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Roland V-Synth owner manual 166, Patch LFO, Patch Cosm

Models: V-Synth

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Page 166

MIDI Implementation

			—63 — +63
	01 01 00aa aaaa Env 10 Time Keyfollow		(44	— 84)
			—200 —	+200

—————————————+———————————+————————————————————————————————————————————————————

#	01	02	0000 aaaa
			0000 bbbb		Env 11 Attack Time	(0	—	144)
					0 — 127, MUSICAL—NOTES
#	01	04	0000 aaaa
			0000 bbbb		Env 11 Decay Time	(0	—	144)
					0 — 127, MUSICAL—NOTES
	01	06	0aaa aaaa		Env 11 Sustine	(0	—	127)
#	01	07	0000 aaaa
			0000 bbbb		Env 11 Release Time	(0	—	144)
					0 — 127, MUSICAL—NOTES
	01	09	0000 0aaa		Env 11 Velocity Curve		(0	— 7)
						FIXED,	1	— 7
	01	0A	0aaa aaaa		Env 11 Velocity Sens	(1	—	127)
						—63	—	+63
	01	0B	0aaa aaaa		Env 11 Attack Velocity Sens	(1	—	127)
						—63	—	+63
	01	0C	0aaa aaaa		Env 11 Decay Velocity Sens	(1	—	127)
						—63	—	+63
	01	0D	0aaa aaaa		Env 11 Release Velocity Sens	(1	—	127)
						—63	—	+63
	01	0E	00aa aaaa		Env 11 Time Keyfollow	(44 — 84)
						—200 — +200

—————————————+———————————+————————————————————————————————————————————————————

#	01 0F	0000 aaaa
		0000 bbbb		Env 12 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	01 11	0000 aaaa
		0000 bbbb		Env 12 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 13	0aaa aaaa		Env 12 Sustine	(0	—	127)
#	01 14	0000 aaaa
		0000 bbbb		Env 12 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 16	0000 0aaa		Env 12 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	01 17	0aaa aaaa		Env 12 Velocity Sens	(1	—	127)
					—63	—	+63
	01 18	0aaa aaaa		Env 12 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	01 19	0aaa aaaa		Env 12 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	01 1A	0aaa aaaa		Env 12 Release Velocity Sens	(1	—	127)
					—63	—	+63
	01 1B	00aa aaaa		Env 12 Time Keyfollow	(44 — 84)
					—200 — +200

—————————————+———————————+————————————————————————————————————————————————————

#	01 1C	0000 aaaa
		0000 bbbb		Env 13 Attack Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
#	01 1E	0000 aaaa
		0000 bbbb		Env 13 Decay Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 20	0aaa aaaa		Env 13 Sustine	(0	—	127)
#	01 21	0000 aaaa
		0000 bbbb		Env 13 Release Time	(0	—	144)
				0 — 127, MUSICAL—NOTES
	01 23	0000 0aaa		Env 13 Velocity Curve		(0	— 7)
					FIXED,	1	— 7
	01 24	0aaa aaaa		Env 13 Velocity Sens	(1	—	127)
					—63	—	+63
	01 25	0aaa aaaa		Env 13 Attack Velocity Sens	(1	—	127)
					—63	—	+63
	01 26	0aaa aaaa		Env 13 Decay Velocity Sens	(1	—	127)
					—63	—	+63
	01 27	0aaa aaaa		Env 13 Release Velocity Sens	(1	—	127)
					—63	—	+63
	01 28	00aa aaaa		Env 13 Time Keyfollow	(44 — 84)
					—200 — +200

—————————————+————————————————————————————————————————————————————————————————

00 00 01 29 Total Size +——————————————————————————————————————————————————————————————————————————————+

+--------------------------------		+
ENV 1	OSC1 Pitch
ENV 2	OSC1 Time/Pulse Width
ENV 3	OSC1 Formant/Fat
ENV 4	OSC1 Level
ENV 5	OSC2 Pitch
ENV 6	OSC2 Time/Pulse Width
ENV 7	OSC2 Formant/Fat
ENV 8	OSC2 Level
ENV 9	COSM1 Parameter 1
ENV 10	COSM1 Parameter 2
ENV 11	COSM2 Parameter 1
ENV 12	COSM2 Parameter 2
ENV 13	TVA Level
+--------------------------------		+

❍Patch LFO

+——————————————————————————————————————————————————————————————————————————————+

	Offset
	Address		Description

—————————————+————————————————————————————————————————————————————————————————

	00 00		0000	0aaa	LFO 1 Waveform		(0	— 7)
							SIN, TRI, SAW, SQR, RND,	TRP,
							S&H,	CHS
#	00 01		0000	aaaa
			0000	bbbb	LFO 1 Rate		(0 —	144)
							0 — 127, MUSICAL—NOTES
	00 03		0000	0aaa	LFO 1 Offset		(0	— 4)
							—100, —50, 0, +50, +100
	00 04		0aaa aaaa		LFO 1	Delay Time	(0 —	127)
	00 05		0000	00aa	LFO 1	Fade Mode	(0	— 3)
							ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00 06		0aaa aaaa		LFO 1	Fade Time	(0 —	127)
	00 07		0000	000a	LFO 1	Key Sync	(0	— 1)
							OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00	08		0000	0aaa	LFO 2 Waveform		(0	— 7)
								SIN, TRI, SAW, SQR, RND,	TRP,
								S&H,	CHS
#	00	09		0000	aaaa
				0000	bbbb	LFO 2 Rate		(0 —	144)
								0 — 127, MUSICAL—NOTES
	00	0B		0000	0aaa	LFO 2 Offset		(0	— 4)
								—100, —50, 0, +50, +100
	00	0C		0aaa aaaa		LFO 2	Delay Time	(0 —	127)
	00	0D		0000	00aa	LFO 2	Fade Mode	(0	— 3)
								ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00	0E		0aaa aaaa		LFO 2	Fade Time	(0 —	127)
	00	0F		0000	000a	LFO 2	Key Sync	(0	— 1)
								OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00 10		0000	0aaa	LFO 3 Waveform		(0	— 7)
							SIN, TRI, SAW, SQR, RND,	TRP,
							S&H,	CHS
#	00 11		0000	aaaa
			0000	bbbb	LFO 3	Rate	(0 —	144)
							0 — 127, MUSICAL—NOTES
	00 13		0000	0aaa	LFO 3	Offset	(0	— 4)
							—100, —50, 0, +50, +100
	00 14		0aaa aaaa		LFO 3	Delay Time	(0 —	127)
	00 15		0000	00aa	LFO 3	Fade Mode	(0	— 3)
							ON—IN, ON—OUT, OFF—IN, OFF—OUT

	00 16		0aaa	aaaa	LFO		3	Fade Time	(0 —	127)
	00 17		0000	000a		LFO	3	Key Sync	(0	— 1)
									OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00	18		0000	0aaa	LFO 4 Waveform		(0	— 7)
								SIN, TRI, SAW, SQR, RND,	TRP,
								S&H,	CHS
#	00	19		0000	aaaa
				0000	bbbb	LFO 4 Rate		(0 —	144)
								0 — 127, MUSICAL—NOTES
	00	1B		0000	0aaa	LFO 4 Offset		(0	— 4)
								—100, —50, 0, +50, +100
	00	1C		0aaa aaaa		LFO 4	Delay Time	(0 —	127)
	00	1D		0000	00aa	LFO 4	Fade Mode	(0	— 3)
								ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00	1E		0aaa aaaa		LFO 4	Fade Time	(0 —	127)
	00	1F		0000	000a	LFO 4	Key Sync	(0	— 1)
								OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00 20		0000	0aaa	LFO 5 Waveform		(0	— 7)
							SIN, TRI, SAW, SQR, RND,	TRP,
							S&H,	CHS
#	00 21		0000	aaaa
			0000	bbbb	LFO 5 Rate		(0 —	144)
							0 — 127, MUSICAL—NOTES
	00 23		0000	0aaa	LFO 5 Offset		(0	— 4)
							—100, —50, 0, +50, +100
	00 24		0aaa aaaa		LFO 5	Delay Time	(0 —	127)
	00 25		0000	00aa	LFO 5	Fade Mode	(0	— 3)
							ON—IN, ON—OUT, OFF—IN, OFF—OUT
	00 26		0aaa aaaa		LFO 5	Fade Time	(0 —	127)
	00 27		0000	000a	LFO 5	Key Sync	(0	— 1)
							OFF, ON

—————————————+————————————————————————————————————————————————————————————————

00 00 00 28 Total Size +——————————————————————————————————————————————————————————————————————————————+

+---------------			+
LFO 1		OSC1
LFO 2		OSC2
LFO 3		COSM1
LFO 4		COMS2
LFO 5		TVA
+---------------			+

❍Patch COSM

+——————————————————————————————————————————————————————————————————————————————+

	Offset
	Address		Description

—————————————+————————————————————————————————————————————————————————————————

	00 00		0000	000a	COSM Switch	(0 — 1)
						BYPASS,	ON
	00 01		0000	aaaa	COSM Type	(0 —	15)

—————————————+———————————+————————————————————————————————————————————————————

#	00 02	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 1	(12768 — 52768)
					—20000 — +20000
#	00 06	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 2	(12768 — 52768)
					—20000 — +20000
#	00 0A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 3	(12768 — 52768)
					—20000 — +20000
#	00 0E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 4	(12768 — 52768)
					—20000 — +20000
#	00 12	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 5	(12768 — 52768)
					—20000 — +20000
#	00 16	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 6	(12768 — 52768)
					—20000 — +20000
#	00 1A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 7	(12768 — 52768)
					—20000 — +20000
#	00 1E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 8	(12768 — 52768)
					—20000 — +20000
#	00 22	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 9	(12768 — 52768)
					—20000 — +20000
#	00 26	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 10	(12768 — 52768)
					—20000 — +20000
#	00 2A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 11	(12768 — 52768)
					—20000 — +20000
#	00 2E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 12	(12768 — 52768)
					—20000 — +20000
#	00 32	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 13	(12768 — 52768)
					—20000 — +20000
#	00 36	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 14	(12768 — 52768)
					—20000 — +20000
#	00 3A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 15	(12768 — 52768)
					—20000 — +20000
#	00 3E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd	COSM Parameter 16	(12768 — 52768)
					—20000 — +20000

—————————————+————————————————————————————————————————————————————————————————

00 00 00 42 Total Size +——————————————————————————————————————————————————————————————————————————————+

166

Image 166

Roland V-Synth owner manual 166, Patch LFO, Patch Cosm

Contents

Page Important Safety Instructions For the U.KPage Power Supply PlacementBefore Using Cards MaintenanceAdditional Precautions Handling CD-ROMsHow To Use This Manual Contents Creating and Editing Samples Sample Mode ContentsConnecting to Your Computer via USB USB Mode Appendices 101Ideal combination of sound generators Main FeaturesAn interface that gives life to the sound Open system architecture Main FeaturesUse with other devices for even greater possibilities Full complement of external interfacesPanel Descriptions Front PanelPanel Descriptions Pitch Bend/Modulation Lever 14 OSC1, OSC216 TVA LFO DP1, LFO DP2, LFO DP3Rear Panel Basic Structure Overview of the V-SynthHow the V-Synth Is Organized PolyphonyMemory Memory StructureChanging Operating Modes Mode Basic Operation of the V-SynthBasic Touch Screen Operation Moving the Cursor Editing a ValueSelecting a Patch Playing in Patch ModeAbout the Patch Play Screen Displaying Patch Play ScreenSelecting Favorite Patches Patch Palette Press Transpose to light indicatorTransposing the Keyboard in Semitone Steps Transpose Selecting Patches from the ListPlaying Single Notes Mono Transposing the Keyboard in Octave Units Octave ShiftCreating Smooth Pitch Changes Portamento Playing Arpeggios Arpeggiator Using an External Midi Keyboard to Play ArpeggiosWhen Using a Hold Pedal Holding an ArpeggioCreating an Original Arpeggio Pattern Pattern Edit Making Arpeggiator SettingsAbout the Pattern Edit Window Creating a Pattern by Playing in Real Time Real Rec Creating a Pattern by Inputting One Step at a Time Step Rec Playing in Patch Mode Erasing a Pattern ClearWhen you are finished with step input, touch Stop Touch Step RecWhat is the Time Trip function? Applying Various Effects to the SoundIf Assignable is on ModeUsable range of the D Beam controller Function to turn on the D Beam controllerSynchronizing Music Video While You Play Synth V-LINK Applying an Effect by Turning a Knob Assignable ControllerExample Connections Enter V-LINK ModePress V-LINK so the indicator lights Link function Transmitted Midi messageCreating a Patch How to Make the Patch SettingsFour Tips for Editing Patches Copying Patch Settings Patch Copy Initializing Patch Settings Patch InitPatch Pulldown menu, touch Patch Name Naming a Patch Patch NameSaving Patches Patch Write Pulldown menu, touch Patch WriteTouch Execute to execute the Save operation Auditioning the Save-Destination Patch CompareRegistering a Favorite Patch Patch Palette Palette pFunctions of Patch Parameters Settings Common to the Entire Patch CommonDeleting Patches Patch Delete GeneralBeam/Bender TT Pad Matrix CtrlCSM1/2-PRM1 p CSM1/2-PRM2 p Sens Matrix Control SensDestination 1, 2 Matrix Control Destination 1 CSM1/2-LFO-PRM1 p CSM1/2-LFO-PRM2 pCreating a Patch Arpeggio Tune Modifying Waveforms OSC1/ OSC2 OSC TypePitch Fat Analog Creating a Patch Pulse Width AnalogTime PCM Formant PCM Mod Type Mixing/Modulating Two Sounds ModApplying Various Effects to Each Note You Play COSM1/COSM2 Cosm TypeAdjusting the Volume and Pan TVA Making Envelope Settings Making LFO Settings How to Apply the LFOSetting Effects for a Patch Effect RoutingMFX To CHO MFX Chorus Send Level CHO Chorus On/Off SwitchREV Reverb On/Off Switch MFX To REV MFX Reverb Send LevelSplitting the Keyboard to Play Different Sounds Split Zone Settings ZonePulldown menu, touch Zone Creating a Drum Patch Drum Lower part of the screen, touch Drum To save the patch you created, perform the Write operation pFactory Settings of Each Template Creating and Editing Samples Sample ModeSettings Before You Sample What Is a Template? SamplingSetup Comp Limiter NoiseSup Sampling ProcedureTouch Sample Touch Sampling When you are finished sampling, touch StopSelect the location sample number that you wish to sample Touch Tmpl 1-TMPL 8 to select a sampling templatePulldown menu, touch Sample Copy Copying a Sample Sample CopyPulldown menu, touch Sample Name Touch Execute to execute the copy operation Press ExitTouch Execute to execute the move operation Press Exit Moving a Sample Sample MovePulldown menu, touch Sample Move Pulldown menu, touch Sample ExchangeSampling General Setup SettingsResampling Sampling TypePre-Effect Settings Sampling Pre-EffectMetronome Settings MetronomeOriginal Pitch Checking Sample InformationOriginal Fine Tune Editing a Sample Common Procedure for EditingImporting a Sample Displaying the Sample Edit ScreenFunctions Common to All Editing Screens Start, End, and Current SettingsAdjust Touch EditZero Cross Search Editing the Specified Region of the SampleBasic Operation ZoomCut Zero InsertLR-Mix Trim TrimmingReverse Loop Region SettingsRegion Converting the Sample to V- Synth Data Encode Original Tempo SettingDisplaying the Encode Screen To Execute the Encode Operation Selecting the Encoding TypeTouch Encode Deleting an Event Automatically Detecting EventsDeleting and Adding Events Adding an EventAccess the Sample Top screen p Touch Save Saving a SampleSaving the System Settings Write Settings Common to All Modes System ModeHow to Make the System Function Settings Initializing the System Settings InitFunctions of System Parameters Settings Common to the Entire System CommonMaster Rx Bank Receive Bank Select Switch Band EQ 4-Band Equalizer SwitchRx PC Receive Program Change Switch MID 2 GainUSB Setup Tx Bank Transmit Bank Select Switch Part1-16 Rx Sw Part 1-16 Receive SwitchTx PC Transmit Program Change Switch SwitchTT Pad/Knob Pedal BeamLink Settings V-LINK Lever Bend Assign V-LINK Pitch Bend Assign After Local Sw V-LINK Aftertouch Local SwitchAfter Assign V-LINK Aftertouch Assign About Disk Utility Disk-Related Functions Disk ModeBasic Disk Utility Operations Sorting the Files Displayed in the File List Access the Disk Utility Menu screen p Touch Load ProjectLoading a Project from Disk into the V-Synth Load Project Upper right of the disk utility screen, touchImporting Individual Patch or Delete Unneeded Files Clean ProjectSaving Project on Disk Save Project Wave Files Import FilesAccess the Disk Utility Menu screen p Touch Format Initializing a Disk FormatCopying Files/Folders Copy Functions Related to Files and Folders ToolsMoving Files/Folders Move Deleting Files/Folders Delete File list, select the file or folder that you want to moveRenaming a Files/Folders Rename When you have finished inputting, touch OK to executeOperation.Mode DiskFunctions Related-Disk Selecting USB Storage Mode Transferring Files to or from Your Computer Storage ModeAbout USB Functions Windows 98/98SE Users Connecting to Your Computer via USB USB ModeWindows Users Windows XP/2000/Me or later UsersCanceling the USB Connection Connecting to Your Computer via USB USB ModeSwitching the Connected Drive Closing the USB Storage ScreenMacintosh Users ComputerBacking Up Patch and Wave Data Project from the V-Synth Examples of Using Storage ModeLoading Backup Data from Your Computer into the V-Synth Backing Up the V-Synth’s Internal Data onto Your ComputerInternal Memory Synth ImportPC Card Driver Installation and Settings Exchanging Midi Messages with Your Computer Midi ModeWhat is the USB Midi Driver? Transmitting Data to an External Midi Device Data Transfer Other FunctionsOther Functions Touch Execute to execute the Factory Reset Reset to Default Factory Settings Factory ResetTouch Factory Reset Viewing Various Information InfoTouch Calibration Adjusting the Sensitivity of the Touch ScreenDisplaying the Calibration Menu Screen Calibration Menu screen, touch Touch ScreenAdjusting the Sensitivity of the D Beam Controller Adjusting the Sensitivity of the Time Trip Pad100 101 AppendicesCommon Group p Parameter ListPatch Parameters 102Parameter List OSC1/OSC2 Group p 103Parameter Value Fat Analog Parameter List104 Time PCM105 Mod Group pCOSM1/COSM2 Group p Mod TypeParameter List TVA Group p 106107 Parameter List Effect Group pParameter Value Routing Parameter Value Master System Parameters108 Part MidiTT Pad/Knob Parameter List Controller Group p109 Beam110 Parameter List Link Group pLever Overdrive / Distortion Cosm ListCosm Parameters Wave ShapeResonator Amp SimulatorSpeaker Simulator 1st order SideBandFilterDual Filter 2nd order SideBandFilterComb Filter 113114 Dynamic TVFPolyphonic Compressor CutoffLo-Fi Processor Polyphonic LimiterFrequency Shifter 115116 Effects ListMFX Parameters DS / ODResonant Filter Parametric EQ Parametric EqualizerGraphic EQ Graphic Equalizer Effects ListDistortion / OD Distortion / Overdrive Isolator and Filter118 119 Specifications of each Speaker TypeAmp Simulator Guitar Amp Simulator Type Cabinet Speaker Microphone120 Auto WahHumanizer LPF, BPF121 Dynamic Processor Stereo Dynamic ProcessorTape Echo Simulator +M+LREO, Alter Stereo Delay122 NateReverse Delay Multi Tap Delay123 Vocal Echo Band Pass DelayDelay Pan Type Values Dly 124Digital Chorus Analog Delay→ Chorus125 Analog Flanger Space ChorusHexa Chorus 126Step Flanger Boss Flanger127 128 Analog PhaserDigital Phaser 4STAGETremolo/Auto Pan Rotary129 28 OD/DS→ Cho/Flg Overdrive/ Distortion→ Chorus/Flanger Stereo Pitch Shifter130 30 Cho/Flg→ Delay Chorus/Flanger→ Delay 29 OD/DS→ Delay Overdrive/Distortion→ Delay131 31 Enh→ Cho/Flg Enhancer→ Chorus/Flanger 32 Enh→ Delay Enhancer→ Delay132 133 Vocal MultiGuitar Multi LIMITER, DEBass Multi 134Keyboard Multi Rhodes Multi135 136 Radio TuningPhonograph LP, EP, SPPseudo Stereo Bit Rate Converter137 Chorus Type Chorus ParametersReverb Parameters Chorus ParametersRoom 139Hall 140141 Garage 142Non-Linear Delay143 144 Problems Related to the V-Synth Troubleshooting145 Troubleshooting Problems Related to the USB Driver Windows146 Deleting Incorrect Device Information 147Problems Related to the USB Driver Macintosh 148Message List Error Screens149 Message List 150Message Boxes 151About Midi About Midi ConnectorsMidi Channels and Multi-timbral Sound Generators Midi Implementation 153Midi Implementation 154Master Coarse Tuning Master VolumeMaster Fine Tuning 155Data Request 1RQ1 11H Scale/Octave Tuning Adjust156 Data Set DT1 12H157 158 Identity Reply MessageSystem Setup159 PatchSystem Controller 160Patch Common 161 MFX-SEND, CHO-SEND, REV-SEND MFX-PRM1, MFX-PRM2, MFX-PRM3162 Patch MFXPatch Chorus 163Patch Reverb 164 Patch Oscillator165 Patch EnvelopePatch LFO 166Patch Cosm Patch Controller 167Patch Arpeggio Midi Implementation Supplementary Material 168Example2 Getting the data RQ1 of Patch MFX in PATCH003 Example1 Setting Chorus Type of Patch to Chorus 1 DT1169 Example3 Getting Temporary Patch Part 1 data RQ1Just Temperament Tonic of C 170Equal Temperament Arabian ScaleMidi Implementation Chart 171Specifications 172173 IndexAssignable Hold Index174 LFO175 ON/OFF176 12, 14177 Time TripInstalling the PC Card Protector 178For the USA 179For EU Countries For CanadaInformation