Roland V-Synth owner manual Stereo Delay, 122, REO, Alter, Nate, Alternate

Effects List

11: Stereo Delay

This is a stereo delay. Depending on the length of the delay you set,

you can get long echoes, thick sounds, or spatial sounds.

L		2-Band
	Delay
R		EQ

When Mode parameter is STEREO:

L		2-Band
	Delay
R		EQ

When Mode parameter is MONO or ALTERNATE:

Parameter	Value	Description
Mode	MONO, STE-	Switches stereo, monaural, or al-
	REO, ALTER-	ternate.
	NATE	MONO: This is a single-input,
		dual-output delay. Stereo sound
		(left and right) are mixed before
		being input.
		STEREO: This is a dual-input,
		dual-output delay. The delay
		sound output features the same
		stereo placement as that of the
		input.
		ALTERNATE: The left and right
		delay sound output alternately.
		(Alternate delay)
Delay Time	0–1300 ms	Adjusts the delay time from the
	(MONO), 0–650	direct sound until the delay
	ms (STEREO,	sound is heard.
	ALTERNATE),
	note
L-R Shift	0–650 ms, note	Of the left and right delay
		sounds, the delay time will be
		increased for only one side.
		If the L-R order is L→ R, the R
		sound will be later. In the case of
		R→ L, the L sound will be later.
		* When the mode is set to
		MONO or ALTERNATE, this
		setting will be ignored.
L-R Order	L→ R, R→ L	In STEREO or ALTERNATE
		mode, this setting determines
		which of the left or right sides
		has the delay sound before the
		other
		L→ R: The left side is expressed
		first
		R→ L: The right side is expressed
		first
		* In MONO mode, this setting
		will be ignored.

Parameter	Value	Description
Feedback	-98– +98 %	Adjusts the proportion of the de-
		lay sound that is fed back into
		the effect. Negative (-) settings
		will invert the phase.
Low Damp Freq	50–4000 Hz	Adjusts the frequency below
		which sound fed back to the ef-
		fect will be cut.
		The Low Damp function damps
		the low frequency band of the
		delay sound quicker than other
		bands, which makes for a clearer
		delay effect.
Low Damp	-36–0 dB	Degree of Low Damp
Gain
Hi Damp Freq	2000–20000 Hz	Adjusts the frequency above
		which sound fed back to the ef-
		fect will be cut.
		High Damp, by attenuating the
		higher frequencies first, makes
		the delay sound more natural.
Hi Damp Gain	-36–0 dB	Degree of High Damp
Balance	DRY100:0WET–	Volume balance between the di-
	DRY0:100WET	rect sound (DRY) and the delay
		sound (WET)
Ps Low Freq	50–4000 Hz	Frequency of the low range
Ps Low Gain	-15– +15 dB	Gain of the low range
Ps Hi Freq	2000–20000 Hz	Frequency of the high range
Ps Hi Gain	-15– +15 dB	Gain of the high range

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