166, Patch LFO, Patch Cosm | Roland V-Synth instruction

MIDI Implementation

			—63 — +63
	01 01 00aa aaaa Env 10 Time Keyfollow		(44	— 84)
			—200 —	+200

—————————————+———————————+————————————————————————————————————————————————————

#	01	02	0000 aaaa
			0000 bbbb		Env 11 Attack Time	(0	—	144)
					0 — 127, MUSICAL—NOTES
#	01	04	0000 aaaa
			0000 bbbb		Env 11 Decay Time	(0	—	144)
					0 — 127, MUSICAL—NOTES
	01	06	0aaa aaaa		Env 11 Sustine	(0	—	127)
#	01	07	0000 aaaa
			0000 bbbb		Env 11 Release Time	(0	—	144)
					0 — 127, MUSICAL—NOTES
	01	09	0000 0aaa		Env 11 Velocity Curve		(0	— 7)
						FIXED,	1	— 7
	01	0A	0aaa aaaa		Env 11 Velocity Sens	(1	—	127)
						—63	—	+63
	01	0B	0aaa aaaa		Env 11 Attack Velocity Sens	(1	—	127)
						—63	—	+63
	01	0C	0aaa aaaa		Env 11 Decay Velocity Sens	(1	—	127)
						—63	—	+63
	01	0D	0aaa aaaa		Env 11 Release Velocity Sens	(1	—	127)
						—63	—	+63
	01	0E	00aa aaaa		Env 11 Time Keyfollow	(44 — 84)
						—200 — +200

—————————————+———————————+————————————————————————————————————————————————————

#	01 0F	0000 aaaa
		0000 bbbb		Env 12 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	01 11	0000 aaaa
		0000 bbbb		Env 12 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 13	0aaa aaaa		Env 12 Sustine	(0	—	127)
#	01 14	0000 aaaa
		0000 bbbb		Env 12 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 16	0000 0aaa		Env 12 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	01 17	0aaa aaaa		Env 12 Velocity Sens	(1	—	127)
					—63	—	+63
	01 18	0aaa aaaa		Env 12 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	01 19	0aaa aaaa		Env 12 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	01 1A	0aaa aaaa		Env 12 Release Velocity Sens	(1	—	127)
					—63	—	+63
	01 1B	00aa aaaa		Env 12 Time Keyfollow	(44 — 84)
					—200 — +200

—————————————+———————————+————————————————————————————————————————————————————

#	01 1C	0000 aaaa
		0000 bbbb		Env 13 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	01 1E	0000 aaaa
		0000 bbbb		Env 13 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 20	0aaa aaaa		Env 13 Sustine	(0	—	127)
#	01 21	0000 aaaa
		0000 bbbb		Env 13 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 23	0000 0aaa		Env 13 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	01 24	0aaa aaaa		Env 13 Velocity Sens	(1	—	127)
					—63	—	+63
	01 25	0aaa aaaa		Env 13 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	01 26	0aaa aaaa		Env 13 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	01 27	0aaa aaaa		Env 13 Release Velocity Sens	(1	—	127)
					—63	—	+63
	01 28	00aa aaaa		Env 13 Time Keyfollow	(44 — 84)
					—200 — +200

—————————————+————————————————————————————————————————————————————————————————

00 00 01 29 Total Size +——————————————————————————————————————————————————————————————————————————————+

+--------------------------------		+
ENV 1	OSC1 Pitch
ENV 2	OSC1 Time/Pulse Width
ENV 3	OSC1 Formant/Fat
ENV 4	OSC1 Level
ENV 5	OSC2 Pitch
ENV 6	OSC2 Time/Pulse Width
ENV 7	OSC2 Formant/Fat
ENV 8	OSC2 Level
ENV 9	COSM1 Parameter 1
ENV 10	COSM1 Parameter 2
ENV 11	COSM2 Parameter 1
ENV 12	COSM2 Parameter 2
ENV 13	TVA Level
+--------------------------------		+

❍Patch LFO

+——————————————————————————————————————————————————————————————————————————————+

	Offset
	Address		Description

—————————————+————————————————————————————————————————————————————————————————

	00 00		0000	0aaa	LFO 1 Waveform		(0	— 7)
							SIN, TRI, SAW, SQR, RND,	TRP,
							S&H,	CHS
#	00 01		0000	aaaa
			0000	bbbb	LFO 1 Rate		(0 —	144)
							0 — 127, MUSICAL—NOTES
	00 03		0000	0aaa	LFO 1 Offset		(0	— 4)
							—100, —50, 0, +50, +100
	00 04		0aaa aaaa		LFO 1	Delay Time	(0 —	127)
	00 05		0000	00aa	LFO 1	Fade Mode	(0	— 3)
							ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00 06		0aaa aaaa		LFO 1	Fade Time	(0 —	127)
	00 07		0000	000a	LFO 1	Key Sync	(0	— 1)
							OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00	08		0000	0aaa	LFO 2 Waveform		(0	— 7)
								SIN, TRI, SAW, SQR, RND,	TRP,
								S&H,	CHS
#	00	09		0000	aaaa
				0000	bbbb	LFO 2 Rate		(0 —	144)
								0 — 127, MUSICAL—NOTES
	00	0B		0000	0aaa	LFO 2 Offset		(0	— 4)
								—100, —50, 0, +50, +100
	00	0C		0aaa aaaa		LFO 2	Delay Time	(0 —	127)
	00	0D		0000	00aa	LFO 2	Fade Mode	(0	— 3)
								ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00	0E		0aaa aaaa		LFO 2	Fade Time	(0 —	127)
	00	0F		0000	000a	LFO 2	Key Sync	(0	— 1)
								OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00 10		0000	0aaa	LFO 3 Waveform		(0	— 7)
							SIN, TRI, SAW, SQR, RND,	TRP,
							S&H,	CHS
#	00 11		0000	aaaa
			0000	bbbb	LFO 3	Rate	(0 —	144)
							0 — 127, MUSICAL—NOTES
	00 13		0000	0aaa	LFO 3	Offset	(0	— 4)
							—100, —50, 0, +50, +100
	00 14		0aaa aaaa		LFO 3	Delay Time	(0 —	127)
	00 15		0000	00aa	LFO 3	Fade Mode	(0	— 3)
							ON—IN, ON—OUT, OFF—IN, OFF—OUT

	00 16		0aaa	aaaa	LFO		3	Fade Time	(0 —	127)
	00 17		0000	000a		LFO	3	Key Sync	(0	— 1)
									OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00	18		0000	0aaa	LFO 4 Waveform		(0	— 7)
								SIN, TRI, SAW, SQR, RND,	TRP,
								S&H,	CHS
#	00	19		0000	aaaa
				0000	bbbb	LFO 4 Rate		(0 —	144)
								0 — 127, MUSICAL—NOTES
	00	1B		0000	0aaa	LFO 4 Offset		(0	— 4)
								—100, —50, 0, +50, +100
	00	1C		0aaa aaaa		LFO 4	Delay Time	(0 —	127)
	00	1D		0000	00aa	LFO 4	Fade Mode	(0	— 3)
								ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00	1E		0aaa aaaa		LFO 4	Fade Time	(0 —	127)
	00	1F		0000	000a	LFO 4	Key Sync	(0	— 1)
								OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00 20		0000	0aaa	LFO 5 Waveform		(0	— 7)
							SIN, TRI, SAW, SQR, RND,	TRP,
							S&H,	CHS
#	00 21		0000	aaaa
			0000	bbbb	LFO 5 Rate		(0 —	144)
							0 — 127, MUSICAL—NOTES
	00 23		0000	0aaa	LFO 5 Offset		(0	— 4)
							—100, —50, 0, +50, +100
	00 24		0aaa aaaa		LFO 5	Delay Time	(0 —	127)
	00 25		0000	00aa	LFO 5	Fade Mode	(0	— 3)
							ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00 26		0aaa aaaa		LFO 5	Fade Time	(0 —	127)
	00 27		0000	000a	LFO 5	Key Sync	(0	— 1)
							OFF, ON

—————————————+————————————————————————————————————————————————————————————————

00 00 00 28 Total Size +——————————————————————————————————————————————————————————————————————————————+

+---------------			+
LFO 1		OSC1
LFO 2		OSC2
LFO 3		COSM1
LFO 4		COMS2
LFO 5		TVA
+---------------			+

❍Patch COSM

+——————————————————————————————————————————————————————————————————————————————+

	Offset
	Address		Description

—————————————+————————————————————————————————————————————————————————————————

	00 00		0000	000a	COSM Switch	(0 — 1)
						BYPASS,	ON
	00 01		0000	aaaa	COSM Type	(0 —	15)

—————————————+———————————+————————————————————————————————————————————————————

#	00 02	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 1	(12768 — 52768)
					—20000 — +20000
#	00 06	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 2	(12768 — 52768)
					—20000 — +20000
#	00 0A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 3	(12768 — 52768)
					—20000 — +20000
#	00 0E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 4	(12768 — 52768)
					—20000 — +20000
#	00 12	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 5	(12768 — 52768)
					—20000 — +20000
#	00 16	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 6	(12768 — 52768)
					—20000 — +20000
#	00 1A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 7	(12768 — 52768)
					—20000 — +20000
#	00 1E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 8	(12768 — 52768)
					—20000 — +20000
#	00 22	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 9	(12768 — 52768)
					—20000 — +20000
#	00 26	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 10	(12768 — 52768)
					—20000 — +20000
#	00 2A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 11	(12768 — 52768)
					—20000 — +20000
#	00 2E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 12	(12768 — 52768)
					—20000 — +20000
#	00 32	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 13	(12768 — 52768)
					—20000 — +20000
#	00 36	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 14	(12768 — 52768)
					—20000 — +20000
#	00 3A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 15	(12768 — 52768)
					—20000 — +20000
#	00 3E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 16	(12768 — 52768)
					—20000 — +20000

—————————————+————————————————————————————————————————————————————————————————

00 00 00 42 Total Size +——————————————————————————————————————————————————————————————————————————————+

166

Image 166

Roland V-Synth owner manual 166, Patch LFO, Patch Cosm

Contents

Page Important Safety Instructions For the U.KPage Power Supply Placement Before Using Cards MaintenanceAdditional Precautions Handling CD-ROMs How To Use This Manual Contents Creating and Editing Samples Sample Mode Contents Connecting to Your Computer via USB USB Mode Appendices 101 Ideal combination of sound generators Main FeaturesAn interface that gives life to the sound Open system architecture Main FeaturesUse with other devices for even greater possibilities Full complement of external interfaces Panel Descriptions Front Panel Panel Descriptions Pitch Bend/Modulation Lever 14 OSC1, OSC216 TVA LFO DP1, LFO DP2, LFO DP3 Rear Panel Basic Structure Overview of the V-SynthHow the V-Synth Is Organized Polyphony Memory Memory Structure Changing Operating Modes Mode Basic Operation of the V-Synth Basic Touch Screen Operation Moving the Cursor Editing a Value Selecting a Patch Playing in Patch ModeAbout the Patch Play Screen Displaying Patch Play Screen Selecting Favorite Patches Patch Palette Press Transpose to light indicatorTransposing the Keyboard in Semitone Steps Transpose Selecting Patches from the List Playing Single Notes Mono Transposing the Keyboard in Octave Units Octave ShiftCreating Smooth Pitch Changes Portamento Playing Arpeggios Arpeggiator Using an External Midi Keyboard to Play ArpeggiosWhen Using a Hold Pedal Holding an Arpeggio Creating an Original Arpeggio Pattern Pattern Edit Making Arpeggiator SettingsAbout the Pattern Edit Window Creating a Pattern by Playing in Real Time Real Rec Creating a Pattern by Inputting One Step at a Time Step Rec Playing in Patch Mode Erasing a Pattern ClearWhen you are finished with step input, touch Stop Touch Step Rec What is the Time Trip function? Applying Various Effects to the Sound If Assignable is on ModeUsable range of the D Beam controller Function to turn on the D Beam controller Synchronizing Music Video While You Play Synth V-LINK Applying an Effect by Turning a Knob Assignable Controller Example Connections Enter V-LINK ModePress V-LINK so the indicator lights Link function Transmitted Midi message Creating a Patch How to Make the Patch SettingsFour Tips for Editing Patches Copying Patch Settings Patch Copy Initializing Patch Settings Patch InitPatch Pulldown menu, touch Patch Name Naming a Patch Patch NameSaving Patches Patch Write Pulldown menu, touch Patch Write Touch Execute to execute the Save operation Auditioning the Save-Destination Patch CompareRegistering a Favorite Patch Patch Palette Palette p Functions of Patch Parameters Settings Common to the Entire Patch CommonDeleting Patches Patch Delete General Beam/Bender TT Pad Matrix Ctrl CSM1/2-PRM1 p CSM1/2-PRM2 p Sens Matrix Control SensDestination 1, 2 Matrix Control Destination 1 CSM1/2-LFO-PRM1 p CSM1/2-LFO-PRM2 p Creating a Patch Arpeggio Tune Modifying Waveforms OSC1/ OSC2 OSC Type Pitch Fat Analog Creating a Patch Pulse Width AnalogTime PCM Formant PCM Mod Type Mixing/Modulating Two Sounds ModApplying Various Effects to Each Note You Play COSM1/COSM2 Cosm Type Adjusting the Volume and Pan TVA Making Envelope Settings Making LFO Settings How to Apply the LFO Setting Effects for a Patch Effect Routing MFX To CHO MFX Chorus Send Level CHO Chorus On/Off SwitchREV Reverb On/Off Switch MFX To REV MFX Reverb Send Level Splitting the Keyboard to Play Different Sounds Split Zone Settings ZonePulldown menu, touch Zone Creating a Drum Patch Drum Lower part of the screen, touch Drum To save the patch you created, perform the Write operation p Factory Settings of Each Template Creating and Editing Samples Sample ModeSettings Before You Sample What Is a Template? Sampling Setup Comp Limiter NoiseSup Sampling ProcedureTouch Sample Touch Sampling When you are finished sampling, touch StopSelect the location sample number that you wish to sample Touch Tmpl 1-TMPL 8 to select a sampling template Pulldown menu, touch Sample Copy Copying a Sample Sample CopyPulldown menu, touch Sample Name Touch Execute to execute the copy operation Press Exit Touch Execute to execute the move operation Press Exit Moving a Sample Sample MovePulldown menu, touch Sample Move Pulldown menu, touch Sample Exchange Sampling General Setup SettingsResampling Sampling Type Pre-Effect Settings Sampling Pre-Effect Metronome Settings Metronome Original Pitch Checking Sample InformationOriginal Fine Tune Editing a Sample Common Procedure for EditingImporting a Sample Displaying the Sample Edit Screen Functions Common to All Editing Screens Start, End, and Current SettingsAdjust Touch Edit Zero Cross Search Editing the Specified Region of the SampleBasic Operation Zoom Cut Zero InsertLR-Mix Trim Trimming Reverse Loop Region SettingsRegion Converting the Sample to V- Synth Data Encode Original Tempo SettingDisplaying the Encode Screen To Execute the Encode Operation Selecting the Encoding TypeTouch Encode Deleting an Event Automatically Detecting EventsDeleting and Adding Events Adding an Event Access the Sample Top screen p Touch Save Saving a Sample Saving the System Settings Write Settings Common to All Modes System ModeHow to Make the System Function Settings Initializing the System Settings Init Functions of System Parameters Settings Common to the Entire System CommonMaster Rx Bank Receive Bank Select Switch Band EQ 4-Band Equalizer SwitchRx PC Receive Program Change Switch MID 2 Gain USB Setup Tx Bank Transmit Bank Select Switch Part1-16 Rx Sw Part 1-16 Receive SwitchTx PC Transmit Program Change Switch Switch TT Pad/Knob Pedal Beam Link Settings V-LINK Lever Bend Assign V-LINK Pitch Bend Assign After Local Sw V-LINK Aftertouch Local SwitchAfter Assign V-LINK Aftertouch Assign About Disk Utility Disk-Related Functions Disk ModeBasic Disk Utility Operations Sorting the Files Displayed in the File List Access the Disk Utility Menu screen p Touch Load ProjectLoading a Project from Disk into the V-Synth Load Project Upper right of the disk utility screen, touch Importing Individual Patch or Delete Unneeded Files Clean ProjectSaving Project on Disk Save Project Wave Files Import Files Access the Disk Utility Menu screen p Touch Format Initializing a Disk Format Copying Files/Folders Copy Functions Related to Files and Folders ToolsMoving Files/Folders Move Deleting Files/Folders Delete File list, select the file or folder that you want to move Renaming a Files/Folders Rename When you have finished inputting, touch OK to executeOperation.Mode DiskFunctions Related-Disk Selecting USB Storage Mode Transferring Files to or from Your Computer Storage ModeAbout USB Functions Windows 98/98SE Users Connecting to Your Computer via USB USB ModeWindows Users Windows XP/2000/Me or later Users Canceling the USB Connection Connecting to Your Computer via USB USB ModeSwitching the Connected Drive Closing the USB Storage Screen Macintosh Users Computer Backing Up Patch and Wave Data Project from the V-Synth Examples of Using Storage ModeLoading Backup Data from Your Computer into the V-Synth Backing Up the V-Synth’s Internal Data onto Your Computer Internal Memory Synth ImportPC Card Driver Installation and Settings Exchanging Midi Messages with Your Computer Midi ModeWhat is the USB Midi Driver? Transmitting Data to an External Midi Device Data Transfer Other FunctionsOther Functions Touch Execute to execute the Factory Reset Reset to Default Factory Settings Factory ResetTouch Factory Reset Viewing Various Information Info Touch Calibration Adjusting the Sensitivity of the Touch ScreenDisplaying the Calibration Menu Screen Calibration Menu screen, touch Touch Screen Adjusting the Sensitivity of the D Beam Controller Adjusting the Sensitivity of the Time Trip Pad100 101 Appendices Common Group p Parameter ListPatch Parameters 102 Parameter List OSC1/OSC2 Group p 103 Parameter Value Fat Analog Parameter List104 Time PCM 105 Mod Group pCOSM1/COSM2 Group p Mod Type Parameter List TVA Group p 106 107 Parameter List Effect Group pParameter Value Routing Parameter Value Master System Parameters108 Part Midi TT Pad/Knob Parameter List Controller Group p109 Beam 110 Parameter List Link Group pLever Overdrive / Distortion Cosm ListCosm Parameters Wave Shape Resonator Amp SimulatorSpeaker Simulator 1st order SideBandFilter Dual Filter 2nd order SideBandFilterComb Filter 113 114 Dynamic TVFPolyphonic Compressor Cutoff Lo-Fi Processor Polyphonic LimiterFrequency Shifter 115 116 Effects ListMFX Parameters DS / OD Resonant Filter Parametric EQ Parametric EqualizerGraphic EQ Graphic Equalizer Effects List Distortion / OD Distortion / Overdrive Isolator and Filter118 119 Specifications of each Speaker TypeAmp Simulator Guitar Amp Simulator Type Cabinet Speaker Microphone 120 Auto WahHumanizer LPF, BPF 121 Dynamic Processor Stereo Dynamic ProcessorTape Echo Simulator +M+L REO, Alter Stereo Delay122 Nate Reverse Delay Multi Tap Delay123 Vocal Echo Band Pass DelayDelay Pan Type Values Dly 124 Digital Chorus Analog Delay→ Chorus125 Analog Flanger Space ChorusHexa Chorus 126 Step Flanger Boss Flanger127 128 Analog PhaserDigital Phaser 4STAGE Tremolo/Auto Pan Rotary129 28 OD/DS→ Cho/Flg Overdrive/ Distortion→ Chorus/Flanger Stereo Pitch Shifter130 30 Cho/Flg→ Delay Chorus/Flanger→ Delay 29 OD/DS→ Delay Overdrive/Distortion→ Delay131 31 Enh→ Cho/Flg Enhancer→ Chorus/Flanger 32 Enh→ Delay Enhancer→ Delay132 133 Vocal MultiGuitar Multi LIMITER, DE Bass Multi 134 Keyboard Multi Rhodes Multi135 136 Radio TuningPhonograph LP, EP, SP Pseudo Stereo Bit Rate Converter137 Chorus Type Chorus ParametersReverb Parameters Chorus Parameters Room 139 Hall 140 141 Garage 142 Non-Linear Delay143 144 Problems Related to the V-Synth Troubleshooting145 Troubleshooting Problems Related to the USB Driver Windows146 Deleting Incorrect Device Information 147 Problems Related to the USB Driver Macintosh 148 Message List Error Screens149 Message List 150 Message Boxes 151 About Midi About Midi ConnectorsMidi Channels and Multi-timbral Sound Generators Midi Implementation 153 Midi Implementation 154 Master Coarse Tuning Master VolumeMaster Fine Tuning 155 Data Request 1RQ1 11H Scale/Octave Tuning Adjust156 Data Set DT1 12H 157 158 Identity Reply Message System Setup159 Patch System Controller 160Patch Common 161 MFX-SEND, CHO-SEND, REV-SEND MFX-PRM1, MFX-PRM2, MFX-PRM3 162 Patch MFX Patch Chorus 163Patch Reverb 164 Patch Oscillator 165 Patch Envelope Patch LFO 166Patch Cosm Patch Controller 167Patch Arpeggio Midi Implementation Supplementary Material 168 Example2 Getting the data RQ1 of Patch MFX in PATCH003 Example1 Setting Chorus Type of Patch to Chorus 1 DT1169 Example3 Getting Temporary Patch Part 1 data RQ1 Just Temperament Tonic of C 170Equal Temperament Arabian Scale Midi Implementation Chart 171 Specifications 172 173 IndexAssignable Hold Index174 LFO 175 ON/OFF 176 12, 14 177 Time Trip Installing the PC Card Protector 178 For the USA 179For EU Countries For Canada Information