage Mode Selecting USB Storage ModeAbout USB Functions Windows Users Connecting to Your Computer via USB USB ModeWindows 98/98SE Users Windows XP/2000/Me or later Users Switching the Connected Drive Connecting to Your Computer via USB USB ModeCanceling the USB Connection Closing the USB Storage Screen Computer Macintosh Users Loading Backup Data from Your Computer into the V-Synth Examples of Using Storage ModeBacking Up Patch and Wave Data Project from the V-Synth Backing Up the V-Synth’s Internal Data onto Your Computer Synth Import Internal MemoryPC Card Exchanging Midi Messages with Your Computer Midi Mode Driver Installation and SettingsWhat is the USB Midi Driver? Other Functions Transmitting Data to an External Midi Device Data TransferOther Functions Touch Factory Reset Reset to Default Factory Settings Factory ResetTouch Execute to execute the Factory Reset Viewing Various Information Info Displaying the Calibration Menu Screen Adjusting the Sensitivity of the Touch ScreenTouch Calibration Calibration Menu screen, touch Touch Screen Adjusting the Sensitivity of the Time Trip Pad Adjusting the Sensitivity of the D Beam Controller100 Appendices 101 Patch Parameters Parameter ListCommon Group p 102 103 Parameter List OSC1/OSC2 Group p 104 Parameter ListParameter Value Fat Analog Time PCM COSM1/COSM2 Group p Mod Group p105 Mod Type 106 Parameter List TVA Group p Parameter List Effect Group p 107Parameter Value Routing 108 System ParametersParameter Value Master Part Midi 109 Parameter List Controller Group pTT Pad/Knob Beam Parameter List Link Group p 110Lever Cosm Parameters Cosm ListOverdrive / Distortion Wave Shape Speaker Simulator Amp SimulatorResonator 1st order SideBandFilter Comb Filter 2nd order SideBandFilterDual Filter 113 Polyphonic Compressor Dynamic TVF114 Cutoff Frequency Shifter Polyphonic LimiterLo-Fi Processor 115 MFX Parameters Effects List116 DS / OD Graphic EQ Graphic Equalizer Parametric EQ Parametric EqualizerResonant Filter Effects List Isolator and Filter Distortion / OD Distortion / Overdrive118 Amp Simulator Guitar Amp Simulator Specifications of each Speaker Type119 Type Cabinet Speaker Microphone Humanizer Auto Wah120 LPF, BPF Tape Echo Simulator Dynamic Processor Stereo Dynamic Processor121 +M+L 122 Stereo DelayREO, Alter Nate Multi Tap Delay Reverse Delay123 Delay Pan Type Values Dly Band Pass DelayVocal Echo 124 Analog Delay→ Chorus Digital Chorus125 Hexa Chorus Space ChorusAnalog Flanger 126 Boss Flanger Step Flanger127 Digital Phaser Analog Phaser128 4STAGE Rotary Tremolo/Auto Pan129 Stereo Pitch Shifter 28 OD/DS→ Cho/Flg Overdrive/ Distortion→ Chorus/Flanger130 29 OD/DS→ Delay Overdrive/Distortion→ Delay 30 Cho/Flg→ Delay Chorus/Flanger→ Delay131 32 Enh→ Delay Enhancer→ Delay 31 Enh→ Cho/Flg Enhancer→ Chorus/Flanger132 Guitar Multi Vocal Multi133 LIMITER, DE 134 Bass Multi Rhodes Multi Keyboard Multi135 Phonograph Radio Tuning136 LP, EP, SP Bit Rate Converter Pseudo Stereo137 Reverb Parameters Chorus ParametersChorus Type Chorus Parameters 139 Room 140 Hall 141 142 Garage Delay Non-Linear143 144 Troubleshooting Problems Related to the V-Synth145 Problems Related to the USB Driver Windows Troubleshooting146 147 Deleting Incorrect Device Information 148 Problems Related to the USB Driver Macintosh Error Screens Message List149 150 Message List 151 Message Boxes About Midi Connectors About MidiMidi Channels and Multi-timbral Sound Generators 153 Midi Implementation 154 Midi Implementation Master Fine Tuning Master VolumeMaster Coarse Tuning 155 156 Scale/Octave Tuning AdjustData Request 1RQ1 11H Data Set DT1 12H 157 Identity Reply Message 158 159 SetupSystem Patch 160 System ControllerPatch Common MFX-SEND, CHO-SEND, REV-SEND MFX-PRM1, MFX-PRM2, MFX-PRM3 161 Patch MFX 162 163 Patch ChorusPatch Reverb Patch Oscillator 164 Patch Envelope 165 166 Patch LFOPatch Cosm 167 Patch ControllerPatch Arpeggio 168 Midi Implementation Supplementary Material 169 Example1 Setting Chorus Type of Patch to Chorus 1 DT1Example2 Getting the data RQ1 of Patch MFX in PATCH003 Example3 Getting Temporary Patch Part 1 data RQ1 Equal Temperament 170Just Temperament Tonic of C Arabian Scale 171 Midi Implementation Chart 172 Specifications Index 173Assignable 174 IndexHold LFO ON/OFF 175 12, 14 176 Time Trip 177 178 Installing the PC Card Protector For EU Countries 179For the USA For Canada Information