164, Patch Oscillator | Roland V-Synth guide

MIDI Implementation

		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 10	(12768 — 52768)
				—20000 — +20000
#	00 2A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 11	(12768 — 52768)
				—20000 — +20000
#	00 2E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 12	(12768 — 52768)
				—20000 — +20000
#	00 32	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 13	(12768 — 52768)
				—20000 — +20000
#	00 36	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 14	(12768 — 52768)
				—20000 — +20000
#	00 3A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 15	(12768 — 52768)
				—20000 — +20000
#	00 3E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 16	(12768 — 52768)
				—20000 — +20000
#	00 42	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 17	(12768 — 52768)
				—20000 — +20000
#	00 46	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 18	(12768 — 52768)
				—20000 — +20000
#	00 4A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 19	(12768 — 52768)
				—20000 — +20000
#	00 4E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 20	(12768 — 52768)
				—20000 — +20000
#	00 52	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 21	(12768 — 52768)
				—20000 — +20000
#	00 56	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 22	(12768 — 52768)
				—20000 — +20000
#	00 5A	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 23	(12768 — 52768)
				—20000 — +20000
#	00 5E	0000	aaaa
		0000	bbbb
		0000	cccc
		0000	dddd Reverb Parameter 24	(12768 — 52768)
				—20000 — +20000

—————————————+————————————————————————————————————————————————————————————————

00 00 00 62 Total Size +——————————————————————————————————————————————————————————————————————————————+

❍Patch Oscillator

+——————————————————————————————————————————————————————————————————————————————+

	Offset
	Address		Description

—————————————+————————————————————————————————————————————————————————————————

	00 00	0000 00aa	Structure Type	(0	—	2)
				1	—	3

—————————————+———————————+————————————————————————————————————————————————————

	00 01		0000	000a		MOD Switch	(0 — 1)
							OFF, ON
	00 02		0000	0aaa		MOD Type	(0 — 4)
							MIX, RING(AM), FM, ENV RING,
							OSC SYNC
	00 03		0aaa aaaa			MOD Original Level	(0 — 127)
	00 04		0aaa aaaa			MOD Attack Time	(0 — 127)
	00 05		0aaa aaaa			MOD Release Time	(0 — 127)

—————————————+———————————+————————————————————————————————————————————————————

	00	06		0000	000a		TVA Switch	(0	— 1)
								OFF, ON
	00	07		0aaa aaaa			TVA Level	(0 —	127)
	00	08		00aa aaaa			TVA Level Keyfollow	(44 — 84)
								—200 — +200
	00	09		0aaa aaaa			TVA Level LFO Depth	(1 —	127)
								—63 —	+63
	00	0A		0aaa aaaa			TVA Pan	(0 —	127)
								L64 —	63R
	00	0B		00aa aaaa			TVA Pan Keyfollow	(44 — 84)
								—200 — +200
	00	0C		0aaa aaaa			TVA Pan LFO Depth	(1 —	127)
								—63 —	+63

—————————————+———————————+————————————————————————————————————————————————————

	00	0D		0aaa aaaa			MFX Send Level			(0 —		127)
	00	0E		0aaa aaaa			Chorus Send		Level	(0	—	127)
	00	0F		0aaa	aaaa		Reverb	Send	Level	(0	—	127)
	00	10		0000	00aa		Output	Assign			(0	— 2)
										MULTI, MAIN,		DIR

—————————————+———————————+————————————————————————————————————————————————————

	00 11	0000 000a		OSC 1 Switch		(0	— 1)
					OFF, ON
	00 12	0000 00aa		OSC 1 Type		(0	— 2)
					ANALOG, PCM,	EXTIN
	00 13	000a aaaa		OSC 1 Wave Gain	(52 — 76)
					—12 — +12 [dB]
	00 14	0aaa aaaa		OSC 1 Pitch	(1	—	127)
					—63	—	+63
	00 15	00aa aaaa		OSC 1 Pitch Keyfollow	(44 — 84)
					—200 — +200
	00 16	0aaa aaaa		OSC 1 Pitch LFO Depth	(1	—	127)
					—63	—	+63
	00 17	0aaa aaaa		OSC 1 Pitch Envelope Depth	(1	—	127)
					—63	—	+63
	00 18	0aaa aaaa		OSC 1 Coarse Tune	(16	—	112)
					—48	—	+48
	00 19	0aaa aaaa		OSC 1 Fine Tune	(14	—	114)
					—50 — +50 [cent]
	00 1A	000a aaaa		OSC 1 Random Pitch Depth	(0 — 30)
				0, 1, 2, 3, 4, 5, 6, 7, 8, 9,
				10, 20, 30, 40, 50, 60, 70, 80,

							90, 100, 200, 300, 400,	500,
						600, 700, 800, 900, 1000,		1100,
								1200
	00	1B	0aaa aaaa		OSC 1	Level	(0 —	127)
	00	1C	00aa aaaa		OSC 1	Level Keyfollow	(44	— 84)
							—200 —	+200
	00	1D	0aaa aaaa		OSC 1	Level LFO Depth	(1 —	127)
							—63 —	+63

—————————————+———————————+————————————————————————————————————————————————————

	00 1E	0000 aaaa		OSC 1 Analog Waveform		(0	— 8)
				SAW, SQUARE, TRIANGLE, SINE, RAMP, JUNO,
				HQ—SAW, HQ—SQUARE,		NOISE
	00 1F	00aa aaaa		OSC 1 Impact	(0 — 40)
					0.0	—	4.0
	00 20	0aaa aaaa		OSC 1 Pulse Width	(1	—	127)
					—63	—	+63
	00 21	00aa aaaa		OSC 1 Pulse Width Keyfollow	(44 — 84)
					—200 — +200
	00 22	0aaa aaaa		OSC 1 Pulse Width LFO Depth	(1	—	127)
					—63	—	+63
	00 23	0aaa aaaa		OSC 1 Pulse Width Envelope Depth	(1	—	127)
					—63	—	+63
	00 24	0aaa aaaa		OSC 1 Fat	(0	—	127)
	00 25	00aa aaaa		OSC 1 Fat Keyfollow	(44 — 84)
					—200 — +200
	00 26	0aaa aaaa		OSC 1 Fat LFO Depth	(1	—	127)
					—63	—	+63
	00 27	0aaa aaaa		OSC 1 Fat Envelope Depth	(1	—	127)
					—63	—	+63

—————————————+———————————+————————————————————————————————————————————————————

#	00 28	0000 aaaa
		0000 bbbb
		0000 cccc
		0000 dddd		OSC 1 Wave Number	(0	—	999)
					OFF, 1	—	999
#	00 2C	0000 aaaa
		0000 bbbb
		0000 cccc
		0000 dddd
		0000 eeee
		0000 ffff
		0000 gggg
		0000 hhhh		OSC 1 Start Offset
					0000000h - FFFFFFFh
	00 34	0aaa aaaa		OSC 1 Time	(1	—	127)
					—63	—	+63
	00 35	00aa aaaa		OSC 1 Time Keyfollow	(44 — 84)
					—200 — +200
	00 36	0aaa aaaa		OSC 1 Time LFO Depth	(1	—	127)
					—63	—	+63
	00 37	0aaa aaaa		OSC 1 Time Envelope Depth	(1	—	127)
					—63	—	+63
	00 38	0000 00aa		OSC 1 Time Offset		(0	— 2)
					BWD, ZERO,		FWD
	00 39	0aaa aaaa		OSC 1 Formant	(1	—	127)
					—63	—	+63
	00 3A	00aa aaaa		OSC 1 Formant Keyfollow	(44 — 84)
					—200 — +200
	00 3B	0aaa aaaa		OSC 1 Formant LFO Depth	(1	—	127)
					—63	—	+63
	00 3C	0aaa aaaa		OSC 1 Formant Envelope Depth	(1	—	127)
					—63	—	+63
	00 3D	0000 000a		OSC 1 Tempo Sync Sw		(0	— 1)
					OFF, ON
	00 3E	0000 000a		OSC 1 Robot Voice Sw		(0	— 1)
					OFF, ON
	00 3F	0000 00aa		OSC 1 Playback Mode		(0	— 3)
				RETRIGGER, LEGATO, STEP,		EVENT
	00 40	0000 000a		OSC 1 Loop Sw		(0	— 1)
					OFF, ON
	00 41	0000 000a		OSC 1 Vari Sw		(0	— 1)
					OFF, ON
	00 42	0aaa aaaa		OSC 1 Energy	(0	—	127)
					OFF, 1	-	127
	00 43	0000 000a		OSC 1 Time Trip Sw		(0	— 1)
					OFF, ON
	00 44	0000 000a		OSC 1 Time Trip Beat Keep		(0	— 1)
					OFF, ON

—————————————+———————————+————————————————————————————————————————————————————

	00	45	0000 000a		OSC 2 Switch		(0	— 1)
						OFF, ON
	00	46	0000 00aa		OSC 2 Type		(0	— 2)
					ANALOG, PCM,		EXTIN
	00	47	000a aaaa		OSC 2 Wave Gain	(52 — 76)
					—12 —	+12 [dB]
	00	48	0aaa aaaa		OSC 2 Pitch	(1	—	127)
						—63	—	+63
	00	49	00aa aaaa		OSC 2 Pitch Keyfollow	(44 — 84)
					—200 — +200
	00	4A	0aaa aaaa		OSC 2 Pitch LFO Depth	(1	—	127)
						—63	—	+63
	00	4B	0aaa aaaa		OSC 2 Pitch Envelope Depth	(1	—	127)
						—63	—	+63
	00	4C	0aaa aaaa		OSC 2 Coarse Tune	(16	—	112)
						—48	—	+48
	00	4D	0aaa aaaa		OSC 2 Fine Tune	(14	—	114)
					—50 — +50 [cent]
	00	4E	000a aaaa		OSC 2 Random Pitch Depth	(0 — 30)
					0, 1, 2, 3, 4, 5, 6, 7, 8, 9,
					10, 20, 30, 40, 50, 60, 70, 80,
					90, 100, 200, 300,	400,		500,
					600, 700, 800, 900, 1000, 1100,
								1200
	00	4F	0aaa aaaa		OSC 2 Level	(0	—	127)
	00	50	00aa aaaa		OSC 2 Level Keyfollow	(44 — 84)
					—200 — +200
	00	51	0aaa aaaa		OSC 2 Level LFO Depth	(1	—	127)
						—63	—	+63

—————————————+———————————+————————————————————————————————————————————————————

	00 52	0000 aaaa		OSC 2 Analog Waveform		(0	— 8)
				SAW, SQUARE, TRIANGLE, SINE, RAMP, JUNO,
				HQ—SAW, HQ—SQUARE,		NOISE
	00 53	00aa aaaa		OSC 2 Impact	(0 — 40)
					0.0	—	4.0
	00 54	0aaa aaaa		OSC 2 Pulse Width	(1	—	127)
					—63	—	+63
	00 55	00aa aaaa		OSC 2 Pulse Width Keyfollow	(44 — 84)
					—200 — +200
	00 56	0aaa aaaa		OSC 2 Pulse Width LFO Depth	(1	—	127)
					—63	—	+63
	00 57	0aaa aaaa		OSC 2 Pulse Width Envelope Depth	(1	—	127)
					—63	—	+63
	00 58	0aaa aaaa		OSC 2 Fat	(0	—	127)
	00 59	00aa aaaa		OSC 2 Fat Keyfollow	(44 — 84)
					—200 — +200
	00 5A	0aaa aaaa		OSC 2 Fat LFO Depth	(1	—	127)
					—63	—	+63
	00 5B	0aaa aaaa		OSC 2 Fat Envelope Depth	(1	—	127)
					—63	—	+63

—————————————+———————————+————————————————————————————————————————————————————

#	00	5C		0000	aaaa
				0000	bbbb
				0000	cccc
				0000	dddd OSC 2 Wave Number	(0 — 999)
						OFF, 1 — 999
#	00	60		0000	aaaa
				0000	bbbb
				0000	cccc

164

Image 164

Roland V-Synth owner manual 164, Patch Oscillator

Contents

Page Important Safety Instructions For the U.KPage Power Supply Placement Maintenance Additional PrecautionsBefore Using Cards Handling CD-ROMs How To Use This Manual Contents Creating and Editing Samples Sample Mode Contents Connecting to Your Computer via USB USB Mode Appendices 101 An interface that gives life to the sound Main FeaturesIdeal combination of sound generators Main Features Use with other devices for even greater possibilitiesOpen system architecture Full complement of external interfaces Panel Descriptions Front Panel Panel Descriptions 14 OSC1, OSC2 16 TVAPitch Bend/Modulation Lever LFO DP1, LFO DP2, LFO DP3 Rear Panel Overview of the V-Synth How the V-Synth Is OrganizedBasic Structure Polyphony Memory Memory Structure Changing Operating Modes Mode Basic Operation of the V-Synth Basic Touch Screen Operation Moving the Cursor Editing a Value Playing in Patch Mode About the Patch Play ScreenSelecting a Patch Displaying Patch Play Screen Press Transpose to light indicator Transposing the Keyboard in Semitone Steps TransposeSelecting Favorite Patches Patch Palette Selecting Patches from the List Creating Smooth Pitch Changes Portamento Transposing the Keyboard in Octave Units Octave ShiftPlaying Single Notes Mono Using an External Midi Keyboard to Play Arpeggios When Using a Hold PedalPlaying Arpeggios Arpeggiator Holding an Arpeggio About the Pattern Edit Window Making Arpeggiator SettingsCreating an Original Arpeggio Pattern Pattern Edit Creating a Pattern by Playing in Real Time Real Rec Playing in Patch Mode Erasing a Pattern Clear When you are finished with step input, touch StopCreating a Pattern by Inputting One Step at a Time Step Rec Touch Step Rec What is the Time Trip function? Applying Various Effects to the Sound Mode Usable range of the D Beam controllerIf Assignable is on Function to turn on the D Beam controller Synchronizing Music Video While You Play Synth V-LINK Applying an Effect by Turning a Knob Assignable Controller Enter V-LINK Mode Press V-LINK so the indicator lightsExample Connections Link function Transmitted Midi message Four Tips for Editing Patches How to Make the Patch SettingsCreating a Patch Patch Initializing Patch Settings Patch InitCopying Patch Settings Patch Copy Naming a Patch Patch Name Saving Patches Patch WritePulldown menu, touch Patch Name Pulldown menu, touch Patch Write Auditioning the Save-Destination Patch Compare Registering a Favorite Patch Patch PaletteTouch Execute to execute the Save operation Palette p Settings Common to the Entire Patch Common Deleting Patches Patch DeleteFunctions of Patch Parameters General Beam/Bender TT Pad Matrix Ctrl Sens Matrix Control Sens Destination 1, 2 Matrix Control Destination 1CSM1/2-PRM1 p CSM1/2-PRM2 p CSM1/2-LFO-PRM1 p CSM1/2-LFO-PRM2 p Creating a Patch Arpeggio Tune Modifying Waveforms OSC1/ OSC2 OSC Type Pitch Time PCM Creating a Patch Pulse Width AnalogFat Analog Formant PCM Mixing/Modulating Two Sounds Mod Applying Various Effects to Each Note You Play COSM1/COSM2Mod Type Cosm Type Adjusting the Volume and Pan TVA Making Envelope Settings Making LFO Settings How to Apply the LFO Setting Effects for a Patch Effect Routing CHO Chorus On/Off Switch REV Reverb On/Off SwitchMFX To CHO MFX Chorus Send Level MFX To REV MFX Reverb Send Level Pulldown menu, touch Zone Zone Settings ZoneSplitting the Keyboard to Play Different Sounds Split Creating a Drum Patch Drum Lower part of the screen, touch Drum To save the patch you created, perform the Write operation p Creating and Editing Samples Sample Mode Settings Before You Sample What Is a Template?Factory Settings of Each Template Sampling Touch Sample Sampling ProcedureSetup Comp Limiter NoiseSup When you are finished sampling, touch Stop Select the location sample number that you wish to sampleTouch Sampling Touch Tmpl 1-TMPL 8 to select a sampling template Copying a Sample Sample Copy Pulldown menu, touch Sample NamePulldown menu, touch Sample Copy Touch Execute to execute the copy operation Press Exit Moving a Sample Sample Move Pulldown menu, touch Sample MoveTouch Execute to execute the move operation Press Exit Pulldown menu, touch Sample Exchange Setup Settings ResamplingSampling General Sampling Type Pre-Effect Settings Sampling Pre-Effect Metronome Settings Metronome Original Fine Tune Checking Sample InformationOriginal Pitch Common Procedure for Editing Importing a SampleEditing a Sample Displaying the Sample Edit Screen Start, End, and Current Settings AdjustFunctions Common to All Editing Screens Touch Edit Editing the Specified Region of the Sample Basic OperationZero Cross Search Zoom Zero Insert LR-MixCut Trim Trimming Region Loop Region SettingsReverse Displaying the Encode Screen Original Tempo SettingConverting the Sample to V- Synth Data Encode Touch Encode Selecting the Encoding TypeTo Execute the Encode Operation Automatically Detecting Events Deleting and Adding EventsDeleting an Event Adding an Event Access the Sample Top screen p Touch Save Saving a Sample Settings Common to All Modes System Mode How to Make the System Function SettingsSaving the System Settings Write Initializing the System Settings Init Master Settings Common to the Entire System CommonFunctions of System Parameters Band EQ 4-Band Equalizer Switch Rx PC Receive Program Change SwitchRx Bank Receive Bank Select Switch MID 2 Gain USB Setup Part1-16 Rx Sw Part 1-16 Receive Switch Tx PC Transmit Program Change SwitchTx Bank Transmit Bank Select Switch Switch TT Pad/Knob Pedal Beam Link Settings V-LINK Lever After Assign V-LINK Aftertouch Assign After Local Sw V-LINK Aftertouch Local SwitchBend Assign V-LINK Pitch Bend Assign Basic Disk Utility Operations Disk-Related Functions Disk ModeAbout Disk Utility Access the Disk Utility Menu screen p Touch Load Project Loading a Project from Disk into the V-Synth Load ProjectSorting the Files Displayed in the File List Upper right of the disk utility screen, touch Delete Unneeded Files Clean Project Saving Project on Disk Save ProjectImporting Individual Patch or Wave Files Import Files Access the Disk Utility Menu screen p Touch Format Initializing a Disk Format Moving Files/Folders Move Functions Related to Files and Folders ToolsCopying Files/Folders Copy Deleting Files/Folders Delete File list, select the file or folder that you want to move Operation.Mode DiskFunctions Related-Disk When you have finished inputting, touch OK to executeRenaming a Files/Folders Rename About USB Functions Transferring Files to or from Your Computer Storage ModeSelecting USB Storage Mode Connecting to Your Computer via USB USB Mode Windows UsersWindows 98/98SE Users Windows XP/2000/Me or later Users Connecting to Your Computer via USB USB Mode Switching the Connected DriveCanceling the USB Connection Closing the USB Storage Screen Macintosh Users Computer Examples of Using Storage Mode Loading Backup Data from Your Computer into the V-SynthBacking Up Patch and Wave Data Project from the V-Synth Backing Up the V-Synth’s Internal Data onto Your Computer PC Card Synth ImportInternal Memory What is the USB Midi Driver? Exchanging Midi Messages with Your Computer Midi ModeDriver Installation and Settings Other Functions Other FunctionsTransmitting Data to an External Midi Device Data Transfer Reset to Default Factory Settings Factory Reset Touch Factory ResetTouch Execute to execute the Factory Reset Viewing Various Information Info Adjusting the Sensitivity of the Touch Screen Displaying the Calibration Menu ScreenTouch Calibration Calibration Menu screen, touch Touch Screen 100 Adjusting the Sensitivity of the Time Trip PadAdjusting the Sensitivity of the D Beam Controller 101 Appendices Parameter List Patch ParametersCommon Group p 102 Parameter List OSC1/OSC2 Group p 103 Parameter List 104Parameter Value Fat Analog Time PCM Mod Group p COSM1/COSM2 Group p105 Mod Type Parameter List TVA Group p 106 Parameter Value Routing Parameter List Effect Group p107 System Parameters 108Parameter Value Master Part Midi Parameter List Controller Group p 109TT Pad/Knob Beam Lever Parameter List Link Group p110 Cosm List Cosm ParametersOverdrive / Distortion Wave Shape Amp Simulator Speaker SimulatorResonator 1st order SideBandFilter 2nd order SideBandFilter Comb FilterDual Filter 113 Dynamic TVF Polyphonic Compressor114 Cutoff Polyphonic Limiter Frequency ShifterLo-Fi Processor 115 Effects List MFX Parameters116 DS / OD Parametric EQ Parametric Equalizer Graphic EQ Graphic EqualizerResonant Filter Effects List 118 Isolator and FilterDistortion / OD Distortion / Overdrive Specifications of each Speaker Type Amp Simulator Guitar Amp Simulator119 Type Cabinet Speaker Microphone Auto Wah Humanizer120 LPF, BPF Dynamic Processor Stereo Dynamic Processor Tape Echo Simulator121 +M+L Stereo Delay 122REO, Alter Nate 123 Multi Tap DelayReverse Delay Band Pass Delay Delay Pan Type Values DlyVocal Echo 124 125 Analog Delay→ ChorusDigital Chorus Space Chorus Hexa ChorusAnalog Flanger 126 127 Boss FlangerStep Flanger Analog Phaser Digital Phaser128 4STAGE 129 RotaryTremolo/Auto Pan 130 Stereo Pitch Shifter28 OD/DS→ Cho/Flg Overdrive/ Distortion→ Chorus/Flanger 131 29 OD/DS→ Delay Overdrive/Distortion→ Delay30 Cho/Flg→ Delay Chorus/Flanger→ Delay 132 32 Enh→ Delay Enhancer→ Delay31 Enh→ Cho/Flg Enhancer→ Chorus/Flanger Vocal Multi Guitar Multi133 LIMITER, DE Bass Multi 134 135 Rhodes MultiKeyboard Multi Radio Tuning Phonograph136 LP, EP, SP 137 Bit Rate ConverterPseudo Stereo Chorus Parameters Reverb ParametersChorus Type Chorus Parameters Room 139 Hall 140 141 Garage 142 143 DelayNon-Linear 144 145 TroubleshootingProblems Related to the V-Synth 146 Problems Related to the USB Driver WindowsTroubleshooting Deleting Incorrect Device Information 147 Problems Related to the USB Driver Macintosh 148 149 Error ScreensMessage List Message List 150 Message Boxes 151 Midi Channels and Multi-timbral Sound Generators About Midi ConnectorsAbout Midi Midi Implementation 153 Midi Implementation 154 Master Volume Master Fine TuningMaster Coarse Tuning 155 Scale/Octave Tuning Adjust 156Data Request 1RQ1 11H Data Set DT1 12H 157 158 Identity Reply Message Setup 159System Patch Patch Common 160System Controller 161 MFX-SEND, CHO-SEND, REV-SEND MFX-PRM1, MFX-PRM2, MFX-PRM3 162 Patch MFX Patch Reverb 163Patch Chorus 164 Patch Oscillator 165 Patch Envelope Patch Cosm 166Patch LFO Patch Arpeggio 167Patch Controller Midi Implementation Supplementary Material 168 Example1 Setting Chorus Type of Patch to Chorus 1 DT1 169Example2 Getting the data RQ1 of Patch MFX in PATCH003 Example3 Getting Temporary Patch Part 1 data RQ1 170 Equal TemperamentJust Temperament Tonic of C Arabian Scale Midi Implementation Chart 171 Specifications 172 Assignable Index173 Index 174Hold LFO 175 ON/OFF 176 12, 14 177 Time Trip Installing the PC Card Protector 178 179 For EU CountriesFor the USA For Canada Information